Quotes of All Topics . Occasions . Authors
In terms of how I work with actors, having worked so heavily on the script I have a very clear idea of the characters; they are reasonably well illustrated in the script. If you cast it right, to a great degree you can hand it over to the actor and I just make suggestions. I'm not the kind of director who needs or wants to get into too much finessing. Ideally, when you hit the set, you have this conversation, like, 'eh, what did you think?' 'I don't know, what did you think?' 'Why don't we just try it again, make a few physical changes.'
A lot of people ask me where music is going today. I think it's going in short phrases. If you listen, anybody with an ear can hear that. Music is always changing. It changes because of the times and the technology that's available, the material that things are made of, like plastic cars instead of steel. So when you hear an accident today it sounds different, not all the metal colliding like it was in the forties and fifties. Musicians pick up sounds and incorporate that into their playing, so the music that they make will be different.
I just think giving back is in tandem with the way in which I was raised, with the, 'It takes a village to raise a child' mentality. Sometimes with the knowledge you have, you just don't know how powerful it is. I think I'm in a reasonably interesting position to recognise that. Plus we're now living in a completely different time to the one in which I grew up in. Because of my peers as well, it's the whole reason I'm doing what I'm doing. In terms of putting things back into the community, it's almost like running my sound system again.
The community itself didn't support the union. Now that's kind of interesting about [Barack] Obama, because Obama was supposedly a community organizer in Chicago at that time. Now I'm sure he read the Chicago Tribune, so he knew about it, but when he went to show his solidarity with the workforce, the first place he went was Caterpillar. I don't think he's forgotten, and the labor movement didn't react. Even radical labor historians didn't remember. It was only 15 years ago, after all, but that's a real triumph of propaganda in many ways.
We have nearly complete misunderstanding between people of different faiths in Lake Wobegon, and that's probably one reason why we get along so very well. It's when you are trying to convince another person to think the same way that you do that there is friction and trouble between people. But when you feel that the other person is dumber than dirt, too dumb for words - why waste your breath - you get along pretty well. There's no bond between people that's quite so strong as when people each feel slightly superior towards the other one.
One of the sayings in our country is Ubuntu - the essence of being human. Ubuntu speaks particularly about the fact that you can't exist as a human being in isolation. It speaks about our interconnectedness. You can't be human all by yourself, and when you have this quality - Ubuntu - you are known for your generosity. We think of ourselves far too frequently as just individuals, separated from one another, whereas you are connected and what you do affects the whole World. When you do well, it spreads out; it is for the whole of humanity.
I just think to pose for the Body Issue is a good idea for people that are bigger-boned. If people can look at me, a guy that's 325-plus, doing an issue like this, I'm pretty sure that they might have a little confidence. There will be critics, just like with everything else. I think a lot of people will get a laugh out of it, I'll tell you that. I'm looking forward to what the locker room's going to say. But at the end of the day, I'm perfectly fine with who I am as a person and what I have accomplished. It shows a lot of my personality.
Questions like, "Is my suit OK?", or "Is my job performance satisfactory?", are impossible to think about in the absence of a suitable frame of reference. For an interview suit to serve its purpose, it must make you look good relative to other candidates for the job you want. For your job performance to be satisfactory, it must compare favorably with the performance of others who want the same promotion you do. As Charles Darwin saw clearly, much of life is graded on the curve, and conventional economic models completely ignore that fact.
In the loss of skill, we lose stewardship; in losing stewardship we lose fellowship; we become outcasts from the great neighborhood of Creation. It is possible - as our experience in this good land shows - to exile ourselves from Creation, and to ally ourselves with the principle of destruction - which is, ultimately, the principle of nonentity. It is to be willing in general for being to not-be. And once we have allied ourselves with that principle, we are foolish to think that we can control the results. (pg. 303, The Gift of Good Land)
You'd hope that no writing about music could supersede the music itself. But I do think that blogs mirror the way that we are listening. It comes at you fast and it's timely and then five minutes later we're on to something else. It caters to our desire for instant gratification. And I think blogs also have fluidity that's exciting. You have a lot of real enthusiastic music fans for the most part that are writing sometimes for a large audience, and I think certain blogs have a little too much power over what someone likes or doesn't like.
I think everyone is always asking themselves, How is my work meaningful, how is my life meaningful? As I get older, I feel like who I am as a person and a citizen is more important than who I am in my work. But I do think it reframed slightly for me, how much I have to care about a project in order to want to do it. Sometimes, obviously, you have a take a job for money. But I think I'm quicker now when I get a script that's, say, borderline misogynist, I'm not going to go in for it. I'm thinking more about what I'm putting into the world.
The late British-born philosopher Alan Watts, in one of his wonderful lectures on eastern philosophy, used this analogy: "If I draw a circle, most people, when asked what I have drawn, will say I have drawn a circle or a disc, or a ball. Very few people will say I've drawn a hole in the wall, because most people think of the inside first, rather than thinking of the outside. But actually these two sides go together--you cannot have what is 'in here' unless you have what is out there.' " In other words, where we are is vital to who we are.
Being established in my life, buttressed by my thinking nature, fastened down in this transcendental field which was opened for me by my first perception, and in which all absence is merely the obverse of a presence, all silence a modality of the being of sound, I enjoy a sort of ubiquity and theoretical eternity, I feel destined to move in a flow of endless life, neither the beginning nor the end of which I can experience in thought, since it is my living self who think of them, and since thus my life always precedes and survives itself.
Living in Portland, which is a predominantly white city, the privilege and the luxury to be able to obsess over a certain kind of minutia, that I think, if you did not have that privilege, would never be bothersome. When people are worried about whether "local" means 100 miles, or 50 miles, or 10 miles from a grocery store, I just think, "Wow. What a privilege it is to have that as a major concern in your life." As opposed to, "Can we afford food tonight?" Sometimes I'm just shocked at what becomes concerning in these kind of communities.
I would only listen to certain things, like a lot of teenagers do. But the Tragically Hip is a ribbon that's been with me pretty much my entire musical life. Every mix tape I ever made had at least one Hip song on it. Right from the outset I feel like Gord Downie built so much room into his songs. There was so much space in them that he created. He made me think of songwriting as full of boundless possibilities in a way that - well, that a lot of songwriters do, but that was the first time I thought a song could really contain multitudes.
We humans have a wide range of abilities that help us perceive and analyze mathematical content. We perceive abstract notions not just through seeing but also by hearing, by feeling, by our sense of body motion and position. Our geometric and spatial skills are highly trainable, just as in other high-performance activities. In mathematics we can use the modules of our minds in flexible ways - even metaphorically. A whole-mind approach to mathematical thinking is vastly more effective than the common approach that manipulates only symbols.
I think the most important key to quality communication and interaction is developing an interest in the person you`re talking with. Most women know the secret to a quality conversation is to ask quality questions and have a sincere interest in hearing the answers. In fact, the best communicators very often say the least. It`s not the extrovert who dominates the conversation that a client feels most connected with, but rather the individual who shows a real and sincere interest in knowing about the life of the person they`re talking with.
In politics, the definition of a real man is different from, I would say, outside Washington or outside the establishment. I don't think that's even arguable. But human nature is what it is, and men (straight men) want women. And it's always a challenge. It's never a piece of cake. You're rejected. You know Woody Allen? One funny thing he really said. Somebody said, "Woody, what has success meant?" He said, "It means being rejected by a higher class of woman." Life is filled with rejection. Men - nobody - women, they don't like rejection.
I can't understand how people can settle for having just one life. I remember we were in English class and we were talking about that poem by - that one guy. David Frost. 'Two roads diverged in a yellow wood-' You know this poem, right? 'Two roads diverged in a yellow wood, and sorry I could not travel both and be one traveler, long I stood and looked down one as far as I could, to where it bent in the undergrowth-" "I loved that poem. But I remember thinking to myself: Why? How come you can't travel both? That seemed really unfair to me.
I am a super nostalgic person in general. I think part of the reason that I'm in the film business is because, to me, when I was trying to figure out what I wanted to do, it seemed like the most appropriate career I could have where I knew I wouldn't have to kill the little kid in me. I get to play around, and that's amazing. There's a quote from Bill Watterson, the creator of Calvin and Hobbes that I always found really interesting. He said, "Anyone who is nostalgic about their childhood never had one." And I always found it fascinating.
I looked at Mum and realized -- twang! -- that she was telling an untruth. A big untruth. And I remember thinking in that instant how thrilling and grown-up it must be to say something so completely untrue, as opposed to the little amateur fibs I was already practiced at -- horrid little apprentice sinner that I was --like the ones about you'd already said your prayers or washed under the fingernails. Yes, I was impressed. I too must learn to say these gorgeous untruths. Imaginary kings and queens would be my houseguests when I was older.
I don't think that Donald Trump represents the traditional Republican values and heritage of my party. That's one reason that I don't support him. The Republican Party has always revered the individual. We led the way in abolishing slavery, for example, and we recognize the dignity and worth of every human being. it is clear that Donald Trump, by his derogatory comments, by his mocking of the most vulnerable people in our society, by his marginalization of ethnic and religious minorities, doesn't reflect the traditional Republican values.
Well Vin says that there's something behind all this, right? Some evil force of doom or whatever? Well, if I were said force of doom, then I certainly wouldn't have used my powers to turn the land black. It just lacks flair. Red. Now, that would be an interesting color. Think of the possibilities--if the ash were red, the rivers would run like blood. Black is so monotonous that you can forget about it, but red--you'd always be thinking, 'Why, look at that. That hill is red. That evil force of doom trying to destroy me certainly has style.
Ultimately, what separates a winner from a loser at the grandmaster level is the willingness to do the unthinkable. A brilliant strategy is, certainly, a matter of intelligence, but intelligence without audaciousness is not enough. Given the opportunity, I must have the guts to explode the game, to upend my opponent's thinking and, in so doing, unnerve him. So it is in business: One does not succeed by sticking to convention. When your opponent can easily anticipate every move you make, your strategy deteriorates and becomes commoditized.
Not evil. Moronic, which isn't quite the same thing. Evil presupposes a moral decision, intention, and some forethought. A moron or a lout, however, doesn't stop to think or reason. He acts on instinct, like a stable animal, convinced he's doing good, that he's always right, and sanctimoniously proud to go around f***ing up ... anyone he perceives to be different from himself, be it because of skin color, creed, language, nationality, or ... leisure habits. What the world needs is more thoroughly evil people and fewer borderline pigheads.
it's weird how much people change. for example, when i was a kid i loved all of these things..and over time all of them just fell away, one after another, replaced by friends and IMing and cell phones and boys and clothes. it's kind of sad, if you think about it. like there's no continuity in people at all. like something ruptures when you hit twelve, or thirteen, or whatever the age is when you're no longer a kid but a "young adult," and after that you're a totally different person. maybe even a less happy person. maybe even a worse one.
We all have one other world we live in: our public world. Some people call it our public persona. This is the world where someone who doesn't know you privately, personally, or professionally hears your name and has some opinion about you one way or another. So the question becomes: where is integrity rooted? Some people think it's rooted in their public life. They spend all of their time trying to spin their public image. It's not rooted there, however. It's simply revealed there. People who lack integrity will have it revealed publicly.
I urge people not to think in terms of "solutions," but in terms of intelligent responses to the quandaries and predicaments that we face. And there are intelligent responses that we can bring forth. But when I hear the word "solution," I always suspect that there's a hidden agenda there. And the hidden agenda is: "Please, can you please tell us how we can keep on living exactly the way we're living now, without having to really change our behavior very much?" And that's sort of what's going on in this country. And it's not going to work.
I think we need strength. I think we also need somebody that can be a cheerleader. He's been a great divider in this country. I think race relations now are as bad as they've ever been. I guess they have, statistically, the worst they've been in 18 years. I don't know what 18 years means, how do they determine that, but I can tell you they're bad and they haven't been this bad in a long time. And we have somebody that really was in a position to do just the opposite, but this tremendous divide in this country. I see it, everybody sees it.
I think normally people think that they're afraid to die but I actually think people are more afraid to live. People are more afraid to make the choices that they want because they're very hard decisions to make in order to be happy. I think a lot of people are really afraid of that. It's easy to be in a band because you have a lot of things to hide behind so that's really not always living...that doesn't always constitute as living life the way you want. But at times you have to make decisions that sometimes hurt others in order to live.
Change is freedom, change is life. It's always easier not to think for oneself. Find a nice safe hierarchy and settle in. Don't make changes, don't risk disapproval, don't upset your syndics. It's always easiest to let yourself be governed. There's a point, around age twenty, when you have to choose whether to be like everybody else the rest of your life, or to make a virtue of your peculiarities. Those who build walls are their own prisoners. I'm going to go fulfil my proper function in the social organism. I'm going to go unbuild walls.
It reset and mended my freshly damaged and distorted view of life, and made me recognize that this thing we call music, this primal expression that we reshape and refine and define ourselves with, is the gift I was given. The ability to communicate what others feel but cannot fully express, the passing down and around of songs and stories, from Pete Townshend to Joey Ramone to me, to the audiences who take the time and effort to support our work and give us a way to support ourselves -- I'm thinking this is what I am supposed to be doing.
This story is the ultimate example of American’s biggest political problem. We no longer have the attention span to deal with any twenty-first century crisis. We live in an economy that is immensely complex and we are completely at the mercy of the small group of people who understand it – who incidentally often happen to be the same people who built these wildly complex economic systems. We have to trust these people to do the right thing, but we can’t, because, well, they’re scum. Which is kind of a big problem, when you think about it.
And if you look around, if you listen to some music nowdays, I'm not so optimistic...I have the feeling that some of the young people I've met they think already, before they start playing, they think already about the product: how can we sell it....maybe my view is really very old fashioned nowadays, but I think art at any times needs time for development and this fast food bullshit is not working... younger guys: take your time, music is really a thing of long terms, actually it's a lifelong thing to learn and to develop your own stuff.
Capitalism is a system in which the central institutions of society are, in principle, under autocratic control. Thus, a corporation or an industry is, if we were to think of it in political terms, fascist, that is, it has tight control at the top and strict obedience has to be established at every level. [...] Just as I'm opposed to political fascism, I am opposed to economic fascism. I think that until the major institutions of society are under the popular control of participants and communities, it's pointless to talk about democracy.
We're foolish if we think we're going to end mass incarceration unless we are willing to deal with the reality that huge percentages of poor people are going to remain jobless, locked out of the mainstream economy, unless and until they have a quality education that prepares them well for the new economy. There has got to be much more collaboration between the two movements and a greater appreciation for the work of the advocates in each community. It's got to be a movement that's about education, not incarceration - about jobs, not jails.
Compassion and shame come over one who considers how precarious is the origin of the proudest of living beings: often the smell of a lately extinguished lamp is enough to cause a miscarriage. And to think that from such a frail beginning a tyrant or butcher may be born! You who trust in your physical strength, who embrace the gifts of fortune and consider yourself not their ward but their son, you who have a domineering spirit, you who consider yourself a god as soon as success swells your breast, think how little could have destroyed you!
I sound awful saying it but I think it can be like that. I see a lot of people in unstimulating relationships. And not just boyfriend-girlfriend relationships. They find themselves in stagnant friendships. If people were a little less scared [of ending things] they'd get more out of life… You meet the right person at the right time and they fulfil a certain something in your life. You fulfil something in theirs. But there's a time limit to that. Unless you choose to be bloody good company for the rest of your life, do you know what I mean?
Membership in the European Community, now the European Union, has enabled Ireland to re-find its sense of participation - cultural, political, social - at the European level. I think that also opens up possibilities for Ireland as a European country to look outward - to look particularly, for example, at countries to which a lot of Irish people emigrated, to our links - our human links - with the United States, with Canada, with Australia, with New Zealand. And to look also, because of our history, at our links to the developing countries.
My dear fellow,' Burlingame said, 'we sit here on a blind rock careening through space; we are all of us rushing headlong to the grave. Think you the worms will care, when anon they make a meal of you, whether you spent your moment sighing wigless in your chamber, or sacked the golden towns of Montezuma? Lookee, the day's nigh spent; 'tis gone careening into time forever. Not a tale's length past we lined our bowels with dinner, and already they growl for more. We are dying men, Ebenezer: i'faith, there's time for naught but bold resolves!
I don't know that I would have the courage to come over to a new country where the religion is different, the language is different, where I don't have any money. The thought of starting over like that in the way that many refugee families have to start all over again - that's an incredible thing to think about. One of the things I tell about Refugee is that unless you're Native American or a descendant of slaves, your family immigrated to this country - whether they came over on the Mayflower or whether they came over on a raft last year.
It's important to me, no matter what size I am or weight I am, to feel beautiful. Even at my biggest I was rocking body con dresses and you couldn't tell me twice. That's what I think Good American is. It's about women of individuality and diversity, but also about being comfortable in yourself. That's what we're trying to promote. It's not about fitting into a size two and that's what makes you beautiful. I just want people to be healthy and love who they are and be in control of your life. But that doesn't mean you have to be a size six.
Certainly there was the Affordable Care Act part, then unaccompanied children [there has been a surge of children entering the country illegally and without parents, particularly in Texas], and things like, we find smallpox in an NIH lab, after 50 years? Why didn't you find it, like, five weeks ago or three years ago? There was thing after thing. But the big ones were [dealing with] the Ebola [outbreak], the unaccompanied children. [It was] perhaps a bigger challenge than I had calculated on my yellow pad as I was thinking about this role.
I've always been terrified of violence which is probably why I keep making violent films - I'm trying to exorcise some demons or something. My mum ended up bringing me up on the edge of a big estate in south London, so I was on the periphery of violence - a lot of football violence and stuff because I was a Millwall supporter. So I've always had a very healthy fear of it, yet at the same time a fascination. I think in all of my films that's a really strong subtext... people who are terrified by violence but are yet compelled by it as well.
When the Romani people came and settled in Gioia Tauro in the '60s and the '70s, they took over a neighborhood much like Africans are doing now that became like their "ghetto". Obviously, there are immense differences in Romani culture - there is more of a distrust of the outside and less willingness to integrate that stopped it from happening. The illiteracy rate is still very high, and they are still very much keeping themselves sectioned off from the rest of the community. I don't think that's going to happen with the African community.
Creativity is seeing what everyone else sees, but then thinking a new thought that has never been thought before and expressing it somehow. It could be with art, a sculpture, music or even in science. The difference, however, between scientific creativity and any other kind of creativity, is that no matter how long you wait, no one else will ever compose "Beethoven's Ninth Symphony" except for Beethoven. No matter what you do, no one else will paint Van Gogh's "Starry Night." Only Van Gogh could do that because it came from his creativity.
There is some pressure when you are a woman doing what I do that you must support all other women unconditionally, no matter what they're projecting, or writing, or producing, or putting forth as their art. I think that's equally arbitrary and random and unfair, and kind of sexist. The secretly sexist way. I have really high standards for what I think is funny. I have that for everything, and I think it would be disingenuous of me to blanket-ly love everything a woman has produced simply to make a statement that we're all in this together.
If someone does a study which, for statistical reasons, I think is hopelessly underpowered or nonidentified, my best and most useful advice will not be tips on how to calculate p-values better, or how to construct an explanation for some particular data pattern. Rather, my advice will be to start over, to reconsider what you think you already know, maybe to question some prominent work in your subfield, and quite possibly to think a lot harder about measurement, and about the relation of your data to your underlying constructs of interest.
I think a play can do almost anything, because it's also a static form, much more so than in a movie. In a movie you can move the scenery, you can do anything any way. A cartoon, happens in a limited amount of space and a limited amount of time, and you can only get so many words before the reader's gonna get impatient. All of these forms that I enjoy are in a sense a slight of hand, where you have to suggest much more than you really show. You have to, in a sense, seduce the reader and trick the reader or the audience into going with you.
Well, start waving and yelling, because it is the so-called Oxford comma and it is a lot more dangerous than its exclusive, ivory-tower moniker might suggest. There are people who embrace the Oxford comma and people who don't, and I'll just say this: never get between these people when drink has been taken. Oh, the Oxford comma. Here, in case you don't know what it is yet, is the perennial example, as espoused by Harold Ross: "The flag is red, white, and blue." So what do you think of it? Are you for or against it? Do you hover in between?