Poems are taught as though the poet has put a secret key in his words and it is the reader's job to find it. Poems are not mystery novels.

Choose your tools carefully, but not so carefully that you get uptight or spend more time at the stationery store than at your writing table.

Wherein we discover that many of the "rules" for good writing and good sex are the same: Keep your hand moving, lose control, and don't think.

At the moment our rational mind stops, hits against a wall ... something else happens. And a bigger mind, like a pearl, rolls in a silver bowl.

Life is not orderly. No matter how we try to make life so, right in the middle of it we die, lose a leg, fall in love, drop a jar of applesauce.

Life is not orderly. No matter how we try to make it so, right in the middle of it we die, lose a leg, fall in love, or drop a jar of applesauce.

Whether you're keeping a journal or writing as a meditation, it's the same thing. What's important is you're having a relationship with your mind.

Watch yourself. Every minute we change. It is a great opportunity. At any point, we can step out of our frozen selves and our ideas and begin fresh.

If I didn't have that, fear and projections over what was coming next could have taken over. But it was tough. Don't think I was an angel. It was hell.

My goal is to write every day. I say it is my ideal. I am careful not to pass judgment or create anxiety if I do not do it. No one lives up to his ideal.

Use original detail in your writing. Life is so rich, if you can write down the real details of the way things were and are, you hardly need anything else.

Writers end up writing about their obsessions. Things that haunt them; things they can’t forget; stories they carry in their bodies waiting to be released.

I used to think freedom meant doing whatever you want. It means knowing who you are, what you are supposed to be doing on this earth, and then simply doing it.

The odd thing is, that I wrote The Great Spring while I had cancer and it's not about cancer. It was after I was done with cancer that I wrote a book about it.

In a way, the cancer became an ally because it stopped me from running around so much. I was able to settle down and write things I hadn't had a chance to before.

It is odd that we never question the feasibility of a football team practicing long hours for one game; yet in writing we rarely give ourselves the space for practice.

The harder you chase something, the faster you go and the less you're able to let life meet life. If you're having difficulty coming up with new ideas, then slow down.

I'm never ashamed to read a book twice or as many times as I want. We never expect to drink a glass of water just once in our lives. A book can be that essential, too.

Our lives are at once ordinary and mythical. At the same instant we have these magnificent hearts that pump through all sorrow and all winters we are alive on the earth.

I honor English majors. It's a dumb thing to major in. It leads nowhere. It's good to be dumb, it allows us to love something for no reason. That's the best kind of love.

There is no security, no assurance that because we wrote something good two months ago, we will do it again. Actually, every time we begin, we wonder how we ever did it before.

When you write what you know, you stay in control. One of the first things I encourage my writing students to do is to lose control - say what they want to say, break structure.

Use loneliness. Its ache creates urgency to reconnect with the world. Take that aching and use it to propel you deeper into your need for expression - to speak, to say who you are.

Too often we take notes on writing, we think about writing but never do it. I want you to walk into the heart of the storm, written words dripping off hair, eyelids, hanging from hands.

There's no such thing as a writer's block. If you're having trouble writing, well, pick up the pen and write. No matter what, keep that hand moving. Writing is really a physical activity.

Understand that writing is like an athletic activity. To play tennis well, you expect to keep practicing, but for some reason with writing, you think you should come out fresh the first time.

Stress is basically a disconnection from the earth, a forgetting of the breath. Stress is an ignorant state. It believes that everything is an emergency. Nothing is that important. Just lie down.

The positive thing about writing is that you connect with yourself in the deepest way. You get a chance to know who you are, to know what you think. You begin to have a relationship with your mind.

When you write, don't say, "I'm going to write a poem." That attitude will freeze you right away. Sit down with the least expectation of yourself; say, "I am free to write the worst junk in the world."

I remember a friend many years ago who had taped a sign to his refrigerator: There's a dream dreaming us. If you try to think about what that means it makes your mind silly, but that silliness is good.

I often wonder if all the writers who are alcoholics drink a lot because they aren't writing. It is not because they are writers that they are drinking, but because they are writers who are not writing.

Trust in what you love, continue to do it, and it will take you where you need to go. And don't worry too much about security. You will eventually have a deep security when you begin to do what you want.

We should notice that we are already supported at every moment. There is the earth below our feet and there is the air, filling our lungs and emptying them. We should begin from this when we need support.

Original details are very ordinary, except to the mind that sees extraordinariness. it's not that we need to go to the Hopi mesas to see greatness; we need to view what we already have in a different way.

And we can't avoid an inch of our own experience; if we do it causes a blur, a bleep, a puffy unreality. Our job is to wake up to everything, because if we slow down enough, we see that we are everything.

In writing with detail, you are turning to face the world. It is a deeply political act, because you are not staying in the heat of your own emotions. You are offering up some good solid bread for the hungry.

In writing practice, there's no direction. You enter your own mind and follow it where it takes you. We have a great need to connect with our own mind and our own true self. And all of us have a story to tell.

The first thing is how awful cancer was, the experience. When you first go through it, you're just trying to survive. But when I wrote about it, I really digested it. It was unbearable but I had practice behind me.

[T]he one thing I want for you is to recognize when you are really singing in writing practice and honor that. Trust that. When you were screaming on the page. Maybe that doesn't make a whole book but that is the true seed.

I don't think everyone wants to create the great American novel, but we all have a dream of telling our stories-of realizing what we think, feel, and see before we die. Writing is a path to meet ourselves and become intimate.

What writing practice, like Zen practice does is bring you back to the natural state of mind...The mind is raw, full of energy, alive and hungry. It does not think in the way we were brought up to think-well-mann ered, congenial.

So writing is not just writing. It is also having a relationship with other writers. And don't be jealous, especially secretly. That's the worst kind. If someone writes something great, it's just more clarity in the world for all of us.

First thoughts have tremendous energy. The internal censor usually squelches them, so we live in the realm of second and third thoughts, thoughts on thought, twice and three times removed from the direct connection of the first fresh flash.

Finally, if you want to write, you have to just shut up, pick up a pen, and do it. I'm sorry there are no true excuses. This is our life. Step forward. Maybe it's only for ten minutes. That's okay. To write feels better than all the excuses.

I have students that I tell, "If your book doesn't sell or you can't publish it, write another book. Quit sitting around." The publishing world is a business, but it's not any big deal. An editor is not your guru. Your agent is not your guru.

Learning to write is not a linear process. There is no logical A-to-B-to-C way to become a good writer. One neat truth about writing cannot answer it all. There are many truths. To do writing practice means to deal ultimately with your whole life.

The aim is to burn through to first thoughts, to the place where energy is unobstructed by social politeness or the internal censor, to the place where you are writing what you mind actually sees and feels, not what it thinks it should see or feel.

It’s much better to be a tribal writer, writing for all people and reflecting many voices through us, than to be a cloistered being trying to find one peanut of truth in our own individual mind. Become big and write with the whole world in your arms.

Writing practice brings us back to the uniqueness of our own minds and an acceptance of it. We all have wild dreams, fantasies, and ordinary thoughts. Let us to feel the texture of them and not be afraid of them.Writing is still the wildest thing I know.

In the past few years I've assigned books to be read before a student attends one of my weeklong seminars. I have been astonished by how few people -- people who supposedly want to write -- read books, and if they read them, how little they examine them.

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