Quotes of All Topics . Occasions . Authors
I don't know if I felt successful, but I did feel a difference in my career, or in how people perceive me, or how people reacted on the street right after I did the Mexican version of 'Ugly Betty.' That show was a complete success, thank God. It broke historical ratings records in Mexico and also the U.S.
I have several books I can read over and over. With fiction, it's 'The Stand' by Stephen King, which is my favorite all time. I read that at least once a year, the version which has 100,000 extra words, which is like the director's cut and unabridged. I love the story. I love the social connotation to it.
Let your mind see every detail of your own special version of the very best that life can be. If you could make the world exactly to your liking, consider very specifically just how that world would be. If you could spend your time doing precisely what you wish, how would the moments of your life be lived?
I was taught nothing about the suffragettes in school. The version I eventually got was mainly about the peaceful campaigning of the constitutional suffragists. Their work was vital, but there was this other, not widely known story of the women who risked everything, who were prepared to break every taboo.
I wasn't creative enough to imagine my first novel becoming a film directed by Alexander Payne. Nor did I consider the possibility of seeing Hollywood stars moving through my personal version of Hanalei town: going to Tahiti Nui, rehearsing a scene in front of my cousin's cottages, driving the snaky roads.
When the holidays approach and the weather turns cold, you spend your nights watching and rewatching saccharine movies until you fall asleep, hoping for some gleam of happiness or catharsis that never comes, a version of life that looks like a Hallmark movie or where your idealized prince finally shows up.
When I was eight or nine, I wrote a new version of 'Peter Pan' for the school play. They didn't use it - I imagine it was unperformable - but as recompense for not doing my script, I was offered any role, and instinctively went for Captain Hook. I came on trying to be terrifying, but everyone laughed at me.
My bedtime was 8 P.M. But on 'Cosby' nights, I got to stay up until 8:30. Real big deal. This is when they could afford to do a completely different title sequence in TV every year. I always looked forward to that. It was like a mini musical at the top of the show. My favorite was the Top Hat fancy version.
Building a house from scratch in the middle of a field is a bit like building a prototype car. As with all prototypes, if you're building a car you usually have the luxury of producing several prototypes before you arrive at the production line version - so the opportunity for changing things is quite rich.
I myself don't have Netflix. And recently, I was staying at a friend's place who did, and I was feeling rather poorly one morning, and I sat down and watched the entire series of 'The Killing,' the American version of 'The Killing' in one day. I just got hooked. I thought, 'Wow, I've never done this before.'
When I was first approached for 'Pass the Plate,' I was thrilled because I love to cook. And I love to cook healthy. The reason I started cooking was because I would go to restaurants and have just amazing food but feel so heavy and gross. I would go home and try to cook the same thing, but a healthy version.
I love how 'Game of Thrones' has resonated with so many people around the world. I feel like it has really tapped into our need to hear stories about the human condition, love, death, good, evil... For me, it really is a modern version of the old Greek theatre or cave men sitting around fires telling stories.
I was an enormous fan of Dan Slott's run, and John Byrne's run was a big deal for me. I found Slott's version of 'She-Hulk' first, and then I went back and looked up some of the older stuff because I liked it so much. And it was so good. It was perfect. It was my perfect comic book at the time that I found it.
In 2008, while the film version of my book 'Choke' was coming to market, my mother was diagnosed with lung cancer. That meant that I had to appear in public to promote a comedy about a son trying to save his dying mother - the plot of Choke - while privately I was caring for my own dying mother. It was torture.
What I do when I act and direct is I do a small version, go a little bigger, do a medium one, an over-the-top one, and then even bigger than that. I'll do six readings of the line. And they're not all the same. Just so I know if I was wrong about what I should have done, I luckily have this more subtle version.
I don't want to stand in front of a whole lot of fakeys. If I'm going to meet someone and say hello, I want to feel like I'm really meeting that person, not a masked version. I want to give that to people when they meet me. You don't have to like it. I'm not looking for you to like it; I'm looking to be myself.
Rather than being a 'perversion' of Islam, it is truer to say that the version of Islam espoused by ISIS, while undoubtedly the worst possible interpretation of Islam, and for Muslims and non-Muslims everywhere obviously the most destructive version of Islam, is nevertheless a plausible interpretation of Islam.
It is always a disappointment to turn from forthright consideration of some subject - whether from the Left or the Right, a poet or a plumber - to the Beltway version, in which the only aspects of the issue that matter are the effects it will have on the fortunes of the two parties and the various men in power.
The best version of surfing is not competing, I think. It's just... it's perfect. You're perfectly present. You're perfectly in the moment. You're perfectly not thinking about anything else in the world. You're just surfing. You're surfing away with your friends or your family, and that's it. You're just there.
After the success of 'Empire' and 'How to Get Away with Murder' and 'Scandal' and 'Power' and 'Black-ish', which all had characters that were genuine, authentic, and had the language of real people, I found myself coming into pilot season and every network just wanted to have their version of one of those shows.
The stoic drama 'A Somewhat Gentle Man' is photographed in a palate of steel gray tones that match Stellan Skarsgard's complexion. It's a low-blood-pressure version of the kind of thing James M. Cain used to do in his sleep, and its filmmaking accomplishment is as minimalist as its narrative ambition is minimal.
When you drill down, blockchains are really a shared version of reality everyone agrees on. So whether it's a fully immersive VR experience, augmented reality, or even Bitcoin or Ethereum in the physical world as a shared ledger for our 'real world,' we'll increasingly trust blockchains as our basis for reality.
There's always so much music around me now, it seems like everything has to be something with music, so in my spare time I try not to listen to anything. It's so hard for me to listen to something without trying to see a benefit in it: 'Maybe I'll make my own version of that track or maybe I'll do this or that.'
When you are playing somebody who did exist, and there is good source material on them, whether it is a biography or archives or experts, you would be stupid not to delve into them. But there is a point in the process where you leave the books alone, and instead, you focus on the script and creating your version.
In my home I tend to eat a very simple version of what we cook at the restaurant, which is vegetable-oriented, with a little bit of fish and very little meat. For instance, a dish in my home could be steamed spinach with spruce, where I take a spruce branch and put it in the pot and that infuses into the spinach.
I never understood why movies don't have to be as responsible, or the responsibility stops with Rated R. I feel like music, you gotta - you put the sticker on it, you make the clean version, then you're explaining yourself, and then you have to do charities to offset what you just said. No one else has to do this!
Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations.
One of the first albums I can remember hearing was a Supertramp best of, with mostly 'Breakfast in America' songs on it. It's kind of the same thing as the Flaming Lips, where there are these really melancholy lyrics and melodies, yet it's extremely uplifting. They're like a nonfuturistic version of the Flaming Lips.
I play these sort of comical instruments I invented, like the electric rake and the electric plunger. I do a lot of almost stand-up comedy material. Just the juxtaposition of the different styles in itself sometimes is funny. Like, I do sort of an acoustic version of 'Purple Haze' that has some bluegrass licks in it.
I see a lot of women around me who seem to stop developing as individuals after marriage and children. I don't know what kinds of pressure they're under, but I think it robs the world of 'the older version of Judy or Wendy,' or whomever. It robs the world of the next iteration of them, and I don't think that's right.
The first piece of 'long' fiction I wrote was a novella parody of Stephen King's 'Christine.' I was in high school, and my version was about a kid with a possessed locker instead of a possessed car. It was also my first attempt at humour, which fell completely flat because no one who read it realized it was a parody!
One of the most painful parts of a breakup is having the feeling that your life is a story, and then the other person leaves and takes the story with them. And you're left there without it. You're left in this version of life that's basically a succession of events and interactions that don't seem to be going anywhere.
Do not let yourself get in your own way. Don't judge yourself and knock yourself down. There is enough of that out there already. Remember: you are an artist, and you bring something special to this craft. Take in notes and criticism, but don't let them define you. Don't try to become a watered down version of yourself.
I like to think of my customer and make sure that season after season she is getting what she wants. Ultimately, I suppose I have an image of myself. That is the person I am designing for - a woman who loves and appreciates fashion and luxury, and somebody who wants to feel empowered with the best version of themselves.
I was watching the Danish version of 'The Killing' when I got the audition for 'The Fall,' and I loved it; it was so original. I approached 'The Fall' with that in mind. I'd no problem with the violence - it was very clear from the script how horrifying the crimes were and that had to be shown, without going to extremes.
Everybody wants to be a better version of themselves - everybody. And I hope one day I can lose some weight. Maybe, who knows, I'll hire myself a trainer and a fancy cook. In five years, maybe I'll be an action hero. Then again, maybe I'll just be this guy. Who knows? But the fun part is embracing the human side of that.
I'd love to do a movie with females in it, and not necessarily the female version of 'The Hangover,' but I'd love to. If I did it it'd star Juliette Lewis, because she's the funniest woman in the world. She's my favorite actress on the planet. If we did a character-based comedy about women, I don't see it out of my range.
I don't relate to people that look like me. I find it deeply unsatisfying to play a version of myself. It was something I had to figure out really early on, when I was at RADA, because I was being cast, over and over again, as the young, virginal thing. When I left RADA, I was on an absolute mission to never wear make-up.
As a black woman who grows up in a predominantly white neighborhood, you learn how to perform a 'good' version of yourself. And then when you're with your home girls, you're saying all kinds of stuff that sounds all kinds of crazy, but you understand each other because you're speaking the way that you're comfortable with.
It's funny: when people always talk about the importance of role models, I used to think that was so exaggerated, but as I get older, I start to realize I don't feel that way so much anymore. If you see somebody like you who's doing something, an older version of what you are, it does make you feel like it's more possible.
I find a difference in British spy fiction and American spy fiction. In the American version, it's more militaristic, partly because the CIA has more of the military makeup. Whereas MI6 is more of a cerebral, intelligence-based, relationship-based service, i.e., all they do is recruit people to get information out of them.
The way we work at Pixar is we write the script, but then we quickly move on into story reel, which is basically like a comic-book version of the film. And then we do our own dialogue and music and sound effects, all in an effort to be able to basically sit in the theater and watch the movie before we shoot it, essentially.
I auditioned for a one-act version of 'The Princess and the Pea' called 'The Ugly Duckling,' and I was cast as the King, starting a pattern of being cast in roles originally intended for men. I went to the first rehearsal, and I didn't get any laughs, and I choked and I quit. I walked away from it and joined the tennis team.
I grew up in a secular environment, you know, in the '60s and '70s. My mother's family was Catholic, but you know, just very kind of conventionally Catholic. You know, nothing - there was nothing, you know, extreme about their version of religion. And my father was a free spirit, you know? He had no time for religion at all.
I remember walking into a department store and you would hear an instrumental version of a Beatles song and it was usually kinda cheesy and very un-rock. Kenny G, for example, is a musician that I certainly dont want to sound like, but technically he is flawless but somehow the rock and roll aspect has been sucked out of it.
When I was little, I had a Norwegian babysitter - and that was my introduction to both regular and salty licorice. We all know the ordinary version, but the salty kind is a favorite candy throughout Northern Europe. It's a guilty pleasure of mine that I have to try not to keep around because I'll eat the entire bag in one go.
When you don't have access to a subject, and all you have is ex-members and critics, there is this gravitational pull toward telling a certain version of events. Scientology would say this, and they have a point, that it's like doing a portrait of a marriage in which you're only hearing from the ex-wife and not the ex-husband.
I conduct very few interviews with veterans. The contemporaneous, or near-contemporaneous, record for WWII is so spectacularly deep that latter-day recollections are largely unnecessary for a historian. Of course, in considering any account, I'm looking for additional sources that can confirm or enlarge that version of events.
Every president to hold office has espoused some version of Americanism - the truths that we hold self-evident, even when those truths are not always in evidence. But for all their grand rhetoric and mostly good deeds, none was able to seal the deal on the trifecta of equality, plurality and socioeconomic ascendancy. Obama has.
If you like looking at 'Starry Night' or water lilies or whatever, then why does it matter if it's an original? If the artist is still alive, and you want to support them, I get it. But if you want some famous dead guy's work, that's just a way for rich people to show off. It's the upper-class version of driving a giant Hummer.