Quotes of All Topics . Occasions . Authors
I tend to be very skeptical and judgmental. I'm not really a conspiracy theorist, but I'm more likely to believe the people that speak about a conspiracy, or are convinced of conspiracies in the government, than the people who have 100 percent faith in the people who are running America.
One of the great advantages of my time spent in movies and in basically every role possible, both in front of the camera and behind the camera, that I've gotten to see all these different ways that people work and the way movies are constructed from the inside out, from beginning to end.
I was part of a hip-hop group called Fly Style. I was one of two white girls, and I was part of the younger company, which was called Touch of Style. And it was amazing. It gave me a different perception of dance and beauty because the other girls were mostly African-American and Latina.
THE REASON I CAN BE 38 AND HAVE TWO KIDS AND WEAR A BIKINI IS BECAUSE I WORK MY ASS OFF. IT'S NOT AN ACCIDENT. IT'S NOT LUCK, IT'S NOT FAIRY DUST, IT'S NOT GOOD GENES. IT'S KILLING MYSELF FOR AN HOUR AND A HALF FIVE DAYS A WEEK, BUT WHAT I GET OUT OF IT IS RELATIVE TO WHAT I PUT INTO IT.
I know you're always supposed to want more of everything. But in truth, I'm having a nice ebb and flow of being in my daughter's life every day and getting to keep my work life alive. I'm not nominated for ten thousand everythings every minute, but I am acting and telling stories I love.
Of course, it's wonderful to film any period piece - but especially 'Foyle's War' because the art direction is so imaginative and yet at the same time so real. You can open a drawer on set, and even though the camera never sees what's inside, it'll be filled with genuine 1940s documents.
I keep saying, the older I get, the younger my audience gets. Because 'Wicked' and 'Rent' and 'Glee,' each one was a young audience, so it's a great thing to have, so then you know that as they get older and have kids, they'll maybe still buy tickets to my shows when I'm 80 and in Vegas!
Looking back, there is nothing wrong with that peace, love and equality that the hippies espoused. In many ways, we have regressed because they were into organic food, back to nature, make love not war, be good to all men, share and share alike - which is what many are talking about now.
For the longest time I was brought up listening to only two genres of music, pop and rock. So in the past few years I've been trying to expand my interests because I think that you can only write to the extent of your knowledge, and if your knowledge is limited you can't write past that.
I could be pretty volatile, especially when I didn't feel understood, which was 99 percent of the time. I do think that, as a young person, I suffered over that. But as I look back, it doesn't even feel like part of me - except when I act and need those emotions. Then I can dredge it up.
That's the thing about prep, is that it's a joy to have it there and you can spend all this time prepping, but ultimately you have to look at your script and turn up on the day. It's embedded in there somewhere but you have to forget it all and play the scene because we are storytelling.
Some people are really nice about it. I get Saudi princes and famous people stopping me in L.A. and saying, 'You're Stifler's mom. Can I take a picture with you?' But then you get people like her putting their camera in your face without asking. They think they can do whatever they like.
I was one of those avid moviegoers as a kid, and we didn't have video, so we went to see everything five times. I went to see every foreign film playing in my town. As times went on, I watched a lot less films. I have a different film school now. My film school now is my life experience.
What the digital age has offered us, in terms of connectivity and transparency, is that all of these people from weird places in the world are all talking to each other, at four in the morning, and are sharing ideas. There's more openness than has ever been known, so that's a good thing.
Let's get a couple of things straight. It hasn't been years and years since I made a movie. I'm not coming back from the dead - I've just had two kids! I have no intention of retiring, but I do think it's impossible to do movie after movie, because there aren't that many good films made.
My mom used to make everything. She had a great garden and composted and made everything from scratch - peanut butter, bread, jelly, everything. I don't know how she did it because all those things take time and love and labour. I only do half the stuff she does - but there's still time.
With film, so much is in the director's hands. Once something is cut together - unless you're in the editing room - you don't really remember what the alternatives are. The exercise in theater is night after night, you are doing the same play, but you have another opportunity to explore.
When I was a child, I would draw these little stick-figures, and my mom would put them up all over the loft and tell me how wonderful they were. Then you get out there into the harsh reality of the world, and you realize not everybody loves every little thing you do the way your mom did.
When I was in my 20s and 30s, there was such a variety and diversity of types of films that you could see. So many of them were really more about the human condition and about relationships between people, and they were smaller films that had a much greater impact on me as a human being.
I wouldn't be honest if I didn't say my mom. Apart from the fact that she's my mother, she's a brilliant comedian and a force as a producer. She paved the way for women to produce and star in their own films, and to balance that with being the matriarch of our family is really inspiring.
When I was, like, 5 years old, I used to pray to have light skin because I would always hear how pretty that little light skin girl was, or I would hear I was pretty to be dark skin. It wasn't until I was 13 that I really learned to appreciate my skin color and know that I was beautiful.
I've never been comfortable being a pawn. I work with brands where I feel like I can have my say and companies that I'm proud to be in a relationship with. Partnerships take a lot of time. If I am going to put my name and my face and my energy behind something, I want it to be authentic.
I think it's great training for any comedian to start on cows. Because with cows, you expect them to be bored and just stare at you blankly. And that's exactly what you'll get at a comedy club. If you can toughen up with a cow audience, then you'll never be worried with a human audience.
Obviously, the urge to molest children comes from some experience the person has had as a child, and he or she never worked it out. Watching Raymond Buckey describe how he loved working with the kids, I could sense this 11-year-old who'd stopped and never grown further on a sexual level.
I, a woman, find wearing high heels agreeable only on the very rare occasion that (1) I will be ferried between destinations upon a palanquin or (2) I am going to a cocktail party and, at five feet two, don't want to spend the evening discussing the latest movies with somebody's nipples.
Sexual freedom and liberation has to be of your own making. I'm stunned when I hear about friends' children, ten or twelve years old giving blow jobs. I just don't like the girls being used or exploited in that way. It's just indiscriminate sexual relating. It's just the isolated things.
By learning about my body and making small, subtle changes, I find out what I enjoy and what is effective. I'm always finessing: adjusting my diet and my workouts. You have to figure out which exercises are fun and interesting and stimulate your brain - or else you'll never keep at them.
The first time I saw 'Macbeth' was not the entire play. It was at acting school, and this student was working on Lady Macbeth's soliloquy. I felt something very special, and I knew then that I would one day experience Lady Macbeth, but I always thought it would be on stage and in French.
Friendship is a precious gift that can't be bought or sold. It's value is greater than mountains made of gold. If you shall ask God for a gift be thankful if he sends not diamonds pearls or riches but the love and trust of friends. It is the friends you can call up at 4 a.m. that matter.
Well, it's kind of like that classic sort of trajectory in this kind of movie where there's conflict and they're estranged and they kind of grow to love each other but they don't show it. Then at the end - it's kind of like that. But I think the characters are more interesting than that.
I've been every size in the world. Parts of my 20s, I was in great shape, but I didn't appreciate it. If I was a 6 or an 8, I thought, "Why aren't I a 2 or a 4?" Now I feel like I have two great kids and the dreamiest husband on the planet, and everything else is just a work in progress.
When I was twenty-five, I went on exactly four dates with a much older guy whom I'll call Peter Parker. I'm calling him Peter Parker because the actual guy's name was also alliterative, and because, well, it's my book and I'll name a guy I dated after Spider-Man's alter ego if I want to.
My very first job was something called Nobodys Watching, that Bill Lawrence who created Scrubs, it was his pilot. It was my very first TV job, and it was a sitcom. Ever since that experience, Ive been so itching to get back to that kind of environment and just to be involved with comedy.
The scariest time of my life was when I knew my Nana was dying. It was horrible, as there's nothing I could do to stop it. I grew up living with my Mum, brother and Nana (my mum's mum), so it felt like I lost a parent rather than a grandparent. It makes you realise the fragility of life.
I'm definitely happy with the way my career has gone, the success; but I even feel glad that I've experienced some failure in my life. That gives you perspective and humility about this business; it's good to realize that you're always just one movie away from not being in Vogue anymore.
Sometimes the future changes quickly and completely, and we’re left with only the choice of what to do next. We can choose to be afraid of it. Just stand there trembling, not moving. Assuming the worst that can happen. Or we step forward into the unknown, and assume it will be brilliant.
We've done a lot of films now about the IRA, we can move on from all that. I loved '71 because I think it showed a very honest trail and what it was actually like. It wasn't one-sided. I really respect ['71 director] Yann [Demange] for what he did. But we have done a lot of those things.
Olay does a great tinted moisturiser that I add a little turmeric to - making it more yellow depending on my skin tone and the season. That's a great trick for all women who find that foundations are too ashy or too pink for their skins. And it's anti-inflammatory. It's my secret weapon.
I hope for his sake that Tracy's apology will be accepted as sincere by his gay and lesbian coworkers at 30 Rock, without whom Tracy would not have lines to say, clothes to wear, sets to stand on, scene partners to act with, or a printed-out paycheck from accounting to put in his pocket.
You can be a little bit darker and rougher on the stage, partly because when you're in the theater, people have come to see you, and so they kind of know what they're in for. In television, you are sort of sneaking into people's homes. So, I think you can be a little bit darker on stage.
I really need to work. People think that I'm no longer interested in acting and only interested in working with the animals. Obviously I have given that impression, but it is not how I feel. I think I'm a good actor. I think I look OK. I don't understand why I'm not working all the time.
We as black people are not a monolithic bunch. We are not all the same, and neither are women. Instead, we are all individuals who have these extraordinary stories to tell and share with each other that will enrich all of our lives and help us all become more ourselves and better people.
~You know how parents rattle on to you about, 'Oh, you won't believe your life will never be the same,' and you think, Why can't these people just get over it? All they're doing is yakking about their kids. It's such a bore. And then you have kids and you just want to do the same thing.~
Never jeopardize who you are for a role. Now, I'm not saying you should never change for a role, because the fun of being different characters is adapting different nuances and different parts of the character, but never jeopardize your moral compass or anything like that to have a role.
I find it really frustrating when people go, "I want to be famous and glamorous like you." It's hard for me not to have a bad thought when someone says that to me, since if there's anything this business is not, is glamorous. It's only glamorous for maybe five minutes every now and then.
I'm wary about this thing about being in the generation of social networking where people are like, 'I am my musical taste.' I am not just a collection of music. Or a collection of movies. I think that's a thing that people romanticize: 'Oh my God, she likes this band so she is a dream.'
I went to a strict elementary school with nuns, and uniforms that I'm pretty sure were made out of sandpaper. It was an academic, sports-oriented place. I liked to read, and wanted to act, and didn't try out for volleyball. I was weird. The other girls would dip my hair in ink and stuff.
Dartmouth is a small school with high-caliber teaching. Our classes were all taught by professors, not teaching assistants. I felt like that was a school where I could make a big splash. The opportunities would be grander and more robust for me there than at a school with 40,000 students.
I've met so many fans of daytime television who've watched the shows with their moms and grandmas and feel like they've known the characters their whole lives. It's sad for them to have to say goodbye to their favorite soaps and characters. We don't want that to happen to the 'Days' fans.
Comedy is a serious business. It's frustrating when I can't find the right thing that makes the crew laugh. If I don't make them laugh, I get very disappointed in myself. You don't really have a live audience, so you just depend on the crew to let you know if you're doing something funny.