Quotes of All Topics . Occasions . Authors
It was a great time to be making music because everything else was changing.
Dance music is great, but it's not a time to be reflective or particularly wistful.
I really did enjoy my time at Apple - it's a great company, and I really loved building Apple Music.
If your music is great, you will have fans, not because you have spent time chatting on social media.
My dad was a great guy; my mother was wonderful. I was very lucky to be around music from the time I woke up until I went to bed.
We're a rock n' roll band. We play heavy metal music. And we want to give you a great time. That's basically how it all boils down.
The Flutie Bowl is a great event that brings together people who really care about the autism community. We always have a great time bowling and playing music.
I feel like I've had a really great time just being able to make all the music that I've always liked to make and listen to and expressing it in different ways.
Music is like a really sacred, awesome thing. That first 45 minutes to two hours that you're on stage spending time with music every night is always really great.
It's great to see Latino music coming to the mainstream, but at the same time, there are also a lot more styles to explore: African music, Indian music, Chinese music.
When I was at school and wasn't having a great time or when music wasn't going very well, I would eat, eat. Eating would make me feel better; when I felt lonely, I would eat.
We came along at a time when people were really focused on music. We were part of the second generation of bands after all of those great 60's bands when rock was still in its' infancy.
Dance music is Madonna's base. It's what she likes, it's what she listens to. It's not anything other than that. She doesn't read what's on the charts. And if it's on time, great. This is who she is.
Fashion and music are two great artistic forms that can be molded by the youth culture - our taste and our passion for evolving things in our limited time on earth allows us to look at things with fresh eyes.
Shooting this one was kind of like a two month party, we would literally play music between takes, and other movies that were shooting on our lot would play hookey, come over and hang out and stuff. We had a great time.
I'm pretty sure I was about the only kid in school who knew who Jimi Hendrix even was. Through my older siblings, I was getting turned on to all the great music that was happening at the time, and I really loved Hendrix.
I think the '60s was a great time for music, especially for rock and roll. It was the era of The Beatles, of The Stones, and then later on The Who and Zeppelin. But at one point in the '70s, it just kind of became... mellow.
One of the great things about music is that it has the capability of time travel - you smell a certain smell in the room and it takes you back to your childhood. I feel like music is able to do that, and it happens to me all the time.
Music is great; it all depends on what mood you're in, what you want to listen to. If it's party time, you listen to, you know, party music, if you want to dance with somebody. But then again, if it's a slow dance, you need something slow.
I think the hardest thing about making music now is being a great dad at the same time. There's an insanity that goes with writing - a mad scientist thing that you have to go through - and sacrificing a kid's upbringing to do that is not an option.
I don't know if I have a 'Greatest Album Ever.' I really liked 'The Blueprint' by Jay-Z. The production on that album was really great. 'All I Need' was the first song I used for walk-on music in 2002 for my second time ever on stage, so that means a lot to me.
I set a Google Alert for myself, and now I'm seeing people say my music influenced them and how great it is all the time. Sometimes I listen to this stuff that's supposed to be influenced by me, and I can't hear myself in it. But I'd rather they say it than not.
I always tell the fans, 'Screw it! Like what you like. Listen to what you want.' Insisting that one type of music is better than the next is snobbery, and I have no time for that. Check out all the music that's out there. There's great stuff you're probably missing.
I remember I took a music course in junior year of high school, and some girl brought in 'Teardrops On My Guitar,' and she was like, 'Isn't this song great?' And everyone was like, 'Who's Taylor Swift?' And now, every time I listen to Taylor Swift, I remember that moment.
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
One of the first people that believed in me, the first person to invest in my talent, me and this guy used to argue all the time in the studio, but at the end of the day, we both realized that we were after the same goal, and that was to make great music. And I'm talking about Eazy-E.
Someone like my father will improvise as much as 90% of the music in concert, but with me it's maybe 10 to 20%. It's sort of the test of how great someone is, the more they can improvise correctly and still be true to the raga they're playing, and still keep it new and fresh the whole time.
I just want to shed light, illuminate and turn the spotlight over to all of the black people who have been being futuristic and innovative since instruments were plugged into a wall. With computers, machines, and music, black people have been contributing to that a great deal for a long time.
I don't think it's an artist's responsibility to be political all the time. I think your first responsibility as an artist is to make music that people will listen to and enjoy. However, I think that when you are able to say something that is moving and put it in a great song, then that is even better.
There is a difference between a great producer and somebody who is a big advocate of your music. Just because you're a big advocate for a band doesn't mean you need to be in the studio with them, and at the same time - we don't need to get into this conversation - you can write a hit, but it might not hit.
Charles Finney, the great 19th-century revivalist and evangelical, would have had a hard time preaching a revival in America today. Finney's brand of evangelical fervour, called the 'new measures,' emphasised saving souls and reviving worship by incorporating elements of personal testimony and music into church services.