For me, acting goes to a special place; it's almost mystical. You have to let go of what you think is good; it's a jump into trust, and trying to reach without wanting too much.

I haven't made a career off my looks, thank God, but hopefully how I've moved people emotionally, the directors I've been able to work with, and the stories I've been a part of.

I've never been interested in changing my face. I hear of those glycolic peels and the Botox and plastic surgeries, and I am just, like, 'Oh my God.' I just could never do that.

I'm a 'Bridesmaids' type of girl. I love silliness. That's who I am at heart, and I know I can do it. If my career path takes me elsewhere, that's great. But comedy is my forte.

At the time, when you're being dissected and judged it's pretty brutal, but in hindsight it's great and - it sounds cliched - you do come out the other side better and stronger.

I read everything by Ian McEwan, he is so elegant. I love reading anything about Shakespeare, too. He is my first love. If I had a time machine, I would be hanging out with him.

Comedy is a tool of togetherness. It's a way of putting your arm around someone, pointing at something, and saying, 'Isn't it funny that we do that?' It's a way of reaching out.

We are talking about someone who has lived. It must be honored in every respect. The fictional can take any kind of channel - according to the actor's marriage to the character.

So I won an Oscar. It's amazing. I've got that for the rest of my life for a performance I am proud of. It nearly killed me. I am really proud of the film. That's it, moving on.

Basically, as soon as I saw that there was a role available on '24,' I jumped at it, and then when I sat down and talked to them, it seemed to get more interesting and more fun.

I had this vague notion that one day I might be editor of 'Vogue China.' It was a bizarre ambition, as I didn't speak a word of Chinese. There were flaws in my plan, admittedly.

I grew up in a small town in Ireland and didn't know any actors. I never thought it was a viable job. It wasn't until I was on 'The Tudors' that I realised it was a possibility.

Pensacola isn't Florida, really. It's the Panhandle. It's right up there near Alabama and Louisiana. It's, like, a stroll away from New Orleans. I feel like New Orleans is home.

I was incredibly nervous about doing a period drama. I thought that to play period, you had to be English-looking and blonde and very well spoken, and have gone to drama school.

It is such a luxury to open a new book that's highly recommended by friends - either an inspirational yet humorously self-deprecating memoir, or a page-turning piece of fiction.

I walk away from jobs generally feeling good about it and that I've done a good job. And it's always slightly deflating when I see the film thing because it's still me up there.

That's interesting to hear you say that because watching it [the Waitress] for the first time at Sundance was fascinating - it was so different from the experience of making it.

Don't get me wrong, I'm very good, I'm a loyal person and I would never treat anyone badly - what goes around comes around. But I do go for the bad boy. I haven't outgrown that.

In this business, you can be at the top of the world and at the bottom of the barrel, and you're grape juice. I've been at both ends. It can make you become what you really are.

Until I separated from Parker, I had never been without them-and it's the hardest thing to share them. But we're trying to give the children the semblance of having whole lives.

I've got a lot of nervous energy and I trip a lot. I don't have a good equilibrium. In the places where the physical comedy was necessary, it came very naturally and it was fun.

I love being on the periphery with a group of people who have the same values that I do. People who don't get off on fame, who just like the process of making movies and thrive.

For most actors, it's such a struggle to get work. Once they have it, they feel that there's an enormous amount of pressure on them to make it work, and have everyone love them.

I do want to work on writing, because writing's a skill. Writing is something that you can train yourself to know better. To know yourself better. And it's intimidating as hell.

I do a lot of comedy and I like that. I am happy doing funny films. I am often the straight person in a comedy, which is great as long as there are talented people to work with.

We all get so caught up in our day-to-day lives and have so many gripes. But when you see the way others live and how they make the best of it, you'll realize how lucky you are.

I love 'House of Cards,' I love 'Bloodline,' I love 'Orange is the New Black,' so I had written on my refrigerator that I was looking for 'groundbreaking television on Netflix.'

I grew up with a little brother, and we would always watch 'Transformers' together, and he had all the toys. So I was really thrilled and honored to be a part of this franchise.

Anything that is profoundly energy-shifting - like having a child - is fodder for creative thought. So for me, I welcome it and look straight into it as something to learn from.

I got a bit obsessed with the whole English language and was writing journals and poetry. I've always been intrigued about psychology and philosophy and how people's minds work.

My dad taught me to never be pigeonholed; to really allow yourself to reinvent characters as they reinvent you; to be bold and to be willing to play seemingly unlikeable people.

I have a friend who is around my age, a little younger, and she's gay and came out to her own community when she was younger but not to her family and to the community at large.

I am the biggest klutz on set. I honestly don't think I have ever been as klutzy as when I'm on set. People call me 'Grace' ironically because I'm not graceful. It's ridiculous.

No matter how many times you've done it, the early stages of getting a show up on its feet is very hit and miss. There seem to be thousands of options on every page to discover.

When I first started acting, I started in opera and had a great desire to play grand, tragic characters. I got sidetracked in musical theater and ended up doing a lot of comedy.

I never felt comfortable leaving my kids until they were older. When they were babies, I remember thinking that I could never go on a Jerry Bruckheimer set and feel comfortable.

You don't really need to get married, but marriage is awfully nice. Everybody I know who got married, they say it really makes a difference. They feel very, very happy about it.

People who have no idea it's me when they first see me playing something, and later they realize, 'That's her from whatever it is,' it's a great compliment that they can forget.

I try to keep a balance. I actually believe that children want normal parents, they don't want celebrities or important parents or anything different from all the other parents.

And I can't tell you how many women from a certain age group - they would be in their 30s now, 20s and 30s - tell me about how I was their role model when they were young girls.

If you really want to be able to express what goes on with other people, you have to be able to look at them and empathize with them and not judge who they are and what they do.

You do have to continue, as you grow as a human, checking in and going is this what I want? Am I giving away things that I don’t want? Who am I and what do I want to keep doing?

I put Liam at the top of the list, the male actor list, because I had just seen Schindler's List again and Michael Collins, and I was just like, 'God, what an incredible actor.'

I was trying to fit in for so long, until about Junior year of high school when I realized that trying to fit into this one image of perfection was never going to make me happy.

I'm going to take over on the Techno Comics so I'm going to be dealing in the children's merchandising type department. But that's just setting it up and having somebody run it.

I like bringing the girls on set, but if I can't do that then the next day I feel I have to be uber-mum to make up for it. Then I'm exhausted and feel like I'm running in fumes.

I still get stopped by those freaky fundamentalists going "Oh, I'm so glad you did Tribulation." And I wanna go, "Don't count me into your group, honeybuns. I'm not one of you."

We had a dog, Apples. He was 13 years old, toothless, blind and had the worst breath this side of Jabba the Hut. But he was the sweetest dog, and I cried and cried when he died.

At the end of the day, 'My Deaf Family' is about a typical family that all of us can identify with but told from an unusual and what I believe will be a fascinating perspective.

I've become a real housewife. Terry doesn't mind me working, in fact he loves me to be independent. But I only get an allowance of $15 dollars a week, which doesn't go very far.

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