I love doing television series.

At age 15, I sold a television series to NBC.

For U.S. television series, I really like 'Dexter.'

I never really planned on doing a television series.

Being on a television series is sort of life-altering on every level.

Party of Five won a Golden Globe, it was a well-written television series.

I'd really been wanting to do a television series. I was looking for a comedy.

It's very hard, you know, for an Asian actor to be in a prime-time television series.

Well, I just finished starring in a new episode of the new The Twilight Zone television series.

I don't have anything from the television series. I treasure the videotapes from Columbia House.

The ability of a television series to make adjustments is something you've got to take advantage of.

I love a bit of political drama; 'The West Wing' is probably my favourite television series of all time.

The best part of being on a television series for all those years is that you really get to hone your craft.

When you're working on a television series, you only get a very short off-season. The scheduling of TV is relentless.

The only reason to do a television series is to make it successful. And if it is successful, that's a six or seven year commitment.

The most telling thing about 'Fargo,' both the now-classic movie and the television series, is that it doesn't take place in Fargo.

I don't know of any actor in any television show that I have ever seen who's given monologue after monologue in a television series.

You're not supposed to do a television series that takes place in nine cities all over the globe. Everyone will tell you that that's undoable.

'Doctor Who' is the most original science-fiction television series ever made. It is also one of the longest-running television shows of all time.

I'd love to do another television series. I really love the writing process, and as an actor I really like how much you get to examine in television.

In the long run, I think I like 'Buffy the Vampire Slayer' better as a television series, because it had so much more time and room and space to grow.

When I wrote 'We Can Be Heroes,' I was just so excited about the concept of playing loads of characters, and a television series allows you to do that.

It's a challenge to turn a book series into a television series; you need to keep people on their toes, but you also want to be true to the source material.

I played an artist in a comedy called 'Rooster.' It was a zany film by Glen Larson, a friend who produced several successful television series including 'Magnum PI.'

In our day we went from - we went into saloons. We couldn't cross over like you can today, get a television series and all of a sudden you're a major movie star, you know.

Once I hit 45, there was a real downturn. But I got an incredibly provocative, delicious lead role in a television series called 'Saving Grace,' and I loved the character.

My first professional acting role was a small part in a television series called 'The Wizard.' I later had the opportunity to work on Michael Jackson's Moon-walker music video.

Well, you know, I don't think anyone who writes a television series has a master plan from the beginning, and knows all the character traits, and everything that's going to happen.

As somebody who has been an executive producer on a television series, I can tell you that increasing director diversity is as simple as hiring more women and more people of color.

What I know of Steve Trevor is everything that I learned from 'Wonder Woman,' the television series with Lynda Carter. And I don't remember much. I do remember his uniform, though.

I don't believe in remaking television series. I should never have agreed to reviving 'Upstairs Downstairs' because my heart wasn't in it, but part of me did think about my pension.

A successful television series can chain you to a schedule of long hours and can put your personal life on hold. But after it is all over, if you survive, then anything is possible.

I wasn't campaigning for a role in a Hollywood television series, it was a fluke. So you've got to have a measure of good luck, you really have, being in the right place at the right time.

I always think a successful television series is the best job because it gives you community, it doesn't demand temporary insanity the way movies do, and you can be almost a normal person.

I'm totally open to it being a movie or a television series or whatever, but truthfully, if no one wants to do it right, I'm also happy for 'Ex Machina' to only ever exist as a comic book.

I got the feeling: It's time to do a Marco Polo story. I felt like everything was lining up right because long-form television series were becoming to me like the new great American novel.

The good news about New Mexico is we bring a lot of movies, a lot of television series out here, so I'm hoping I continue to work out here in New Mexico along with being part of my community.

I've done about 15 movies and four television series in Mexico. My last two movies were the highest grossing in Mexican-cinema history - 'Nosotros los Nobles' and 'Instructions Not Included.'

We were surprised that the television series had the kind of longevity that it had after only four years of filming it and the reception in 6 countries around the world was quite extraordinary.

I would never, ever, ever, ever say I have regretted the 'A-Team,' 'Magnum PI' or 'Murder She Wrote' or any of the others I did - and if you mention a television series, I'm sure I had a hand in it.

I had written movie scores, television series, played with other people. Carl had done the same with Asia, with other bands, everything. We weren't about to entrust Greg automatically with a production credit.

We are cannibalizing our audience by only giving them regurgitated material. Every movie is either a remake, a sequel, based on something else. Based on a former television series. Based on a successful videogame.

I watch an awful lot of television, and I get a little tired of what I see... We have about six television sets in our house, and it's less expensive for me to do a television series than it is for me to throw them all out.

You know what I want? The answer is, I truly don't know what I want. I don't want to do a television series. I want to do dramas as well as comedies, but I have no idea what kind or in what order. Just give me the chance at them.

People get on a show and they fought tooth and nail. Almost 95% of the actors out there want to be on a television series. Then as soon as they get onto one, no, no, I want to be a movie star. This television series stuff, no, no no.

After I did nine years of a television series, I didn't want to do anything really that involved going to a set and being in front of a camera for quite a while. And when I did start to want to do things, I wanted to focus more on film.

There were so many lead roles available when I was in my thirties. Once I hit 45, there was a real downturn. But I got an incredibly provocative, delicious lead role in a television series called 'Saving Grace,' and I loved the character.

It was a very difficult time, 1984. 'Happy Days' ended. I said, 'There's no way I can be a producer.' My attorney said, 'You'll learn.' The first thing we sold was the 'MacGyver' television series. We shot 139 episodes between 1985 and 1992.

I did a little theatre work after that and the following year I got another part in a television series. Then it was almost to the end of the year before I got more work. That was coming to terms with the reality of the vocation I had chosen.

I think that this industry in particular is so fast-paced that you keep saying, 'I'll take vacation later.' Sometimes later never comes. I'm definitely leading a much slower life now that I'm not working every single day on a television series.

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