My first album was The Doobie Brothers... 'Captain and Me.' You always remember your first!

People always complain, 'you never invited me to your wedding', but I prefer casual weddings.

Don't overpluck your eyebrows. A make-up artist told me this once, and I've always remembered it.

My stylist coached me on how to stand for photos. Always put one leg forward and a hand on your hip.

I was told, 'Your career's made by what you don't do,' and that always stuck with me. I drive my agent mad!

Oh! do not attack me with your watch. A watch is always too fast or too slow. I cannot be dictated to by a watch.

Before I paint someone, I always ask, 'How much examination can your body take?' 'How much do you want me to see?'

And since my father started training me, he always explained to me how important footwork is and how strong your legs have to be.

Punk has always been about doing things your own way. What it represents for me is ultimate freedom and a sense of individuality.

I always had boyfriends, but I never imagined a proposal or a wedding. To me, that was like having a ball and chain round your neck.

I think for any artist, your voice is always evolving. For me, the constant is finding a tension or balance between drama and comedy.

Warren Buffet told me once and he said always follow your gut. When you have that gut feeling, you have to go with don't go back on it.

From a young age, I was always very transparent, and that's why the kids' mums didn't like me. I would tell you if I didn't like your beans on toast.

You're always searching for the thing to heal you, and I thought therapy would give me that. But it didn't - it just helps you recognize your demons.

My mother always told me, even if a song has been done a thousand times, you can still bring something of your own to it. I'd like to think I did that.

I think it's really important to always kind of stretch your boundaries and your limits and get out of your comfort zone. And for me, that's very important.

If it violates me physically, then it's not worth it to me. There will always be another job where you don't have to take your clothes off or have a gutter mouth.

I was devastated when 'Days' let me go and couldn't help but feel it was my fault. What did I do wrong? What happened? It sucks. You always think it's your fault.

I came to L.A. with confidence in my craft, and I was very offended when I didn't get a part. It took me awhile to understand that it is not always about your acting.

I'm definitely an advocate of the classic always taking your make-up off at night and always moisturising. I'll have a go at anyone that tells me they don't moisturise!

I've always been someone who really watches other people, human behavior. To watch it and be able to express it through your version has always been really exciting to me.

I'm always out in the sun. I'm a big hiker and beach gal, so its really important for me to always have SPF on, which is something that you've got to find for your skin type.

You can sometimes get your own feelings across more strongly if you pretend that you're singing it from someone else's angle. But it's always from me. It's just a new way of framing it.

But you know, it's not easy when your husband runs for president. I mean, it's not easy for me. I'm sure it's not easy for her. There's a lot of scrutiny on families that isn't always wanted.

I've always been fascinated by Elizabeth Taylor, and I had read that her first kiss happened on a film set, which actually made me a little sad. You need to have normal experiences of your own.

The guys I came up with would always tell me that no matter if we're up or down, if you go in, get in there and play hard. But just know that sometimes you just have to be patient and wait your turn.

There's something magical still about it when I get in a darkroom, and you've shot a roll of film and you develop it and you look at your negatives, and there's, like, imagery there. That always stuns me.

On 'Curb Your Enthusiasm,' it takes almost a year to get 10 shows written. It always reminds me of my old yeshiva days, where you used to sit over a piece of Talmud and analyze everything that was going on.

OCD is a really serious condition - it's a proper thing. It's not just, 'Oh, you like your pens to be straight'. For me, it would always go in tandem with being unhappy. The unhappier I was, the worse it got.

For me, fielding is everything - it is a passion that comes from within. You can get a bad ball while you bat, and your bowling may not always be up there, but you are completely in control of how well you field.

People always say you have to grow into your body, but for me, it wasn't even growing into my body - the more weight came, it didn't faze me. It made me faster, stronger. It helped me become a more versatile player.

For me, it's always been about preparation, and the more prepared I can be each week, the less pressure I feel and the more confident I am. As your confidence grows, it's only natural that the pressure you feel diminishes.

The only pressure I feel is how I can contribute to help my team win the match. Of course, there is always the pressure to score, but then doesn't it eventually help your team win? Frankly, I don't let these things affect me.

I've never wanted to be your average Joe. I've always wanted to stand out from the crowd - to be someone looked at and admired, and scrutinised. I'd much rather be scrutinised or criticised than have no one look at me at all.

Always be available to your kids. Because if you say, 'Give me five minutes, give me ten minutes,' it'll be 15, it'll be 20. And then when you get there, the shine will have worn off whatever it is they wanted to share with you.

The secret to everything for me is doing yoga every day. It does do nice things for your body, but it also kind of calms you down and chills you out. Other than that, I don't really drink alcohol and I always take my makeup off at night!

Even as a child, I would get film offers, and all my friends would tease me saying, 'You will also be an actor like your father,' or 'Don't forget us.' I always took it as a joke, but subconsciously, I felt maybe this was my true calling.

My little self-analysis is that consumer technology is the closest thing we have to magic. You push a button and something happens at your command. The things that get me fired up the most have always been the things that seem the most magical.

I don't know where the idea originated that memoir writing is cathartic. For me, it's always felt like playing my own neurosurgeon, sans anesthesia. As a memoirist, you have to crack your head open and examine every uncomfortable thing in there.

For me, Sundance always felt big. It's not the only way to make your way, but for me, it was definitely that critical link between struggling artist, kind of working on my own, to actually working professionally and being connected and being seen.

For film and television, it's interesting how fans feel that their particular ways of manifesting their affections are the correct ones. It's not just about being a fan, it's about how you perform your fandom. That's always been interesting to me.

Commerce is abusive. It's very hobbling to always be saying, 'Please let me put this out, this thing I've worked on for years.' It's like a nasty parent saying, 'No! Now go to your room.' As publishing companies got bigger, you felt even less significant.

It is important as a bowler that you always need to have a presence. If you lose that you lose quite a bit, a big part of your armoury. It comes naturally with me, and at times it is a huge advantage. I don't want to lose it. I want to keep getting wickets.

The things that have really gotten confusing to me is how you balance the desires of your publishers to produce things on a schedule, and people are always sort of giving you ideas on what you should follow up with or how you should proceed next and things like that.

It's been cool to watch the fans who've kind of always been there for me. That's just a special feeling every night: to go out and know that there is people that are proud, not just to be at the show but proud to be your fan, and they're invested in what you're doing.

I'm a big advocate of starting soccer young and always having the ball at your foot, but that's because I didn't do that. If I'd focused more on that when I was a kid, it would've been so helpful. It took me, like, halfway through college to feel comfortable with the ball.

Throughout your career, whether you're getting into the sport or have been it in for a number of years like me, there will always be obstacles. The important thing is how you deal with those obstacles and come back from any disappointment or setback, no matter how big or small.

I've always been a very careful sailor. I know, me and being careful - doesn't really sound right, does it? But when I sail, I take it seriously and take along spares for everything. You have to be careful when you're 1,500 miles from land. There's no one you can call. You're on your own.

When I was just writing books and giving lectures, if people disagreed, they just didn't buy your book or attend your lectures. But, if you're leading a congregation, people feel they have the right to tell you what you should or shouldn't talk about. And that hasn't always been easy for me.

I've always been a person that's totally comfortable with my sexuality and showing my affections with my guy friends. At the end of the day, your guy friends are very important; they're the guys that are always going to be there. It's just you being a friend to me and I'm being a friend to you.

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