Quotes of All Topics . Occasions . Authors
Do you have to make me feel like there's nothing left of me? You can take everything I have, you can break everything I am, like I am made of glass, like I am made of paper.Go on and try to tear me down I will be rising from the ground like a Skyscraper.
There's this idea that if you take your clothes off, somehow you must have loose morals. There's still a negative attitude in our society towards women who use a strength that's inherent - their femininity - in any way that might be considered seductive.
Throughout my childhood, I watched my parents try to become legal but to no avail. They lost their money to people they believed to be attorneys but who ultimately never helped. That meant my childhood was haunted by the fear that they would be deported.
I come from a very small rural village in northern Germany, and being an actor never even seemed like a possibility. I thought you would have to live in a big city, or be discovered somewhere, or be born into an artistic family, which I certainly wasn't.
I like to kind of change my performance so that there's more to play with in the editing suite. At the same time I think by the time you've done say 55 takes you're exhausted and you've kind of lost the power behind it that you had on take #1 or take #2.
I've been on 'Criminal Minds' twice! On the first show, a boy brought kids out to the woods and was beating them with a baseball bat, but I got away. Then they brought Tracy, my character, back - as a kidnapped girl. They saved me two times! Tracy lived!
My husband gave up all his work to stay at home with the kids, and we split all the duties at home. I do all the boring stuff - like pay the bills, and he does all the exercising for both of us, which Im very grateful for... I thank him for it regularly.
Women come to a time in their lives where they raise their kids, they've had their careers, their kids leave home, and they're deciding, 'Am I recommitting to my relationship? It's been a great ride. Do I want to stay here? Maybe there's something else.'
All of Hollywood is run on one assumption: That women will watch stories about men, but men won't watch stories about women. It is a horrible indictment of our society of we assume that one half of our population is just not interested in the other half.
Rhythm is born in all of us. To be a desirable dancing partner, you don't have to do all the intricate fancy steps that happen to be in vogue. All you have to do is be a good average dancer, and anybody who spends the time and effort can accomplish this.
I traveled with my mother, Lela, and there was never enough money. I always had to roll down my silk stockings and carry a doll when we bought train tickets so I could go half-fare. If we had $3, we always figured how to tip for the trunks and still eat.
Very early on, you figure out that you put your self esteem in the hands of strangers. There's a different commodity. There's the Helena Bonham Carter that everyone thinks they know, who really has nothing to do with me. But you just have to let that go.
Very early on, you figure out that you put your self-esteem in the hands of strangers. There's a different commodity. There's the Helena Bonham Carter that everyone thinks they know, who really has nothing to do with me. But you just have to let that go.
I always like to sing barefoot, but when I first started doing these dates with the symphonies, I of course thought I should clean up my act, being a Jewish girl from Long Island with a little bit of a trucker mouth. So I wore a gown and some high heels.
I don't worry about it because we are all growing old. If I were the only one I would worry. But we're all in the same boat, and all of my friends are coming with me. We all go toward old age. How many years left we don't know. We just have to accept it.
I just think, as women, we have to give ourselves room to be individuals. So when a woman makes a decision for herself, we as women shouldn't set those hardcore boundaries for another woman. Just like we don't want men setting hardcore boundaries for us.
It was difficult for me to understand that, when you're kind to someone in a big city, a lot of the time, they think that you want something. I didn't understand that, all of a sudden, niceness meant that you were trying to get something out of somebody.
The first episodes I actually read for 'Downton,' Sybil was really intimidated and hadn't come into her own. So it's only in Series Two that she's become so headstrong. In general, I find it exciting to play strong, female roles because they're shocking.
The thing that I enjoy about animation is the fact that it is unbridled, and there are no boundaries; when you are in the room, you don't have to focus on your clothing, make-up, hair, your choreography or your blocking; you really do have total freedom.
I was bargaining for time away from Hollywood, and Columbia was bargaining for money. I got what I wanted and they got what they wanted. They knew I was so anxious to do Born Yesterday that I'd have done it for a dollar. They gave me the next best thing.
I think that one of the things that you do learn is that falling in love and being in love with someone is a rarity. That you don't fall in love as many times as you think you're going to. And then when you do, it's really special; it's really important.
I remember reading an interview that Anthony Hopkins had given about how he developed Hannibal Lecter. He said he just looked in the mirror and, I forget exactly what it was, but he looked in the mirror and realized that when he smiled, it looked creepy.
I love the fans of genre. Genre fans are the best fans. They're loyal, they're dedicated, and they're passionate about the projects. They get it on a cerebral level. Being a part of that culture and that world... It's very gratifying and very fulfilling.
But, you know, when I choose a film I need to believe in it and believe I can do something special with it, and after a while that means not trying to judge or analyze why I should do it. You have to follow this intuition thing, which is a mystery to me.
I've never been like Angelina Jolie, who at one time was spewing out this prototype Bad Girl stuff for people to consume. I've never boxed myself in that way. People can create boxes for me by all means, but it doesn't mean I'm going to step inside them.
When [Len Wiseman and I] first met, I was a huge fan of the 'Alien' movies. I was a huge 'Die Hard' fan until it ate my husband for two years. We sit and watch movies all the time. One of my favorite movies is 'Dog's Day Afternoon.' Len loves that movie.
When you're working through the [fight] scenes, you're working on such adrenalin. And then, later, you're like, "Oh, god, my back hurts. Where did that come from?" Your entire arm can be bruised up, but you don't even think about it while you're working.
The more you want it [romantic relationship], the more you are looking for it, the more you repel it for whatever reason. I don't know why. If you kind of create this vacuum, let life take its course, then you tend to free yourself up for the unexpected.
I've always done theater. I've never thought of myself as a comedic actress in any way. 'Anchorman' kind of cracked that open. When I got a small part in 'Anchorman,' I didn't know it was possible on camera to improvise. So I was like, 'What's happening?
Now if I go through it again, I think I would be a lot more open about it. I admire people who have been open like Melissa Ethridge and women I see walking around facing it without wigs and all of that stuff. I think I would be more courageous next time.
I'm one of the only actresses in Los Angeles who has never waited tables - yet - and I'm so terrible at holding trays. When we shot the 'Vampire Diaries' pilot, I totally spilled water all down Nina Dobrev, and she had to get her hair and make-up redone.
The Practice I was on for seven years and it was a law show, so I really - a lot of objections and things like that, lots of long, long monologues that David Kelly used to write me, which were great. I was really lucky to have my first show go that long.
I come from film, where I only play a character for three months at a time, and then it's done, so it's important for me to be able to put on other hats and make sure that all of the tools in my toolbox that don't apply to Olivia Pope are still in shape.
The new millennium won't be about sexual labels; it'll be about sexual expression. It won't matter if you're sleeping with men or women. It'll be about sleeping with individuals. Soon everyone will be pansexual. It won't matter if you're gay or straight.
I would love to work with Quentin Tarantino - he's my number one. My ultimate. I would love to work with Paul Thomas Anderson, Alexander Payne - Pedro Almodovar wouldn't be too shabby. There are so many good directors, but those are some of my favorites.
I'm like, bursting. I should be working. I don't want to take a break. It's funny, on set, I don't have to go to the bathroom, I don't have anything wrong, I'm perfectly fine, so through-and-through. I'm not hungry. I'm literally not even in my own body.
If I had different parents who were in it for the money, I might have a different perspective. But they really are artists; they intelligently approach each character and prepare in every sense of the word. I grew up in a world that had great discipline.
Most scripts are written to be green lit. They're not written to be acted. And a lot of writers with the greatest intention in the world don't write for actors. They don't understand the architecture of what an actor needs to get from point A to point B.
I think my politics are just inclined to be empathetic and humanistic. I grew up with so many different kinds of people with different politics, different religion, no religion, no politics, education, no education, and I was infatuated with all of them.
I become an actress to do things that scare the sh*t out of me and I felt like I didn't stand a chance to get this part because people have preconceived notions about me, but if they gave me the part, I would do everything in my power to not screw it up.
'Party Down' is the most fun I've ever had working in my life. We shoot 10-episode seasons and we shoot it in 10 weeks, so it's very brief: 4-day episode shoots. You never get sick of anybody, and it never feels like a drag. It's way, way, way too short.
I think being mean to people in high school is healthy. It's sort of like you're in this situation with all these other kids and sometimes you need to get your aggression out. And if you'd had people be mean to you before, it really does build character.
Marie [Henein]'s adeptness at evisceration - I'm damp with it. She was able to instill in me a feeling of self-loathing. And, um, I guess I gave her that power. But I have to find a way to not feel this bad about something that, in the end, was a moment.
From inside where I live, I feel like I just perceive events in a certain rational way. I often find it sad or poignant, and it may not make me laugh a bit. But I don't mind inventing a portrait that allows others to laugh if that's what they want to do.
I just did adore Daniel - Daniel Radcliffe, who I had worked with before "Harry Potter" and spent a long time telling all the producers they had to see him because I thought he was so terrific. And it's been sad thinking about it because of Alan Rickman.
Puberty was definitely difficult for me. I remember my friends and I looking forward to puberty because it seemed exciting at first. You read Judy Blume and you think, "This is kind of cool." But when it actually started happening to me, I was terrified.
I got kicked out of high school, went to 3 different high schools and summer school and extra night school just so I could maybe graduate and try to make it up, because I flunked pretty much my entire freshman year, mainly because I just never showed up.
I'm doing stand-up comedy. I'm working on a one-woman show about how I don't like my baby. There is a period of time where a baby is born where the next 3 months is harrowing. A lot of people say it's the most wonderful time, but for me it was harrowing.
There are two kinds of cloning right now. One is therapeutic cloning which is for coming up with cures for life threatening, really, really awful diseases. Then there is reproductive cloning, which is to make a human being out of your DNA and a donor egg
And in Improvisation there is one hard and fast rule, and that rule is known as "Yes And." The term YES AND: to say yes, and not just yes, but to add information. In the adding of information you don't negate the other persons idea - but you build on it.