Quotes of All Topics . Occasions . Authors
So what I do, more than play any instrument - I mean, I love to play - but more than that, I write songs. Songs that are about living, about what it's like to be going through all the things that people go through in life.
Songwriting becomes a conscious attempt to delve into the unconscious. Even those writers who scoff at the concept of a spiritual source for their songs admit that the phenomenon of having them simply arrive feels magical.
I do a lot of brainstorming with my editors. Sometimes it just comes out in the writing. I'll get an idea as I'm writing the chapter. I try to go for maximum surprises in PLL, stuff you don't see coming. It's a lot of fun!
We're all the scriptures. We live the scriptures. The scriptures doesn't manifest unless it is amongst human beings and the scriptures are for us, written by us. The scriptures didn't write itself. We wrote the scriptures.
I'd gotten to a point where I would write a lyric and then delete it because I was worried about how it sounded. Pretty much, I was a dreadful person and It was just a way of dealing with feeling kind of guilty about that.
I certainly wake up every morning and thank God that I'm not a novelist because the theater is tough, but novel writing is infinitely harder. Especially with the economics of serious fiction being what they are in America.
I quite like being removed from the industry stuff so that when we're not on tour and we're writing, we're in a small room and you can't get out physically. I like that mental checking-out aspect - I think it's quite nice.
What people like are things to laugh at. Funny shows. It's all in the execution, the writing and the characters, not the setting. And the writing and the execution and the characters are GREAT on (Everybody Loves Raymond).
I can't write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.
Writing can be a lonely business. But gradually your characters, or the scenes and peopl from your past, begin to rise up around you, and you find yourself writing your way out of loneliness, writing into your own company.
My brother is the lifelong musician, he made the choice to do that when we were very, very young kids. I remember him playing in bands and listening to the music he was writing in the house - he's nine years older than me.
For the blockbusters, people were always telling me that if you write female protagonists, the boys won't go, so you have to put the boys' stuff in it to get everybody. I write for people from 8 to 80, and that's not easy.
Method acting has had a major influence both in writing through the eyes of other people, and seeing through the eyes of other people, trying to address different ideas in a way that would go beyond preaching to the choir.
It's like if a young woman writes it, then it's chick lit. We don't care if she's slaying vampires or working as a nanny or living in Philadelphia. It's chick lit, so who cares? You know what we call what men write? Books.
Being published is not a necessary validation or a path everyone wants to take with their work. Writing—and finishing—a novel is a great thing in itself, whether or not the book is published, or becomes widely-read or not.
Achieving the state of SABLE is not, as many people who live with these knitters believe, a reason to stop buying yarn, but for the knitter it is an indication to write a will, bequeathing the stash to an appropriate heir.
Sometimes strange and wonderful things will pop into my head. And sometimes I will see something in the world that is the beginning of a story. I always have a notebook with me so that I can write down what I see and hear.
I can't relate to the process of just disappearing and writing a record, all at the same time, followed by the sort of drudgery of going out on tour and trying to recreate the record, playing the same 12 songs every night.
I wanted to dissolve the boundary between the outside world and the world of the relationships. Those events, with exception of the Mt. Saint Helens explosion, were happening in the real time of the book, as I was writing.
Years ago when I got stuck, I'd start twirling my hair. That's not possible anymore. I can't prove the relationship between writing and hair loss, but I think I pulled out a fair amount trying to work on certain sentences.
One of the things about what . . . I do - writing plays - is that a poll is not taken before you say, Well, I'm going to write this because I think that you're going to like this and therefore you'll buy a ticket for this.
I grew up with my older brother listening to hip hop, and Jay-Z was the main person I listened to. When it comes to his word play, he's just out of this world. That's my biggest inspiration when it comes to writing lyrics.
Reading and writing don't inevitably go together. You can read without learning a thing about writing, grammar, or spelling, although, you certainly can't learn anything about writing, grammar, or spelling unless you read.
There are some singer-songwriters who start out as poets. So someone like Leonard Cohen wrote and published poetry in the early 60s, but then started writing songs. Bob Dylan's a poet in the sense of bard, aoidos or vates.
I had very little support from any feminist organization. But fortunately my post-marital lover, who had bailed out of academia over political in-fighting, was a one-man support team. He was the one who pushed me to write.
Sometimes I think it is a great mistake to have matter that can think and feel. It complains so. By the same token, though, I suppose that boulders and mountains and moons could be accused of being a little too phlegmatic.
I can't say I was consciously thinking of the big changes in the music business when I was writing the lyrics, but change, uncertainty, flux, impermanence - these are things I'm acutely aware of. And I enjoy facing it all.
I want to be funny. When I first started writing, I didn't find my stories funny, but people kept saying they were. It kind of worried me; these are some pretty disturbing and sad pieces. Why do people think they're funny?
Yet in our enthusiasm for the idea that everyone should be able to read and write fluently, we may be missing a crucial point: in today's culture, finely honed literacy skills are simply not as important as they once were.
When we graduated [ from Cambridge], we were grabbed right into television. I was grabbed straight into the practice of writing comedy. It was all writing and performing. You wrote something in order for you to perform it.
I was just this chubby little Indian kid who looked like a nerd. I didn't have a ton of academic skills. It wasn't until I was in high school that I was like, "I guess I like writing dialogue." So that's how I got into it.
There is a difference between a book of two hundred pages from the very beginning, and a book of two hundred pages which is the result of an original eight hundred pages. The six hundred are there. Only you don't see them.
Years ago when I was in a cover band and we were playing dances, that was quite a different thing. You were there as part of an event. When you're a songwriter, you are the event. So it's a little bit of a different focus.
The War is the first and only thing in the world today. The arts generally are not, nor is this writing a diversion from that for relief, a turning away. It is the war or part of it, merely a different sector of the field.
I see caring for somebody as a creative outlet. I like drawing little faces and writing little stories and hiding them in places. I don't think it's that hard to be thoughtful, especially when you do care about the person.
I love people, and I love to be with people and to make music with people, but my natural state is to revert back to being by myself in my house, which is cool because thats where I practice and write and listen and study.
There were people whose only interest in life was writing letters. To the newspapers, to authors, to strangers, to City Councils, to the police. It did not much matter to whom; the satisfaction of writing seemed to be all.
For me, writing a song, I sit down and the process doesn't really involve me thinking about the demo-graphic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
There's a million things that come through when you put songs together and it's kind of difficult to pinpoint exactly what triggers it on every occasion. It's just like somebody writing a screenplay or something like that.
When people ask that question, it's very hard to nail down a formula or a circumstance that I always write in, but I definitely do believe that there have been moments, musically, when I have channeled something, you know?
Both reading and writing are experiences--lifelong-- in the course of which we who encounter words used in certain ways are persuaded by them to be brought mind and heart within the presence, the power, of the imagination.
I don't have any writing routine. Sometimes I go to my local coffee shop and I write there for some hours. Apart from that, I am traveling most of the time. I write in airports, trains, hotel rooms... I can write anywhere.
I've also been writing with my guitarist, Ted Barnes, and he's amazing. Writing with him has taught me a lot about my own writing process, in the sense that it's incredably personal to write with someone else from scratch.
Writing is the hardest work in the world. I have been a bricklayer and a truck driver, and I tell you – as if you haven't been told a million times already – that writing is harder. Lonelier. And nobler and more enriching.
Every writer has his writing technique - what he can and can't do to describe something like war or history. I'm not good at writing about those things, but I try because I feel it is necessary to write that kind of thing.
... Simone Weil is a mystery that should keep us all humble, and I need it more than most. Also she's the example of the religious consciousness without a religion which maybe sooner or later I will be able to write about.
I write songs on a universal basis. I was born out of the earth of Jamaica which I consider to be a part of Atlantis, the sunk continent, but that's my thing. But I write songs on a universal basis, not like Jamaican songs.
If you write an original, its like you went in and dug a well, and you hit oil. But an adaptation, its like the oil wells on fire, and they bring you in to put the fire out and get it working again - or something like that.
I think nobody since has written such extraordinary work as Shakespeare writes. The characters he writes are full of inconsistencies, which is a great human quality - I mean we're all very inconsistent in the way we behave.
Writing can be a lifeline, especially when your existence has been denied, especially when you have been left on the margins, especially when your life and process of growth have been subjected to attempts at strangulation.