Quotes of All Topics . Occasions . Authors
The truth is that when one is still a child-or even if one is grown up- and has been well fed, and has slept long and softly and warm; when one has gone to sleep in the midst of a fairy story, and has wakened to find it real, one cannot be unhappy or even look as if one were; and one could not, if one tried, keep a glow of joy out of one's eyes.
Being gay is a natural normal beautiful variation on being human. Period. End of subject. Therefore, any argument which says differently is an immoral supremacist one. Call it out as such. ... Be outraged, offended, angry and intolerant of any discussion or any one who describes you as unequal, undeserving or unnatural for being just as you are.
I firmly believe that if you follow a path that interests you, not to the exclusion of love, sensitivity, and cooperation with others, but with the strength of conviction that you can move others by your own efforts, and do not make success or failure the criteria by which you live, the chances are you'll be a person worthy of your own respects.
By whatever means it is accomplished, the prime business of a play is to arouse the passions of its audience so that by the route of passion may be opened up new relationships between a man and men, and between men and Man. Drama is akin to the other inventions of man in that it ought to help us to know more, and not merely to spend our feelings.
Glamour, that trans-human aura or power to attract imitation, is a kind of vessel into which dreams are poured, and some vessels are simply worthier than others... A beautiful woman can turn heads but real glamour has a deeper pull... Glamour is the power to rearrange people's emotions, which, in effect, is the power to control one's environment.
It is a sin to follow your horoscope because only God knows the future and He won't tell us. Also, we can tell horoscopes are false because according to astrology, Christ would have been a Capricorn, and Capricorn people are cold, ambitious and attracted to Scorpio and Virgo, and we know that Christ was warm, loving, and not attracted to anybody.
I have no other pictures of the world apart from those which express evanescence, and callousness, vanity and anger, emptiness, orhideous useless hate. Everything has merely confirmed what I had seen and understood in my childhood: futile and sordid fits of rage, cries suddenly blanketed by the silence, shadows swallowed up for ever by the night.
I ushered at the Shubert in New Haven during graduate school when plays en route to Broadway still went out of town to try out. I worked backstage at summer stock doing jobs from garbage man to strapping on Herbert Marshall's wooden leg to fixing Gloria Swanson's broken plumbing in her dressing room with her yelling at me as I worked the plunger.
If, for instance, we'd made the film after the show had been to Broadway, it would have been exactly the same film but we would have been assured that they would have understood it. We didn't have to do any alterations for Broadway. I was supposed to go a fortnight before it opened to alter anything that was necessary and there was nothing really.
Few occasions are as joyous to small children as funerals, almost better than the big wedding blowouts that take place at night when it's hard to stay awake. A small boy will never be harshly criticized at a funeral; he is more treasured as death comes close and all his wickedness vanishes before the inescapable fact that thank God, he is healthy.
I can only describe it as: the whole experience was imprinted on my body. And when I started to write it, it just came from such a very, In The Body of the Worldvery physical... it just came from my body. I don't know how to explain it better than that. I guess my head was transmitting it. It was a very, very physical experience writing this book.
He refused categorically all ideas of fidelity or serious commitments. He explained that they were arbitrary and sterile. From anyone else such views would have shocked me, but I knew that in his case they did not exclude tenderness and devotion - feelings which came all the more easily to him since he was determined that they should be transient.
Theater, at the end of the day, is about ideas. It's about very large ideas. And if the play is beautifully written or smartly written and has incredible characters you follow on the journey, you take home these larger ideas. Whether it's 'Angels in America' or 'Lucky Guy' or 'Normal Heart,' you follow this moment-to-moment journey as an audience.
All our knowledge merely helps us to die a more painful death than the animals that know nothing. A day will come when science will turn upon its error and no longer hesitate to shorten our woes. A day will come when it will dare and act with certainty; when life, grown wiser, will depart silently at its hour, knowing that it has reached its term.
As a rule, with me an unfinished [idea] is a thing that might as well be rubbed out. It's better, if there's something good in it that I might make use of elsewhere, to leave it at the back of my mind than on paper in a drawer. If I leave it in a drawer it remains the same thing but if it's in the memory it becomes transformed into something else.
When I was nine, the teacher asked us to write a piece about our village fete. He read mine in class. I was encouraged and continued. I even wanted to write my memoirs at the age of ten. At twelve I wrote poetry, mostly about friendship - 'Ode to Friendship.' Then my class wanted to make a film, and one little boy suggested that I write the script.
I looked around the store and what I saw was not very encouraging. There were rows and rows of violent toys...aisle after aisle of training devices for recreational slaughter. No wonder our world was such a mean and violent place...if we teach children that killing is fun, can we really be surprised if now and then someone is smart enough to learn?
We're all going to go crazy, living this epidemic [AIDS] every minute, while the rest of the world goes on out there, all around us, as if nothing is happening, going on with their own lives and not knowing what it's like, what we're going through. We're living through war, but where they're living it's peacetime, and we're all in the same country.
This account of him [Thomas More] developed as I wrote: what first attracted me was a person who could not be accused of any incapacity for life, who indeed seized life in great variety and almost greedy quantities, who nevertheless found something in himself without which life was valueless and when that was denied him was able to grasp his death.
William Saroyan wrote a great play on this theme, that purity of heart is the one success worth having. "In the time of your life--live!" That time is short and it doesn't return again. It is slipping away while I write this and while you read it, and the monosyllable of the clock is Loss, loss, loss, unless you devote your heart to its opposition.
People are not so dreadful when you know them. That's what you have to remember! And everybody has problems, not just you, but practically everybody has got some problems. You think of yourself as having the only problems, as being the only one who is disappointed. But just look around you and you will see lots of people as disappointed as you are.
Anyone can write five people trapped in a snowstorm. The question is how you get them into the snowstorm. It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience. To think of a plot that is, as Aristotle says, surprising and yet inevitable, is a lot, lot, lot of work.
Every work of art (unless it is a psuedo-intellectualist work, a work already comprised in some ideology that it merely illustrates, as with Brecht) is outside ideology, is not reducible to ideology. Ideology circumscribes without penetrating it. The absence of ideology in a work does not mean an absence of ideas; on the contrary it fertilizes them.
The speech we hear is an indication of that which we don't hear. It is a necessary avoidance, a violent, sly, and anguished or mocking smoke screen which keeps the other in its true place. When true silence falls we are left with echo but are nearer nakedness. One way of looking at speech is to say that it is a constant stratagem to cover nakedness.
I deliberately look for colorful people. They're very right for theatre. Theatre has to be theatrical. If you can get color into the accountant, you've got something. Write the whole thing first and then say he's an accountant. That's a very wacky accountant, but so what? Theatricality feeds and challenges the actor, the director, and the designers.
I said to my soul, be still and wait without hope, for hope would be hope for the wrong thing; wait without love, for love would be love of the wrong thing; there is yet faith, but the faith and the love are all in the waiting. Wait without thought, for you are not ready for thought: So the darkness shall be the light, and the stillness the dancing.
I needed to enhance the outward threat to Rachel.In the book [Girl on the Train], her inner threat is so strong; the fear of herself and her inability to remember and the false memories. In the film [Girl on the Train]I wanted to increase the exterior threat. So that's why Allison's part was bigger and was an important part of the climax of the film.
What happens in a play is determined to a certain extent by what I thought might be interesting to have happen before I invented the characters, before they started taking over what happened, because they are three-dimensional individuals, and I cannot tell them what to do. Once I give them their identity and their nature, they start writing the play.
I've had frank conversations with theaters who say, 'We love your play, but we've already done a play by another black person this year,' or 'I don't think the kind of people you write about are the ones our audience wants to see'... Up and coming young black female writers are still struggling to have their voices heard and have their plays produced.
And now everything has changed once again. The air of the Close each evening is full of bird song - I've never really noticed it before. Full of birdsong and summer perfumes, full of strange glimpses and intimations just out of the corner of my eye, of longings and sadness and undefined hopes.It has a name, this sweet disturbance. Its name is Lamorna.
Perhaps a reign of powerful women is necessary to make, or unmake when need be, powerful men. Women would not waste so readily and uselessly the lives they had such care and pain in bearing. Why should they submit to the massacre of the innocent, one generation after another ... and allow them to be brought up as live-stock for the inevitable killing?
One does not really feel much grief at other people's sorrows; one tries, and puts on a melancholy face, thinking oneself brutal for not caring more; but one cannot and it is better, for if one grieved too deeply at other people's tears, life would be unendurable; and every man has sufficient sorrows of his own without taking to heart his neighbour's.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
I actually cut my sentences a lot. I'm very aware of the actor, giving them too many words - just a mouthful of words - it's difficult sometimes for an actor. So I'm kind of aware of breaking sometimes the line, the sentence with a comma where maybe there wouldn't be a comma there. Just to give a breathing space for the actor, just to be aware of that.
Without your wounds where would your power be? It is your melancholy that makes your low voice tremble into the hearts of men and women. The very angels themselves cannot persuade the wretched and blundering children on earth as can one human being broken on the wheels of living. In Love’s service, only wounded soldiers can serve. Physician, draw back.
I have prophesied about the faith of Muhammad that it would be acceptable to the Europe of tomorrow as it is beginning to be acceptable to the Europe of today. ... I believe that if a man like him were to assume the dictatorship of the modern world he would succeed in solving its problems in a way that would bring it the much-needed peace and happiness.
If you lived in London, where the whole system is one of false good-fellowship, and you may know a man for twenty years without finding out that he hates you like poison, you would soon have your eyes opened. There we do unkind things in a kind way: we say bitter things in a sweet voice: we always give our friends chloroform when we tear them to pieces.
UNESCO provides protection for the great cultural institutions. There is something called the intangible cultural heritage list. And the Italians want to put Neapolitan pizza on it. But in order to do that, you have to show that whatever it is that you're trying to protect is under threat. And pizza is totally under threat from Pizza Hut and Domino's...
I have an idea that the only thing which makes it possible to regard this world we live in without disgust is the beauty which now and then men create out of the chaos. The pictures they paint, the music they compose, the books they write, and the lives they lead. Of all these the richest in beauty is the beautiful life. That is the perfect work of art.
Consider: for all the gobbledegook [film studio] executives spout about backstory, all that we, the audience, want to know is what happens next. That's the only thing that's going on. . . . Character is nothing other than action, and character-driven means The plot stinks, and you'd better hope the star is popular enough to open the movie in spite of it.
If I commit suicide, it will not be to destroy myself, but to put myself back together again. Suicide will be for me only one means of violently reconquering myself, of brutally invading my being, of anticipating the unpredictable approaches of God. By suicide, I reintroduce my design in nature, I shall for the first time give things the shape of my will.
If you do the things that Britain needs to do - namely, withdraw from NATO, get rid of the bomb, and stop being aligned with one side of the Cold War - then presumably the run on the pound, the result in the stock exchanges of the world, will be fairly catastrophic for the economy. But some sort of political realignment is plainly what this country needs.
I'm watching the show and I'm watching the audience watch the show. Because once you leave the rehearsal room, you have space and you can see it. You can watch them watch it. You can't see your work, really, until you're in the theater. You have no perspective. That's not part of my job, to go, "Oh my God, they're so brilliant." I'm not required to swoon.
I've spent fifteen years of my life fighting for our right to be free and make love whenever, wherever... And you're telling me that all those years of what being gay stood for is wrong... and I'm a murderer. We have been so oppressed! Don't you remember how it was? Can't you see how important it is for us to love openly, without hiding and without guilt?
A friend of mine said that when Barack Obama was running for president, there was a whole generation of white kids who are used to looking up to a black person center stage speaking. And that's because of hip-hop. So there was no adjustment. A person of color in authority at times is very startling to people. But as time goes on, it becomes less startling.
I tried to explain to her the significance of the great poet, but without much success, The Waste Land not figuring very largely in Mam's scheme of things. "The thing is," I said finally, "he won the Nobel Prize." "Well," she said, with that unerring grasp of inessentials which is the prerogative of mothers, "I'm not surprised. It was a beautiful overcoat."
It is thus that the few rare lucid well-disposed people who have had to struggle on the earth find themselves at certain hours of the day or night in the depth of certain authentic and waking nightmare states, surrounded by the formidable suction, the formidable oppression of a kind of civic magic which will soon be seen appearing openly in social behavior.
Calonice: My dear Lysistrata, just what is this matter you've summoned us women to consider.What's up? Something big? Lysistrata: Very big. Calonice: (interested) Is it stout too? Lysistrata: (smiling) Yes, indeed -- both big and stout. Calonice: What? And the women still haven't come? Lysistrata: It's not what you suppose; they'd come soon enough for that.
The average age (longevity) of a meat eater is 63. I am on the verge of 85 and still work as hard as ever. I have lived quite long enough and am trying to die; but I simply cannot do it. A single beef-steak would finish me; but I cannot bring myself to swallow it. I am oppressed with a dread of living forever. That is the only disadvantage of vegetarianism.
THE AMERICAN WAY OF LIFE. Even what they eat and drink, these palefaces who don't know what wine istheir uglinesstheir pink sausage skin, horrible, they only live because there is penicillin,... the world as an Americanized vacuumtheir fake health, their fake youthfulnessthe way they use cosmetics even on corpses, their whole pornographic attitude to death.