My dream was always to be on the cover of 'Sports Illustrated.'

These 'Sports Illustrated' people, they know how to hold a secret.

Even if I did have, you know, a 'Sports Illustrated' body, I'd still wear elegant clothes.

I never thought I'd make the pages of 'Sports Illustrated', because I've always been skinny.

I want to model and I want to do whatever it takes to be a 'Sports Illustrated' swimsuit model.

Sports Illustrated is very serious about their covers. They'll never say, like, 'Oh you got it.'

I'm such a day-to-day person and 'Sports Illustrated' was a 12-year-long dream that finally came true.

Every single model wants to be in 'Sports Illustrated,' and I feel extremely blessed to have that opportunity.

I have done 'Sports Illustrated,' but I don't regret it because it portrayed me in a positive way - as an athlete.

I started my career as a swimsuit model. My first big break in America was 2007, 'Sports Illustrated' Swimsuit Issue.

I made the cover of 'Sports Illustrated,' 'Newsweek' and 'Time' all in one week, and I didn't even know what that meant.

Life magazine ran a page featuring me and three other girls that was clearly the precursor of Sports Illustrated swimsuit issues.

For a while I was on the cover of every Sports Illustrated swimsuit issue, which was regarded as the pinnacle of success in America.

When we do 'Sports Illustrated,' it starts the night before. You do a St. Tropez tan that night, then baby oil gel, then body color.

I felt I had 'made it' as a model when I was invited to be the first model to shoot for the 2019 'Sports Illustrated' Swimsuit issue.

As a woman of color and curve model, I never imagined when I started modeling that I would be featured in the pages of 'Sports Illustrated.'

It's become another dimension to who I am. I don't think Sports Illustrated is going to be wanting me. But who cares? I'm at a different place in my life.

I work for ABC television; I have my own syndicated TV series. I've been on the cover of 'Time Magazine' and on the cover of 'Sports Illustrated' five times.

I did a shoot for 'Sports Illustrated,' and my grandpa called me and asked when my issue of 'Playboy' was coming out. It was hilarious as well as embarrassing.

I wasn't put on the cover of 'Sports Illustrated' as a plus-size model; I was put on the cover of 'Sports Illustrated' as a model, as a rookie, as Ashley Graham.

'Sports Illustrated' does extremely minimal retouching. Other publications, however... phew. They do a lot; I've watched myself be Photoshopped before. It. Is. The. Worst.

I was a subscriber to 'Sports Illustrated' like so many of us, and I was overwhelmed by a toxic mix of naivete and arrogance, and just thought to myself, 'I think I can write like this.'

I had started writing for 'Sports Illustrated,' which was really my dream job growing up. But the writing probably read like I was auditioning to write for 'Letterman' or '70s-era Carson.

'Sports Illustrated' decided to have curvy women not only in their magazine but on the cover of their magazine. Now, that means size diversity is here, and it's real, and it's not a trend.

The first thing they gave me at 'Sports Illustrated' was a first-class air card. 'And oh, by the way, there's the petty cash drawer,' they told me. 'Take a few thousand dollars for expenses.'

I had almost nothing published until I had something published in 'Sports Illustrated.' I started there as a fact-checker two weeks after I got out of college and was there for almost 20 years.

I'm really getting into acting and TV. 'Sports Illustrated' is a big, iconic brand I'd like to work for, too. But TV and acting is really funny and a bit more exciting than shooting all the time.

Confidence is sexy. That's what 'Sports Illustrated Swim' stands for. They have this movement where you can just be beautiful no matter what shape, what size, your height, your body type, your ethnicity.

The main thing is healthy eating, exercise, which I do for special events, like if it's Sports Illustrated, or the swim suit catalogue for Victoria's Secret, or my own calendar that I did for the year 2000.

I get that it's packaging and it's neat to put a name on what the girls are. But it seems to me that they were making us Sports Illustrated swimsuit models instead of women who wrestle on a pro wrestling program.

When there were first rumors of us going after LeBron, some fans wondered how we could do that after all that happened. But after the 'Sports Illustrated' letter, every fan is thrilled to have him back. That was so heartfelt.

The first words Rebecca Lobo ever spoke to me when we met in a Manhattan bar in 2001 were, 'Aren't you the guy who just mocked women's basketball in 'Sports Illustrated'?' I blushed, broke out in a flop sweat and said, 'Yes.'

The 'Sports Illustrated' cover was the last thing I shot. That week, I told my agent, 'You know what, I really... I don't want to be a model anymore. I really want to do movies.' And I think he wanted to wring my neck at the moment.

After my first 'Sports Illustrated' cover, I felt terrible about myself for a solid month. People deal with models like they are children. They think they can pull one over on you. I'm not a toy; I'm a human. I'm not here to be used.

I'm 19 now, and I go to The New School in New York, where I study Criminal Psychology. My first week of second semester was during Fashion Week when my first editorials in 'CR Fashion Book' and 'Sports Illustrated' came out. It was crazy!

At home I have a copy of the April 21, 1986, issue of 'Sports Illustrated.' I'm on the cover with the blurb, 'Can Lou Do It?' I'd just arrived at Notre Dame, and with spring football underway, I was the focal point of that week's coverage.

I'm not ashamed of my social media following, my Sports Illustrated swimsuit shoot, or the tough time I had in my LPGA debut, but these small facets of my life are easily manipulated by the Internet to get views, and they don't define me as a person.

I'm kind of the model that everyone thought would always be the Guess, 'Sports Illustrated' girl. Then, when I started to do high fashion stuff... people were like, 'Oh, so we can have a girl with, like, thighs and a butt in a Tom Ford campaign. Cool.'

I gave birth to my first son in April 1986. I thought it would be a good goal to get back in shape after having a baby if I ran the New York City Marathon. I ran in it November 1986. I had just shot the 'Sports Illustrated' swimsuit issue, so I was in great shape.

'Sports Illustrated' has set the standard for what a swimsuit model should be. For a magazine that has that much influence to include models of different body types on their pages shows that they're breaking down old beauty ideals while opening the doors of diversity and inclusivity.

When I finally discovered the 'Sports Illustrated' swimsuit issue, I browsed through archives and saw a picture of an incredibly stunning model, Damaris Lewis. Her images inspired me, and I imagined being in the magazine myself. Never in a million years did I dream it would actually happen.

To compare writing an article for 'Sports Illustrated' to doing a piece for 'Real Sports', the article, it was all me. You know, I'm out there by myself with my pad and pencil. 'Real Sports,' I've got a producer, an assistant producer, and cameramen. It's an individual game versus a team game.

A supermodel needed to be able to be on 'Sports Illustrated,' to be able to walk runways, to be able to do beauty ads, to be on covers. And the girls now can no longer be on covers and be in the ads because your actresses have taken over all the jobs. I don't know what happened, but we want our jobs back.

I'm 5'3'', and not often you get to see that in a magazine. I think that what is so cool about 'Sports Illustrated' is it's all different body shapes, all difference sizes. You have actresses, sports figures, musicians, so it's all about skin deep beauty sort of radiating to the outside, and that's what's so special.

When my TV show, 'Sports Jobs with Junior Seau,' assigned me to be a 'Sports Illustrated' reporter for a weekend, I didn't realize I'd have to squeeze it in around another sports job. I had planned to retire from the NFL to enjoy the cushy lifestyle of a full-time reality TV star, but I wound up getting run over by a bull.

In the summer of 1963, my second with 'Sports Illustrated,' Jerry Tax, the basketball editor, got the Celtics' Frank Ramsey, the NBA's first famous sixth man, to do a piece for the magazine revealing some of the devious little tricks of his trade. Things like surreptitiously holding an opponent's shorts - nickel-and-dime stuff.

I remember my first 'Sports Illustrated' shoot was with the photographer Walter Iooss, and Julie Campbell was the editor, and we were at the president of Mexico's private house in Cancun - this was before anything else that's now in Cancun even existed. And they told me to get a tan, so I spent all morning in the sun, and I was burnt.

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