Quotes of All Topics . Occasions . Authors
I think Don Cheadle has always done great work.
It is always great to work with Papa and bhaiya.
It's always really great when your hard work pays off.
I've always had a great work ethic, even when I was washing dishes.
Puff always does great collaborations, it's just you need that flair to make it work.
The work of a team should always embrace a great player but the great player must always work.
Don Martin was the one who really stood out. I really always loved his work. He was such a great artist.
I have always been a great fan and admirer of Nitesh's work - whether it was 'Bhoothnath Returns,' 'Chillar Party' or 'Dangal.'
It's always nice when people appreciate your work because it means you've affected them, which is great. And so that feels good.
I always wanted to work on films, and when I was starting in television in this country, in Great Britain, there really wasn't any film to be made.
Being acknowledged for your work is always a great accomplishment, whether it's people in my city, kids in the street, all the way up to the Grammys.
I always thought moving to New York would mean starting over in theater, because I had great work in Chicago and didn't want to become a waitress here.
I try and sweat every day even though I can't always get to the gym. I do a lot of running, which is a great way to see a city, and I try to bike to work.
I always thought that Bill Murray was one of the great actors that I've worked with. And I've worked with all kinds of people who are known primarily for their dramatic work.
I am a big fan of photography, more of being behind the camera - so when I get the opportunity to work with such great photographers, I always try and learn from their technique.
I always try to lace my work with just a teensy-weensy bit of humour. It's rather like putting a sprig of feathery stuff in a flower arrangement: I believe humour is a great balancer.
It is a conscious choice to go for content-driven scripts because that is the key for any film to work. There are no two ways about it, and I have always been attracted to great content.
If you're lucky enough to work with great actors and creative people, they're always just going to be who they are, so I don't think there's a difference between the Brits and the Americans.
I always try and find a place for Guy Pearce. The great thing about him is he's so versatile, and I wouldn't work with an actor that much if it weren't for the fact that he had so much versatility.
I'm always a great student of writers' work habits. Balzac sat at his desk dressed in a monk's robe, and he always had to have a rotten apple on his desk. The smell of the apple inspired him somehow.
I always felt that Bette Davis was one of the great screen actresses who never really got her due - she won two Oscars, but the last was in 1938, and that was really before all the great work that she did.
You've always got to work to your highest ability level. When times are great and restaurants are jamming, that's when some restaurants get sloppy and take things for granted. Never take things for granted.
I've always wanted to do an adult cartoon, because I want a job where you can just drive up in your pajamas, have a cup of tea and not even get dressed, and you've gone to work for the day. What a great gig!
I left school and couldn't find acting work, so I started going to clubs where you could do stand-up. I've always improvised, and stand-up was this great release. All of a sudden, it was just me and the audience.
I don't claim to be a great vocalist, but I know how to work my voice with its limitations. My talent is I know how to work what I have. It might not always be a picture-perfect performance, but what we look for is the emotion.
I like to write from midnight to dawn with great stores of candy and Red Bull laid in... I'm not sure why I have the work habits of a 20-year-old coder, but no matter how many times I set up a more reasonable schedule, I always fall back to this.
So many people are going to always remember what you do and how you make them feel instead of you telling them this and telling them that. That's why I like to go out and show the work ethic and how I am as a teammate. That's how you become great.
I have been a stalwart advocate for the legacy of Charles White. I have said it so often, it could go without saying. I have always believed that his work should be seen wherever great pictures are collected and made available to art-loving audiences.
Directors are our teachers, and I'm always craving to work with a great director. They're pretty much the first thing that interests me about a project. Let's put it this way: It'll take me a lot longer to read a script if there's no director attached.
There is always this perception that you want to shoot for the top, but I think there's this great place to shoot for the middle and get consistent work and try different things and do the work you want to do with the kind of people you want to do it with.
Because 'Gob' was a terrible magician, he was always, in great comedic moments, messing up his magic act. We used to have magicians come in to work on these tricks to actually get them wrong. But they still had to work. We had to bring magicians on to make magic not work.
Charity work is very important to me and gives me an opportunity to give back to my community. I've always been a big supporter of many different charities, have donated millions of dollars to them, and it just feels great to do and be able to help others, especially children.
My husband and I oddly have worked together a couple of times. We did a 'Veronica Mars' episode together. We didn't work together, but we were both in 'Ghost World.' We had a theater company in L.A., for a bunch of years. So, we've worked together a fair amount, and it's always just great fun.
I grew up watching Sean Young films with my father; we've always been huge fans of hers. A surprising fact is that she loves to work on comedies, which was great for me to hear, because then I could ask her a million questions about 'Fatal Instinct,' which was a VHS I wore out from the video store.
I have always felt a special affinity with V. S. Pritchett. He worked from the ear, primarily, as I do, and he was an all-rounder, writing short stories, novels, memoir, travelogue, critical biography. He lived to be almost 100, and he never stopped, and his work is unified by a great generosity of spirit.
After three years in L.A., I began to dream of my glory days on the boards. But it's very difficult to make a living as a theater actor in New York, which is why I moved out here, and I always had an ambition to work in television. I am a great admirer of the format, and I think it's how we tell long stories.