The big thrillers may make people aware of the violence in the society, and I guess that serves a purpose.

I love thriller writers. My favourites are Harlan Coban, Lee Child, Ian Rankin, Kathy Reichs and Ed McBain.

I was 21, when I heard the story that inspired this [thriller Allied], and I wasn't even a screenwriter then.

I think it was the sense that Turn is a spy thriller, and that's a genre that really fascinates me, in general.

When you think about it, psychological thrillers often involve extraordinary events happening to ordinary people.

This is not an international thriller so much as a fiercely literate attempt to subvert the thriller genre itself.

There's an explosion of Indian fiction of all kinds, from military thrillers to chicklit. I think that's exciting.

Pete Moffat writes crime conspiracy thrillers so beautifully. He goes places other people wouldn't; he is fearless.

Documentarian Laura Poitras has crafted a first-rate Hitchcockian-type thriller telling the story of Edward Snowden.

Truly I never thought of myself as writing legal thrillers, and I still don't think I do. I write stories about women.

I think fantasy thrillers excite audiences as, inherently, people have a fascination for the unknown and the unexplained.

The Strokes can play anything. They could play 'Thriller,' and it would just sound like 'Thriller' as played by the Strokes.

I read Freud because I find him an excellent writer... a writer of police thrillers that can be followed with great passion.

My favorite types of movies definitely aren't thrillers, but at the same time you can't deny the genius of Hitchcock's films.

I have 20 or 30 books completely plotted out in my mind - mysteries, thrillers, horror, romance, science fiction. You name it.

Many thrillers follow such reliable formulas that you can look at what's happening and guess how much longer a film has to run.

I don't read thrillers, romance or mystery, and I don't read self-help books because I don't believe in shortcuts and loopholes.

I've seen many films and read lots of thrillers - and I'm always disappointed that I can guess the story before the other viewers.

The best movies now are called 'thrillers.' Because if you use the word 'horror,' people's associations are straight-to-video crap.

I like westerns, fantasy, sci-fi, graphic novels, thrillers, and I try to avoid the word 'genre' altogether. A good book is a good book.

Redford builds a riveting, resonant political thriller that values the complexity of its characters and the intelligence of its audience.

I write crime novels and thrillers - I'm a big fan of cops. You can never forget that they run towards what everyone else runs away from.

I prefer thrillers but when it's thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.

Instead of writing thrillers to pay for my train bills, I was actually now going to medical school in order to have something to write about.

I've loved thrillers and spy stories since I was a kid. It's probably not a bad rule of thumb to write the kinds of stories you love to read.

I read what I like to write: romantic suspense. I also love thrillers and novels of suspense, but I can't handle extreme violence and torture.

I like a lot of documentaries, I like political movies and political thrillers. But I also like a good action movie. I like a pretty wide range.

In every thriller written about Washington, particularly after 9/11, there are good guys and there are bad guys, and there's no gray area at all.

If you write thrillers or mysteries or horror fiction or quote-unquote speculative fiction, men might read you, and the 'Times' might notice you.

My favorite types of movies to watch as a viewer are thrillers - I really have a soft spot for them, I love them. Especially psychological thrillers.

I like comedies, I like thrillers, I like love stories. Everything is beautiful; it depends if the film is good, who cares? Everything is interesting.

My music is rather abstract and maybe even strange-sounding for some people, so maybe that's why it's been used in so many horror movies and thrillers.

Among the best of Hitchcock's own psychological thrillers is 'Spellbound,' whose story unusually wrapped the subject of psychoanalysis around a murder mystery.

Horror movies have never been my thing. I love psychological thrillers like 'The Exorcist', 'The Shining', even though they scare the living daylights out of me.

Whether I'll get the chance to write fiction, I don't know. I could do political conspiracy thrillers, couldn't I? With an investigative journalist as the heroine.

I read a lot of thrillers because they're easy reading and I'm not a great flier. They take my head out of it. I like the fast pace and that you can't put them down.

One of my books, 'Rain Falling on My Face,' earned me the 39th Edogawa Ranpo prize. It's a very prestigious literary prize in Japan, mostly for mysteries and thrillers.

The preparation for building a series of thrillers based on a single character is kind of like the preparation for becoming a parent: The best part is the idea - wink, wink.

I don't get a chance to be funny with the thrillers. I like to be funny, and I think I am really funny. So with 'Middle School: The Worst Years of My Life', it was fun to let loose.

The most satisfying thrillers send ordinary people into battle against the forces of evil - otherwise known as greed, ego, rage, fear and laziness - and bring them out bloodied but whole.

All the pictures I do are contemporary. I've sort of discovered I haven't really been into science fiction or period pictures. And so, in that vein, psychological thrillers play a big part.

When I was growing up, my idea of a writer was someone like Sven Hassel, that mysterious Danish author who wrote thrillers about men clambering over walls and getting tangled in barbed wire.

If you take real-life circumstances and take out all the pauses then you have a thriller. It has to be non-stop, high stakes and fascinating all the time. Real life is like that from time to time.

As a filmmaker, I don't want to limit myself to one kind of movie. After 'Headhunters,' I went to Hollywood and read a lot of scripts: lots of action thrillers and heist movies, and superhero films.

Thanks to the success of Henning Mankell and Peter Hoeg, there wasn't the same stigma attached to writing genre thrillers in Scandinavia as there was in many other cultures. Quite the opposite, in fact.

I'd like to make character-based dramas. I end up writing thrillers a lot - these psychological character-based things with weird people doing horrible things to each other - coming to a theatre near you!

There are several authors who are also lawyers - and not only the ones who write legal thrillers. There are other attorneys who write romantic fiction, and I know of at least one who writes young adult books.

When I was a kid, I was into psychological thrillers. When I was 12, my favorite movie was 'Thirteen.' I just really liked movies that showed an extreme range in acting. That's what made me want to become an actress.

I'd love to work with Tarantino, Scorsese, Sofia Coppola - all of them! I love thrillers and action movies. I love good horror films. I watched them so much when I was younger that I find it impossible to get scared.

The movies that made me want to make movies were action movies, and thrillers, and Kurosawa films, you know, where you have an opportunity every day to shoot it in an unusual way. I was looking for something like that.

Share This Page