Quotes of All Topics . Occasions . Authors
I think the reason I've survived that long is because I've taken my work so seriously. Maybe sometimes too seriously, but it's always been important for me to do my best regardless of the film. I think the biggest compliment I get is when people on the street stop me and say they've liked the choices I've made.
Television is interesting, in that the pace is quicker and you can see your work more quickly than with movies. And then, with the added social media aspect, you can access that relationship to the fans directly and you have control of the content of what you say, your perspective, your opinions and your ideas.
When you grow up in the city, New York is so big that you can kind of stay in your own little corner of the city and think that that's it because you don't need anything. You don't have to venture out; you don't have to touch the boroughs. You can kind of stay in your neighborhood, and there's everything there.
I don't burden myself too much with others' expectations - or even my own expectations. I think your happiness grows in direct proportion to your acceptance, and in inverse proportion to your expectations. It's just a matter of putting one foot in front of the other - or doing the next right thing, so to speak.
I don't think [Parkinson's] is Gothic nastiness. There's nothing on the surface that's horrible about someone with a shaky hand. There's nothing horrible about someone in their life saying, "God, I'm really tired of this shaky hand thing" and me saying, "Me, too." That's our reality. We have no control over it.
I was working with Bryan Cranston in 'All the Way.' We were about to make an entrance together - I was Hoover, he was LBJ - and he says to me, 'You should play the brother in 'Better Call Saul.' I was like 'What?' and it was time to go on. I'm doing the scene, and I can't think of what Hoover's supposed to say.
We are in a diversity age. I talk about the lack of diversity for black Americans, but what about the Asian Americans? You don't see them very often. They have a show called 'Fresh off the Boat.' No one is talking about that show. I saw it, and I found that show completely offensive, but I'm not Asian American.
But in order for anyone to become successful, sometimes you have to be that driven and focused, and maybe there isn't a lot left over for personal relationships - although I certainly have had them. It's not as if I cut myself off, but it makes them very difficult. This profession is very hard on relationships.
I gave the graduation speech at my high school. Not because I was valedictorian but because the grade voted for me to do it. And I gave a slightly contentious speech. I was a little critical of the administration. But for a long time it said on Wikipedia that I took my balls out and exposed myself to the crowd.
People can write jokes five minutes after a major world event happens, and have hundreds of thousands of people read them within 10 minutes. Whereas before you write a joke, you don't know if anybody is really touching on it or not, and you tell it onstage the next night. For joke writing it has changed things.
I've always had different diet kicks. I grew up in a big Italian family, kind of grew up a chubby kid, then went vegan in fifth grade. I did that for three years, then I went raw in high school. It's always been extreme, but in the last few years I've gotten into balance. I don't restrict myself like I used to.
I'm definitely drawn to stories of just regular folks, just generally in some kind of horrific situation. I keep saying I want to do a love story in the south of France with a boy and girl and some wine. Then I always end up in an oil rig with four hundred guys or on a mountain with guys shooting at each other.
I'm not a huge kind of visual director. For me, it's all about the acting. There's no greater buzz than working with actors and seeing what they can do and how much they can improve on what you'd written. That will always be on the top of my list. It's a real privilege to see it live before anyone else sees it.
I wanted to be prepared and be strong for any unexpected challenges, so from the beginning I was doing kick-boxing. I was wearing a sauna suit everyday, I was wearing sea goggles, I was wearing gloves. I was trying to put myself through the worst condition ever and most of the training sessions I was puking up.
People are expecting me to be a certain way all the time. It's not like if I come in here with a totally different personality and right before the camera starts they see this new character. It confuses everything. Life has a consensus reality to it and if you use that to your advantage it makes it much easier.
By the time I got to the point where I was 'starring' in movies, and I had executives telling me what lines to say, that wasn't for me. I'm really not an actor. I'm a guy who comes out of comedy, and my impetus was always to rewrite the line to make it funnier, not to try to make somebody's precious words work.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children, you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be, and you let them go.
Everybody underestimated the universality of the concept of a nightmare or a bad dream. Horror movies travel pretty well anyway. They're like action movies: People overseas can watch them and enjoy them, and they're not so culturally specific in terms of their references, and they can follow a good scary story.
There's a lot of movies that aren't all about Christmas, or where Christmas isn't the focus, but have that spirit of Christmas in them. I love that sequence in 'Auntie Mame,' where she's in the department store, sewing at Macy's, and she doesn't know how to do anything but fill out a form as 'cash on delivery!'
I had a teacher in Paris, who said that if an actor forgot what it's like to play as a child he shouldn't be an actor. I've always loved being with children. It's marvellous to see the fresh ways they see the world. Watching them look at a tree or a river helps you to understand something that's very important.
I actually ran into Justin Bieber when nobody knew him at the Kids' Choice Awards. He came up to me like, 'Mr. Crews, how you doing? I'm produced by Usher and I just wanted to introduce myself. My name is Justin Bieber,' and I just knew he was a good, nice kid. Next year, people are screaming and attacking him!
I play bass. I play a bit of guitar. I've never been to a lesson, so my theory of music is non-existent in any instrument, but we always had guitars around. My dad taught me to play drums for 'Love Actually,' and I still play drums now. But I'm not a 'drummer.' I'm not a 'guitarist.' I'm trying to be a bassist.
It's so odd because I don't even know if I'm cut out for it, but being a movie star guy, I sort of end up gravitating toward the Coen brothers. That's one of the reasons my wife and I moved to L.A.: that however much of a pipe dream that would be, I moved to L.A. because I'd love to work with the Coen brothers.
Hitchcock's got a very interesting voice; it's a very controlled, measured rhythm that's quite slow and, in that sense, also felt quite controlling in its pace. He retained something from his childhood, that London sound, as well as adopting some of the L.A. sounds... All of this helps you create the character.
Honestly, I’m happiest when I’m with my best friend and we’re just laughing about life and times, there is nothing greater than friendship in this world. And that kind of sort of mutual acceptance ; to feel known and understood by people and to feel like you know and understand them back is all you can ask for.
You don't necessarily have to go to film school to be a brilliant film maker. If you are a good listener and you study life, and you find that story that is buried within each and every one of us, and you figure out a way to bring that out. And sometimes it doesn't necessarily mean money or winning the lottery.
I spent a lot of time in boarding school. This is something I will never do to my kids. I think if you're having kids, then you have to take care of them; otherwise, what's the point? There are many things that parents say are good for the kids, but the truth is they say that because it is good for the parents.
All jokes aside, it's a very difficult job playing the straight man. Jason is potentially the most brilliant straight man that ever was because he's also really funny while doing it, which is even harder. I've always seen myself playing characters who are flawed. We use comedy in our lives to obscure the drama.
There is one thing about Englishmen, they won't fix anything till it's just about totally ruined. You couldn't get the English to fix anything at the start. No! They like to sit and watch it grow worse. Then, when it just looks like the whole thing has gone up Salt Creek, why, the English jump in and rescue it.
Wall Street is being investigated, but they are not asleep while it's being done. You see where the Senate took that tax off the sales of stocks, didn't you? Saved 'em $48,000,000. Now, why don't somebody investigate the Senate and see who got to them to get that tax removed? That would be a real investigation.
It's great to work with people who are jobbing actors at different stages of their career, and learning from them, and getting over being star-struck by somebody like Ian McKellen because he has such a long prestigious history in the business, but then seeing how he works on the camera; you never stop learning.
I hate when a movie just sort of ends and is so open-ended you feel like it wasn't finished. I appreciate leaving things up to the interpretation of the audience and letting them make decisions about where things will go in the future - but the director has to make a decision; otherwise it is sort of a cop-out.
It certainly woke me up to how vulnerable we all are. I think I was much more cavalier about it before I started working on the movie [Edward Snowden], and then the more I read the documents themselves and saw just how sweeping and indiscriminate the intrusions into our privacy have been, it made me more aware.
I went to high school directly across the street from Carnegie Mellon, actually, and I knew people that were a couple of years older than me that went there. I was able to see shows in the drama department, and hang out there little bit, and it just felt like a natural progression. It was at the top of my list.
The great joy of doing 'The Daily Show' for me is that I get to sit on the fence between cultures. I am commenting on the absurdity of both sides as an outsider and insider. Sometimes I'm playing the brown guy, and sometimes I'm not, but the best stuff I do always goes back to being a brown kid in a white world.
I'd like to have a kid, and I'd like to be driving around. I know a kid is going to be a big part of my life. I can trust my kid. I know my kid would be in the backseat of my car, and when I say You wanna get some ice-cream? he's going to be happy. My brother has kids. I see that trick work, the ice cream trick.
My thing about looking good is that it should be the character. If I'm playing a character who's concerned about his body - an athlete, say - I'll get in shape. If I'm playing a character who doesn't or wouldn't, I don't. I almost never get in shape for a movie, even though I know it would be a good career move.
Whenever you wonder about yourself, look up at the stars swirling around in the heavens and just realize how tiny and puny they are. They're supposed to be gigantic explosions and they're just these insignificant little dots. If you step back from things far enough you realize how important and powerful you are.
Part of the mystique of shows like 'Curb Your Enthusiasm' is the idea that they begin with a couple of plot lines, and then a bunch of geniuses improvise dialogue. It's not quite that unstructured and loose. It makes for a good urban myth, but everything's a little more tightly scripted and programmed than that.
[The Yellow Birds] is based on a novel written by Kevin Powers, who is an Iraq War vet. I play a soldier who promises my friend's mother I'm going to keep him alive. But when we go overseas to Iraq, he gets killed. It's about what happened to him, my reckoning and dealing with that as I return home from the war.
You may have good relationships and you may have bad. You just have to roll with it and truly believe, and not be cynical. But, it's hard. You go through four relationships where you're not happy and you've been cheated on, or whatever - and I'm not saying this has happened to me - but you have to still believe.
Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.
I went to see Shine a Light, and it was the most perfect thing I could have done to watch that man do what he does in front of an audience. Its primarily Mick Jagger, but theyre all so confident and relaxed and in love with what they do, and aware of the power of what they do. Its just deeply, deeply attractive.
I think some of my favorite Australian films were shot by people that are not Australian. And I think when Dean Semler did 'Dances with Wolves,' for instance, that's a very different-looking Western than what you've seen much of before. It's very rich, color-wise. But we've got our own very proud thing going on.
I think with Sky and BBC Three and Channel 4, there are some great television platforms, and the stand-up movement in this country is phenomenal. Its like rock'n'roll here. Britain's a funny place and there's a lot of funny people coming out of there and a lot of people are finding mediums to express themselves.
Actors are inherently self-centered. We're trained to focus on who I am. What do I want? Who is in my way? How do I get this? That's how we're trained. Unfortunately, that sometimes spills over into real life. But it's all very subjective. You just try to portray someone beyond the surface, the different layers.
I like doing this stuff [stunts] though, it's kind of the whole reason that you want to do the movie. When you're reading it you're like, "Oh, I get to dive out a window? Cool! I get to jump off a building? Great!" So I love doing that stuff, it's like the stuff we used to do in high school to be stupid and fun.
You have the right to kill me, but you don't have the right to judge me. That's life. There's nobility in that. There's focus. It's genuine. It's crystal and it's pure and it's available to everybody, so just shut your traps and put down your McDonalds, your vaccines, your Us Weekly, your TMZ and the rest of it.
I believe that we are again engaged in a great civil war, a cultural way that's about to hijack your birthright to think and say what resides in your heart. I fear you no longer trust the pulsing lifeblood of liberty inside you... the stuff that made this country rise from wilderness into the miracle that it is.
I started rocking and rolling when Guns N' Roses came out. It wasn't until Garth Brooks came around that I really got back to country. He made it fun again. To me, in country music, the rigor mortis was setting in and it just wasn't fun anymore. Garth brought everyone back over to country and made it cool again.