Quotes of All Topics . Occasions . Authors
Trying to overcome addiction is one of the hardest things for a person to do. And the fact that I had to do it under the scrutiny of tabloid press at first made it seem even more difficult. But in fact, it oddly ended up being a plus. Because of the tabloid stuff, it wasn't like I could walk into a bar and order a drink.
If you can contribute 45 minutes - one hour a day a week exercising, you're going to be a healthy person. You can cut down on diabetes and all of these manmade problems we have. I do embrace the fact that I can maybe be a voice for people to realize that it's not as hard that people think. I'm a pretty passionate person.
When I jump into something, I really do it to the fullest extent that my time and energy will allow me. I'm from Texas, and to see so many people that are obese and with disorders that are preventable. They haven't been shown or told. I'm really passionate about making sure my fellow countrymen are healthy. It's a shame.
I've always been a fan of AXE and when I heard about their new product and they sent it out to me for me to try and smell and I was like, oh man. It's hard for me to talk about something I don't care about or I'm not really into but once I tried it out for myself I was like, wow okay I can get into this [ collaboration].
Arrested Development never felt safe. Even the first season, we did thirteen episodes, and we thought we'd never do a back nine. So I never thought in a million years we'd get to make three seasons. I was happy we got that far. I thought it was really good, and I'm really proud of it. I don't think we made a bad episode.
I would love to have a complete family. I'd love to do it all at once. I'd love to be able to give to my children what my parents were able to give to me. And if I'm blessed to be able to do that, fantastic. If I'm not, then life goes on. You have to do the best you can. I do think we have to bring the family back; I do.
A lot of times, when you have a disability, one of the things you deal with is other people's projections of what your experience is and their fear about it, and not seeing the experience you're having. There's nothing horrifying about it to me. It is what I deal with. It is my reality and my life, but it's not horrible.
In my early childhood, I was a performer by nature. I used to do puppet shows as a kid and entertain kids in classes and the teachers would make it a point that I was the entertainer of the class, but only after high school and in college that I started doing theater and acting classes, because I thought it would be fun.
I see everything visually. It's very visual for me. And so I think, from a plotting standpoint or what have you, there's obviously a certain amount of internal thinking that goes on in a novel (that) you can't do...in a screenplay. But I think, pacing wise, my novels move quickly because (they aren't overly) descriptive.
I've known a lot of very religious people. My mother is very religious, but she was also very - is very private about it. She - when I was growing up, she never went to church. She just prayed and read her Bible and kept it to herself. So I'm not from a background of flamboyant believers. It's much more a personal issue.
My mothers dad dropped out of the eighth grade to work. He had to. By the time he was 30, he was a master electrician, plumber, carpenter, mason, mechanic. That guy was, to me, a magician. Anything that was broken, he could fix. Anybody anywhere in our community knew that if there was a problem, Carl was there to fix it.
I've got one of those over-stuffed leather chairs from the Pottery Barn. It faces north. I live in San Francisco, so there's the Golden Gate Bridge off to the left, and there's Alcatraz off to the right, and I've got a pile of pulp fiction next to me, and there's usually a decent bottle of red wine next to the fireplace.
I have such an eclectic taste in music. Come to a backyard BBQ at my house, and I will run the gamut from Skynyrd to Sinatra to '90s grunge, rap, R&B, and classic rock. I have issues. If I had to pick one, I love this country artist named Craig Morgan. His music and his songs are so relatable and tell such vivid stories.
I think there couldn't be a more perfect time with the state of the world than to come together and share an experience - especially an entertainment experience like This Is Us - to say, "You're different, and I'm different, but we all agree that life should be lived. You should be happy, and we're all deserving of joy."
The business can be frustrating. For me, Omaha is a rounding foundation. I was raised in a very faith-filled household, very hardworking. It made me aware of what privilege is. And it's a place I can go back to, spend time with nieces and nephews, celebrate the things that have nothing to do with the hubbub of Hollywood.
Nobody can predict the future. You just have to give your all to the relationship you're in and do your best to take care of your partner, communicate and give them every last drop of love you have. I think one of the most important things in a relationship is caring for your significant other through good times and bad.
Hunger is a deep concern of mine, and I feel that no one should go without food in this world as long as there are caring people to lend a hand. I've had to struggle in my past and I know what it's like to go without, so I try to do as much as I can to help bring awareness to an issue that hits very close to home for me.
I personally never thought that 'Dallas' would resurrect itself because I didn't think anybody knew how to do it. And it was proven to me on the few attempts that were made. The movie that was going to be done, I read that script, it was atrocious. It was just awful. And I just didn't think anybody understood it anymore.
If what I think is God should come down today and says "I'm God, or the thing you call God, and you're never going to do any more movies. You're never going to do television. You're never going to do theater again in your life," I would just say "What are we doing? What is the next step?" That's how I try to approach it.
The Bond was so big and mighty in my career, and it is the gift that just keeps giving. I wouldn't be here today talking about "The November Man" if it hadn't been for James Bond. So, there was a desire, a want, and a need to make this film, "The November Man." I loved the title. It has a sensuality and a mystique to it.
Playing a TV character for seven years is almost like when you do a play. You live, breathe, and everything else with that character 24-7 for six months or four months or whatever, and that gets very deep in your blood. When you do a TV character for seven years, that's a long time. It becomes a seminal era in your life.
All of the films that I've made are about the country I live in and grew up in... And I think if you're going to put an artist's eye to it, you're going to put a critical eye to it. I've always been interested in the gray area that exists between the black and white, or the red and blue, and that's where complexity lies.
It doesn't matter who's directing, or who's doing the movie; there are a ton of things that can go wrong, and they do all the time. So you just have to figure out how to get through it, and then how the director finally puts it together, and then see what the audience takes from it. That's the most important thing to me.
The whole nature of the show [ Dirk Gently's Holistic Detective Agency] is that everything is connected, and everything is interconnected. You have all of these strands with all of these characters, and you watch the characters interact and you wonder, "What do they have to do with each other? How does any of this link?"
I'm just about the movies; I enjoy the dexterity of actors in action movies and the choreography side of things. You've just got to be a different person to be a professional fighter. I train with professional fighters, so I know what it takes. It's a very difficult profession, probably harder then the acting profession.
Networks like Adult Swim allow artists to be artists and allow their vision to come through without a lot of tinkering. I worked on 'Moral Orel' and 'Mary Shelley's Frankenhole,' and they bothered us very little. They very, very seldom came to us and said 'Change this,' or 'You can't do that,' or 'We'd like to see this.'
I draw to shock myself out of a too-easy rhythm - I may begin with no conception whatever, an image emerges . I rub it out and begin again, searching for its counterpart. When it appears I invariably find that the thing I draw is at my elbow, it is out of the window, or has been standing at my front door for a long time.
Although I have a lot of close female friends in my life, my number one is still my mom. Without her, I wouldn't have the values that I have and see the world the way that I do today. She taught me how to appreciate and respect women. She taught me chivalry and how to love a woman and respect their feelings and emotions.
Everybody wants to have a goal - I gotta get to that goal, I gotta get to that goal, I gotta get to that goal. I can finally get to that goal. Then you get to that goal, and then you gotta get to another goal. But in between goals is a thing called life, that has to be lived and enjoyed - and if you don't, you're a fool.
I met a bunch of people and they said, "We're gonna do a show [Second City]." So we would buy the theater out and do a show, and we did that for five years and we ended up becoming popular. It was before sketch comedy was hipster-time - when you would hand out a flier, people would roll their eyes. Now it's kind of cool.
It's horrible for someone to listen to someone learning any instrument - when I was first learning the banjo, I used to have to go out and sit in the car, and even in the summertime I'd have to roll up the windows. Because you just couldn't practice a banjo or a fiddle with other people around. Unless they're being paid.
I feel a strong affinity to Ke$ha and Katy Perry and a lot of these women who are really pushing the girl power femme fatale thing. It's fun, and it's unapologetic, and they tell women they can do whatever they want, and that's true, and that's a message that I want to carry, to tell girls they can do whatever they want.
I'm very proud of my faith. So, it's not so much (being embarrassed by it). It's just it is really personal. It's not one of those things I'm willing to compromise. I don't have to bounce it off other people. I'm not willing to take judgment on what I believe - and I would hate to not live up to it. That's just not fair.
In eighth grade, when I was just the school weirdo, my drama teacher put me in a play, and we came up with a few comedy bits. And that very first reaction, for an audience of supportive middle schoolers, I put my head out and pretended I got scared by the audience, and ducked back in. They all went: 'Yeah! That's great!'
And you know, whether it's drama or comedy, the best work is based on truth. It's just that, with comedy, the circumstances are just crazy-heightened, and you have these crazy things thrown at you. But you still have to do it truthfully, because that's where the humor comes from. So it's not that difficult to cross over.
A lot of people don't realize this, but probably the one person that gets made fun of in 'South Park' more than anybody is my dad. Stan's father, Randy - my dad's name is Randy - that's my drawing of my dad; that's me doing my dad's voice. That is just my dad. Even Stan's last name, Marsh, was my dad's stepfather's name.
I worked with Michael Black and Michael Showalter on their show 'Michael and Michael Have Issues.' We did some stuff on that, but it ended up not getting picked up for a second season. There will be more stuff, but not right now. Michael Showalter and I are literally next-door neighbors. We see quite a lot of each other.
I always used to watch 'The Daily Show,' and there were all these comedic geniuses there. I didn't know if I was going to be hired full time or not. At the beginning, I was sort of hired as a part time, on and off guy. When I first got hired - it was August 2006 - and I was working on and off, and they'd call me whenever.
I always think back to the original movies and to those quieter moments where Luke is out in A New Hope, and there are the two suns setting. It is the equivalent, basically, of a farm boy dying to get out of his small town and do something bigger. It's those kinds of universal themes that ground this whole thing in space.
There are the obstacles of your position as an actor, not being a commodity enough to be hired by the big directors for projects that have some kind of integrity, because the successful actors who've been in the game for a while want those roles. So there's more competition, so you have to work harder and be right for it.
So-called reality TV, which dominates British channels, is destroying what made it cherishable to me and lots of others in the first place. I loved Alan Clarke, Ken Loach and Alan Bleasdale's work. In fact the first TV dramas I ever saw were 'Screen Twos' produced by David Thompson, who also produced a lot of Alan Clarke.
Hollywood is a strange place. The class structure here is more rigid than almost anyplace I've ever experienced. It's made more difficult by the fact that it's constantly changing. You never know what class you belong to unless you're one of the two or three people that have been in the same echelon for a long, long time.
I've had a lot of consoles as a kid so there has always been something that I've done as a pastime or with friends and for personal enjoyment. I don't play many sports so it gives me an opportunity to have that same competitive feeling and the same reward when you win but using different techniques. It's much more mental.
I just did this movie with Kristin Wiig called 'The Skeleton Twins.' That's a straight drama. We play estranged twins, and I end up moving in with her and her husband, played by Luke Wilson. But it's a drama, and the Duplass Brothers produced it and this great guy, Craig Johnson, directed it. And that was great, you know?
I'd like [Santa Claus] to give Wes Anderson, the director, enough money in his next budget for an aerial shot - just a little copter shot. He really wanted this one helicopter shot, and Disney wouldn't give him the money. Just wouldn't give him the money. Every day, he was talking to the studio about this helicopter shot.
I love the story behind the Vasa Museum: in the 17th century, the Swedish king was trying to make a statement by building a huge ship that would sail around Europe carrying the Swedish flag and proving that we were a force to be reckoned with, and basically, the ship was top-heavy, and so it went 300 or so yards and sank.
I would say, stay the hell away from the party scene. Anything you put in front of your goal, and especially something like that, whether it's too much gambling, too much food, too much cold beers on the weekend - anything that you put in front of the prize is going to end up getting in the way and hurting you in the end.
There are elements to my faith which are echoed very closely in the scripts that come through. I read certain moments, and I'm able to say, 'Yes, I recognize that. I champion that. I ally myself to that idea.' Then there are times where I don't. My feeling is, at this stage in my life, that it will be an ongoing struggle.
A good actor is like a racehorse or a Ferrari. If a cylinder is missing on a Chevy, it's doesn't matter that much. But if something's not working right on a Ferrari, it makes a big difference. It's the three percent that makes the difference between good and great. It's a fine line. If you're not there, it's very painful.
I was 20 years old, working as a roofer and a telemarketer and driving a taxi, just barely getting by. A friend of a friend suggested I try acting. I was like, 'Why? What am I going to do? Community theater?' But I took a class, and the teacher thought that I had potential, so I moved to Vancouver and started auditioning.