Performance art can be produced in a coffee house setting.

Performance art is really more of a command than an invitation.

It's always been performance art, but now it's on a different level.

I try to see interviewing as performance art, and just take it as it comes.

We were doing performance art as far back as 1965, just not calling it that.

Politics with me isn't theater. It's performance art. Sometimes, for its own sake.

My father was a painter and an anarchist, always getting in trouble for his performance art.

I think performance art comes from a simple place of wanting to express things beyond just sound.

I am thrilled Lady Gaga has helped to teach her audience about long durational work and performance art.

'Billy on the Street' is a persona. It's crafted; it has writers. It's a mixture of performance art and comedy.

All good performance pieces have some philosophical validity. That's the difference between mere theater and performance art.

Professional wresting is like performance art. It truly is. You're taking the crowd on a ride, on an emotional roller coaster.

Performance art is about joy, about making something that's so full of kind of a wild joy that you really can't put into words.

A performance art piece is unprecedented. It is difficult to censor since it has a good possibility of never being done before.

I think I'm actually much too shy to do any performance art. I admire the big swings those guys take, but I'm not a one-man band.

I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film.

Performance art is the ultimate in creativity. Since it has so many possibilities at creativity, it's essence tends to become creativity.

When it comes to performance art, I am more interested in the failures then the so-called successes. I have never cared for entertaining anyone.

First of all, to do performance art, you really have to give 100 percent. I only know that I have to give 100 percent and then what happens, happens.

It would have to be connected with performance art somehow, either in the front of the house or the back. I was myopic about this from fourth grade on.

I went to art school for fine art and then I started doing performance art, and then I started making fun of performance art, and it turned into comedy.

I love the song 'Picasso Baby,' and I think the performance art piece was brilliant. I love that fact that Jay Z is continuing to raise the bar on hip hop.

It's always weird when it comes to awards and awards season because how can you say that this performance is better than this performance? Art is so subjective.

I guess that I was always considered a little too weird for the standup clubs and probably too jokey for doing performance art and those places where those are done.

Bumps often require giving yourself completely to the talent you're in the ring with, and that's what makes wrestling such a performance art that is different from every other.

Performance art is going to be the future. Plays on Broadway are so restricted. But performance art is like haikus, just one line thing. And it's more casual but more interesting.

I was doing these performance art pop music pieces in the city. And they were a bit on the eccentric side I suppose. So people started to call me Gaga after the Queen song 'Radio Gaga.'

My individual power is limited. I want to use my high-profile way to wake people up to take action together to do good things. I can only awake them with my performance art and creativity.

We have a very physical performance art. A lot of times, when you want to achieve a certain emotion, you have to use professional wrestling ingredients, which are moves or a sequence of moves.

Performance art can involve the audience with taste, smell and sounds not available with electronic media and not practical with conventional theater. This is due to the usually small audience.

My go-go dancing was not your typical go-go dancing: I really was doing performance art. I would do dramatic, elaborate lyricals across the bar. I learned a lot, actually, as an artist during that time.

A certain rough-around-the-edges improvisational looseness - a sense of something coming together before your eyes, or not quite - may be one of the things that distinguishes performance art from theater.

Whereas fiction is a continual discovery of what one wants to say, what one feels, what one means, and is, in that sense, a performance art, biography requires different skills - research and organization.

Job applications are an aesthetic event. They are performance art. They are not about proving you are smart - well, maybe your writing sample does that, but even then, the main point is to get an interview.

We're all so mauled by information, but it's recycled information. We need to shut it out. So, you've got to get bizarre. This is an artist's purpose - to break away from the recycled. Performance art can do that.

Being on the run wasn't fun, but it was something I had to do. I was actually working in legitimate jobs. I wasn't living on people's credit cards. I was living like a character out of a movie. It was performance art.

Compared to other forms of drama, performance art is often thought of as inaccessible and overly artsy. I prefer to think of it as storytelling, something that has been with us through the ages and a part of every culture.

I'd done performance art sporadically from about 1976 - very personal street things on my own. Acting seemed like a natural step from that. But I didn't really want to 'be' anything: presenter, comic, actor. I just wanted to perform.

I like money but I love performance art and it goes hand in hand. I'm not the 'Titanic,' I'm 'The Rocky Horror Picture Show.' I'm not a blockbuster, I'm a cult classic. I think my strong but cult-like fanbase expects me to challenge norms.

Israel is a wonderful place to be an artist - a place where imagination flourishes. Israeli culture is refreshingly avant garde - making films, music, performance art and visual art that continues to push the envelope, inspire and empower.

My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is.

From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.

I love fame. I love being written about. I don't really mind if people think I'm a bad writer, if they don't understand my weird Instagram performance art or they find my long captions annoying. That's part of the package of being in the public eye, and honestly I find it exhilarating.

I spent all of my childhood at a performance art camp. Putting on plays, it was more like commedia dell'arte. It wasn't career-oriented in any way. It was more fun and therapeutic, so I never really thought of it as something I would end up doing. I was more convinced I was going to be a painter.

'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.

I've worked with actors before where I was like, this is not working, and then I've seen their work on the screen and I've been like, Wow, that was a really great performance. Because there are a lot of elements with film. It's not like stage. It's not a kind of performance art anymore; it's a highly tuned kind of collaboration - a symphony.

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