Nobody walks this earth thinking he's better than I think I am - I think I'm great. At the same time, it's so obvious to me that I'm nobody.

Being an instinctive player is great but there's time in the past where I've let how I'm playing at the time affect me, thinking I can play some big shots and I'd be alright.

I dated someone in the '90s who was really into Metallica, and I remember thinking at the time, 'That just sounds so heavy and hard.' But they have great ballads! Great ballads.

When the audience is awful you can still have a great night and people will walk out thinking they had a great time even though there was loads of loudmouths and the sound was terrible.

As we approach each of the great social challenges of our time we must acknowledge that old thinking will not provide the new solutions we need. These solutions will be uncomfortable, hard to sell and risky to execute. But the cost of not doing so is even greater.

Most of the time, I write songs with the arrangements all at once, in my head. There's the producer side of me that's always thinking sounds, like, 'Wouldn't this be a great sound if it existed to put in front of a song, to open it up, and then, when it did its thing, something else would happen?

When you make that transition to being a head coach, there's so much more you have to think of and consider. You're constantly thinking, 'How does this impact our culture? How does this impact us two, three steps down the road?' It's thinking big picture, and all of those things come with time. It's a great challenge.

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