Quotes of All Topics . Occasions . Authors
American literature was enriched with Men Who Loved Allison .... Of the actual and eventual worth of this romance I cannot pretend to be an unprejudiced judge. The tale seems to me one of those many books which have profited, very dubiously indeed, by having obtained, in one way of another, the repute of being indecent.
Should not the Bible regain the place it once held as a schoolbook? Its morals are pure, its examples are captivating and noble....In no Book is there so good English, so pure and so elegant, and by teaching all the same they will speak alike, and the Bible will justly remain the standard of language as well as of faith.
If you want to get together in any exclusive situation and have people love you, fine - but to hang all this desperate sociology on the idea of The Cloud-Guy who has The Big Book, who knows if you've been bad or good - and CARES about any of it - to hang it all on that, folks, is the chimpanzee part of the brain working.
The short story is so much about inevitability and this feeling that things always had to be this one way, and I wanted the apocalypses to blow that idea apart. I hope it feels that way. I hope the book invites people to read the stories in order and then, if they feel like it, maybe not read them in order the next time.
Lords, I protest my soul is full of woe That blood should sprinkle me to make me grow. Come, mourn with me for what I do lament, And put sullen black incontinent. I'll make a voyage to the Holy Land To wash this blood off from my guilty hand. March sadly after. Grace my mournings here In weeping after this untimely bier.
I want to see children curled up with books, finding an awareness of themselves as they discover other people's thoughts. I want them to make the connection that books are people's stories, that writing is talking on paper, and I want them to write their own stories. I'd like my books to provide that connection for them.
Im all about entertaining and keeping a reader on the edge of their seat, so to me, the social issues have to be meaningful and give the book whats really at stake, but ultimately its not about them - its always a personal story of everyday people thrust into life-threatening situations and having to perform heroic acts.
It was the maxim, I think, of Alphonsus of Aragon, that dead counsellors are safest. The grave puts an end to flattery and artifice, and the information we receive from books is pure from interest, fear, and ambition. Dead counsellors are likewise most instructive, because they are heard with patience and with reverence.
Falling in love is very real, but I used to shake my head when people talked about soul mates, poor deluded individuals grasping at some supernatural ideal not intended for mortals but sounded pretty in a poetry book. Then, we met, and everything changed, the cynic has become the converted, the sceptic, an ardent zealot.
I was literally 3 years old when I started drawing. I did it all my life, through primary school, secondary school, all my life. I always, always wanted to be a designer. I read books on fashion from the age of twelve. I followed designer's careers. I knew Giorgio Armani was a window-dresser, Emanuel Ungaro was a tailor.
There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind.
Yes, but another writer I read in high school who just knocked me out was Theodore Dreiser. I read An American Tragedy all in one weekend and couldn't put it down - I locked myself in my room. Now that was antithetical to every other book I was reading at the time because Dreiser really had no style, but it was powerful.
You may rely on it that you have the best of me in my books, and that I am not worth seeing personally, the stuttering, blunderingclod-hopper that I am. Even poetry, you know, is in one sense an infinite brag and exaggeration. Not that I do not stand on all that I have written,--but what am I to the truth I feebly utter?
I became a writer through drawing first and then a comic book obsession - Marvel Comics, in particular. I invented a world of superheroes starting in third grade with my classmate, Wai-Kwan Wong. In a classroom of forty kids, let's just say there was a lot of undirected time. But this was good because I was a dreamy boy.
You have to read a lot so you know what good writing looks like and you get inspired. You have to write a lot because it's like a sport - you have to practice. And, also, you have to persevere. Don't give up. I got rejected on my first book, like, 14 times, but I just kept going. So believe in yourself and don't give up.
Writing of history is our only heuristic principle. The Germans have a word for it, einfühlen. It is the ability to experience the past in the present and to recreate it. In my books, I have tried to recreate it in the most natural way possible: History must be integrated into the story without the weight of premonition.
Smart art galleries know it's not the words on paper but the emotion in the piece that makes clients pull out the credit card or check book. The gallery's number one concern is will this stuff sell? What your bio, artist's statement or resume articulates will be of no help if you don't make art that connects with buyers.
I assumed just from being around, all these years, that people would immediately glom on to, Well, it's a departure, and it's a dystopian kind of thing, and that's natural, of course. But it's surprised me - not even surprised me, but it's pleased me - how much people have been responding to the way the book was written.
You know, I was a kid who had difficulty speaking English when I first immigrated. But in my head, when I read a book, I spoke English perfectly. No one could correct my Spanish. And I think that I retreated to books as a way, you know, to be, like, masterful in a language that was really difficult for me for many years.
Sometimes I like to watch TV, though I never get to watch any of the shows in real time. I'm a fan of 'Downton Abbey,' 'Boardwalk Empire,' and 'Boss.' There's a British series called 'Luther,' but in England, they think a series means four episodes. And I like 'Mad Men.' Otherwise, it's always good to unwind with a book.
The most important aspect of writing the pieces that make up this eighth book was yielding to my obsessive side, letting my own "complicated grief" in on the process. You can imagine how tempting it is to try to fight the part of you that loops and loops, caught up in tangled sorrow from which it seems there's no escape.
When it is my editor telling me how to rewrite a story, I listen and do what she asks because I have learned that I get a better book in the end. I can't say I'm happy when I read that editorial letter. It is always a little painful and scary. But I have learned that - bit by bit - I can make the changes and do the work.
The other reason I didn't want to fictionalize it is because one of the main points of publishing a memoir in nonfiction was that I wanted to write about what had been a very lonely experience. The books that most saved my life as a kid were the ones that articulated lonely experiences that I had thought were mine alone.
I am very grateful to the electronic world for making my life easier, but there is something about holding a book - the smell and the world of association. Even when e-books are perfected, as they surely will be, it will be like being in bed with a very well-made robot rather than a warm, soft, human being whom you love.
If you tell certain people that you like Kerouac, they assume that's all you read, like you don't know anything else about literature. I recognize all the things that people dislike about the way he writes - his tone and the sentimentality of it all. But those books were there for me at a very important point in my life.
Most of the books, music and movies ever released are not available for sale, anywhere in the world. In the brief time that P2P nets have flourished, the ad-hoc masses of the Internet have managed to put just about *everything* online. What's more, they've done it far cheaper than any other archiving/revival effort ever.
When you're a writer, you hear your internal critic, and that's really hard to get over. And then sometimes you hear critiques from classmates and stuff. But when a book comes out, it's just hundreds of opinions and you have to learn to separate out the ones you want to listen to or figure out many you want to listen to.
Children make better readers than adults. They read as carefully as I write; adults read as a means of getting off to sleep. I get letters saying 'I have read your book seventeen times.' If you're an adult novelist and you get that letter, you should be afraid. You're being stalked. Kids always read them seventeen times!
If I wrote a book, I had to be willing at least to talk about some of my struggles, whether in my personal life, health crises, or the deaths of my parents, because there can too easily be a perception of me that my life just went from A to Z uninterrupted, without any ups and downs, and that's not a fair representation.
This is what we've been waiting for: finally, an unprecedented critical analysis of the history of Dutch design. Mienke Simon Thomas's Dutch Design is a book to have and to read: an important and richly detailed study of the cultural, economical and social-political context of twentieth-century design in the Netherlands.
It's quite interesting, looking back at the first one [film about Harry Potter], nobody knew whether or not it was going to be successful as a film. The books were of course already very successful, but that's happened before, where the books were successful and the films weren't at all. But it turned out that they were.
I have taken as much as six years to prepare a book for writing. There is such a delirium of effort in the production of a book; it's like childbirth. And, like childbirth, one forgets the pains immediately so that when you come to write another one you dare to take it up again. Some precious anesthesia sees you through.
You need to write a book, what's going on with my serve. It's disaster. I don't bend my legs. Instead of jumping forward, I'm kicking it too much instead of hitting it. ... I drop my head, I don't hold the left arm. It's so much, that you just - I don't know. I know this, and I'm still so stupid that I continue doing it.
It is my ambition to be, as a private individual, abolished and voided from history, leaving it markless, no refuse save the printed books. [] It is my aim, and every effort bent, that the sum and history of my life, which in the same sentence is my obit and epitaph too, shall be them both: he made the books and he died.
In my formative years, I never missed the 'Creature Double Feature' on Saturday afternoon TV, even if it meant switching back and forth between 'Gamera' and the Red Sox. I did a book report on Stephen King's 'Night Shift' in seventh grade. Unrated Italian horror movies became a weekly rite of passage once I hit seventeen.
Your word determines your day, who you are, where you are and where you are bound. You are headed somewhere and God in you wants to stand up. Here's another thought: The key to manifestation is focussing your attention powerfully and persistently on what you desire. All of this is out of my new book: The Laws of Thinking.
According to energy medicine, we are all living history books. Our bodies contain our histories- every chapter, line and verse of every event and relationship in our lives. As our lives unfold, our biological health becomes a living, breathing biographical statement that conveys our strengths, weaknesses, hopes and fears.
Do not write to impress others. Authors who write to impress people have difficulty remaining true to themselves. A better path is to write what pleases you and pray that there are others like you. Your first and most important reader is you. If you write a book that pleases you, at least you know one person will like it.
It is reported in the supplement of the council of Nicæan that the fathers, being very perplexed to know which were the cryphal or apocryphal books of the Old and New Testaments, put them all pell-mell on an altar, and the books to be rejected fell to the ground. It is a pity that this eloquent procedure has not survived.
The primary thing writing and basketball share is the sense that each time you go out, each time you play or begin a piece, it's a new day. You can score 40 points one game, but the next game, those points don't count. You can win the Nobel Literature Prize, but that doesn't make the next sentence of the next book appear.
A free culture is not a culture without property; it is not a culture in which artists don't get paid. A culture without property, or in which creators can't get paid, is anarchy, not freedom. Anarchy is not what I advance here. Instead, the free culture that I defend in this book is a balance between anarchy and control.
[He Stopped Loving Her Today] is all about the experience of being alive and the thought process of consciousness, and then you have these polemical essay-type things going on for a couple decades now. Some of these music books are where you're going to see an anecdote of a person behaving without some kind of commentary.
I'm very intrigued by e-books, the topic du jour in the industry today. As a number one bestselling Kindle author, I love the way e-books make an author's backlist accessible to new readers. Of course, price point remains a source of concern. Personally, I don't have any of the answers, but I'm intrigued by the questions.
Why did Ted Geisel end up writing and illustrating for young minds? He has specific imagery in the book, and we never would have moved beyond the discussion phase, if we couldn't have found an expression for The Lorax, dimensionally, that was true to the soul of what comes through in his simple line drawings, on the page.
It is worth mentioning, for future reference, that the creative power which bubbles so pleasantly in beginning a new book quiets down after a time, and one goes on more steadily. Doubts creep in. Then one becomes resigned. Determination not to give in, and the sense of an impending shape keep one at it more than anything.
I don't want to make it sound too much like I'm telling people how to read the book A Thousand Pardons, but what Ben Armstead is doing, he's doing more or less on purpose as a very elaborate way of making a sacrifice in his personal life. He needs to start over. This is how he chooses to do it - by blowing up where he is.
Crushed to earth and rising again is an author's gymnastic. Once he fails to struggle to his feet and grab his pen, he will contemplate a fact he should never permit himself to face: that in all probability books have been written, are being written, will be written, better than anything he has done, is doing, or will do.
All of us can think of a book... that we hope none of our children or any other children have taken off the shelf. But if I have the right to remove that book from the shelf - that work I abhor - then you also have exactly the same right and so does everyone else. And then we have no books left on the shelf for any of us.
...I believed passionately that Communists were a race of horned men who divided their time equally between the burning of Nancy Drew books and the devising of a plan of nuclear attack that would land the largest and most lethal bomb squarely upon the third-grade class of Thomas Jefferson School in Morristown, New Jersey.
I'm kind of interested in learning to learn and grow and challenge myself. I think I've been very fortunate in that my books are pretty different from one novel to the next. There's a lot of things that are similar but in terms of tone and the scale and how they interact with history and just the different styles as well.