I find teenage girls endlessly funny.

Jack Thorne writes so well for messed-up teenage girls.

I want to inspire people to tear down their walls, especially for teenage girls.

Anyone who's been to high school with teenage girls knows how horrible girls can be.

Sometimes I think opposable thumbs were invented so teenage girls could use text messaging.

Teenage girls like certain things I wear - or certainly did when that whole boho thing happened.

I like the idea that I can talk to any teenage girls. You know, in a language that makes sense to them.

Not eating breakfast is the worst thing you can do, that's really the take-home message for teenage girls.

Whenever teenage girls and corporate CEOs covet the same new technology, something extraordinary is happening.

I am not sure that the inner world of teenage girls has changed. What's most important to kids today is still the same stuff.

Teenage girls read in packs. It's true today, and it was true when I was a teen growing up in a small town in northeast Oklahoma.

A friend told me that teenage girls are always looking for someone to pin their dreams on. That doesn't make it any less weird though.

Vanity's really overrated. When I was 20, teenage girls had my picture on the wall... I don't need to be pretty anymore. I just am who I am.

I worked in a comic shop for five years, and the amount of titles I could excitedly recommend to teenage girls was pretty abysmal for awhile.

I remember walking the dog one day, I saw a car full of teenage girls, and one of them rolled down the window and yelled, 'Marc Jacobs!' in a French accent.

There are very few things that I love more than being on stage and performing, but more than anything, I want to be a positive role model for teenage girls.

As much as I'm drawn to writing about teenage girls, I like the idea of having the freedom to branch out and write about different ages, for different ages.

I once got asked in an interview: 'Does it annoy you that the majority of your fans are teenage girls?' I was insulted and angry because it was sexist and ageist.

I think looking at the front row of a Chvrches show is really diverse. It could be 50-year-old dudes who love Depeche Mode or teenagers or teenage girls and their dad.

I have started my own foundation. It's called Follow Your Art. It's at its infancy but my goal is to mentor teenage girls through one of the most difficult times in their lives.

Communicating with teenage girls is easy unless you're an adult, and then it's like having someone take a pair of pliers and, one-by-one, yank off your fingernails through your ears.

I think it's really hard for teenage girls in London to just gently... have a life. Everything has to be organised for kids in London - you can't just walk three roads to see a friend.

In football, you're dealing with grown men. In gymnastics, you're dealing with prepubescent teenage girls. There's a huge difference. At that age, you're not confident enough to have a voice.

Teenage girls these days are more and more getting lured into thinking they should dumb themselves down, and that's going to attract the wrong kind of guy, and it's serious. It's serious business.

Teenage years are hard. And, having taught high school for a number of years, I think they're particularly hard on teenage girls. The most self-conscious human beings on the planet are teenage girls.

Adapting a Judy Blume book is something I really wanted to do, and you couldn't grow up in the '90s without knowing about 'Tiger Eyes' and reading it. It should've been assigned to all teenage girls.

Although my mother didn't necessarily approve of teenage girls wearing heels, she made an exception for me when I was 14 because she didn't want me to be self-conscious about my height - or to slouch.

We did a 'Vanity Fair' spread for 'The Hunger Games,' and we were on set, and I saw a little head pop up from the tree. There were three teenage girls who snuck past security and made it into the forest.

I write simple songs, and people like that. They're mature enough to appeal to people who aren't teenage girls. Most of my fans are older, and it's nice to think the songs can appeal to middle-aged men and women.

Everyone just talks about the problems our teenage girls are facing and what they're dealing with. But there was, to me, a void in how they were being served or helped. I thought, 'Wow, I'd love to create something.'

When I was young, there weren't any teenage girls I could relate to in film. They were all put in boxes: the virginal good girl, the really sarcastic asexual one. I wanted to do something that represented how I felt then.

Muslims do drink, as anyone who has spent a wild weekend with Saudi booze tourists in Bahrain will know. Those Saudi tourists are like teenage girls in Manchester on a Saturday night. But each country and region is different.

The interesting thing about 'True Blood' is that its appeal is not contained to teenage girls. I get stopped in the street and questioned by 70-year-old men whose wives and daughters are making Bloody Marys and throwing 'True Blood' parties.

If we're going to reach a broader audience, we have to stop thinking about that audience strictly in terms of teenage boys or even teenage girls. We need to think about things that are relevant to normal humans and not just the geeks we used to be.

When 'Dare Me' was first in development, it was hard to make the case for why it'd be interesting to anybody other than teenage girls. It'd often be treated, like, on first glance, 'What is this? 'Pretty Little Liars?' 'Mean Girls?'' It never was that.

We teenage girls are faced with a quandary: we know what we want but are forced to wait for our male counterparts to grow up. We are ready for intense and meaningful relationships, but research indicates that males will not reach maturity until their mid-20s.

With 'Kids React,' it started, hilariously enough, by thinking, 'Why, teenage girls seem to love 'Twilight' so much!' We went from wanting to ask them ourselves to coming up with the larger and more universal concept of a bunch of Kids reacting to viral videos.

Teenage girls in television and film, in my experience, oftentimes are portrayed as either the sweet, innocent virgin or the super-sexy, experienced, town bicycle. There never seems to be an in-between. I think most girls are somewhere in between those two tropes.

I'm definitely very interested in doing female narrators that aren't typically feminine or emotional or soft - especially teenage girls - because I have such a hard time relating to so many of them that I read. They feel psychologically cuter to me than I ever was.

I had a lot of different reasons for writing the book, but at its core was the desire to write for black teenage girls growing up reading books they were absent from. That was my experience as a child. 'Children of Blood and Bone' is a chance to address that. To say you are seen.

I want to make sure that teenage girls know that if you decide to keep your child, you have to get an education. You have to have a plan A, B, and C. Make sure you have a good support system. If all those things are not in place, it's going to be very, very hard - very, very lonely.

If we want to make the most of half of our workforce, if we want to eliminate the gender pay gap and we want that same half of the workforce to succeed in jobs that boost our economy, we must make sure that teenage girls don't feel, and are certainly not told, that certain subjects are the preserve of men.

I basically get stereotyped a lot in terms of being a girl and writing 'chick' music for teenage girls or something. I think, if anything, the press kind of, because of my gender and my age, tends to kind of relegate my work to this sort of special-interest group. It's part of the cultural dynamic, I guess.

Every time I turn on the TV, it infuriates me. You'll see an ad for Advil or Viagra and hear some monotonous voice warn you about even the smaller side effects like headaches or nausea. When you see a tampon commercial, it's all happy teenage girls running along the beach in bikinis. The dangers are beyond minimized.

If the Left really wants to preserve family structure and advance cultural values such as work, why do they oppose reforms to a welfare system that pays teenage girls to have babies out of wedlock and disparage conservative proposals that require able-bodied Americans to work for their welfare benefits like food stamps?

I am a feminist - I just think the label reflects my beliefs - but, you know, we say 'Rookie' is a website for teenage girls, not a feminist website for teenage girls. That's not because I'm not proud to call myself a feminist, but when you're calling attention to a project, you can very easily be pigeonholed by choosing certain identifiers.

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