Quotes of All Topics . Occasions . Authors
I never intended to write poems, nor to be a photographer, nor to be a film-maker. I just took many, many pictures and I would put them in an album, and then some years later I decided to show them and suddenly I was called a photographer. Same thing with my poetry. They're notes that I'd written in a book and it may be considered poetry.
Using the word ‘political’ in the widest possible sense. Desire to push the world in a certain direction, to alter other peoples’ idea of the kind of society that they should strive after. Once again, no book is genuinely free from political bias. The opinion that art should have nothing to do with politics is itself a political attitude.
You're sincere, but in order not to upset your views you avoid talking with people who think differently. You pick your thoughts from conversations with people like yourself, from books written by people like yourself. In physics they call it resonance. You start out with modest opinions, but they match and build each other up to a scale.
Wise, compassionate and accessible, David Benner's The Gift of Being Yourself is truly a gift to the dedicated seeker. The author draws on his professional experience as a psychologist and his own lifelong vocation as a Christian. The result is a book that felicitously weaves together the insights of psychology and Christian spirituality.
I'm a super spiritual person, so every now and then I'll say, "Everyone, get out of my room because I need 15 minutes by myself to just sit alone." I have a chapter in my book [How to Be a Bawse] called "Pause," and basically, the idea is one of the ways to be successful is to reflect back on your successes and everything you've achieved.
It's just that... working on Green Lantern, I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.
In terms of sheer writing I might have done most of my work by 11. If you get up at 6:30 or 7 you can get a huge amount done by 11 and have the rest of the day off if you want to, though I have to check my accumulating e-mails. No one ever sends me horrible e-mails. Although some of my books are supposed to be hated, no one ever tells me.
I realize that this is not what you want to put on a cover with Wonder Woman emblazoned on it. She could be in trouble, but she doesn't need to be completely out of control. So whenever I'm doing these covers, I try to make sure that there's an element where, even if there is danger, it's not something where agency is taken away from her.
I wrote for years before I was ever published, and I don't think I could ever stop. That said, I was also a veterinarian before I sold my first book, and I still volunteer my time to help with animal welfare causes. So that is a career I would be happy to return to - while still secretly writing strange stories back in my doctor's office.
Being a best-selling author just means the world for me. Some of my happiest memories, growing up, are being at book stores and reading books I couldn't afford, as a kid, and the midnight parties, waiting for the next Harry Potter book. The fact that I have that straw in my cap means more to me than anything I've ever accomplished before.
There is a huge fan base, they're very knowledgeable and very loyal. I was astonished - before I started working on the series I didn't know anything about Game of Thrones. I hadn't heard of the books. When it started going out, people were coming up to me in the street saying [fake cockney accent] "oh, Game of Thrones, f------ wonderful.
As the books of Job, Jeremiah, and Habakkuk clearly show, God has a high threshold of tolerance for what appropriate to say in a prayer. God can "handle" my unsuppressed rage. I may well find that my vindictive feelings need God's correction - but only by taking those feelings to God will I have the opportunity for correction and healing.
The ecological impact of book manufacture and traditional book marketing - I think that should really be considered. We have this industry in which we cut down trees to make the paper that we then use enormous amounts of electricity to turn into books that weigh a great deal and are then shipped enormous distances to point-of-sale retail.
Code is not like other how-computers-work books. It doesn't have big color illustrations of disk drives with arrows showing how the data sweeps into the computer. Code has no drawings of trains carrying a cargo of zeros and ones. Metaphors and similes are wonderful literary devices but they do nothing but obscure the beauty of technology.
I grew up in a completely bookless household. It was my father's boast that he had never read a book from end to end. I don't remember any of his ladies being bookish. So I was entirely dependent on my schoolteachers for my early reading with the exception of 'The Wind in the Willows,' which a stepmother read to me when I was in hospital.
You've read half the books in this house? This whole house?" "Well, approximately half." Sticky said. "To be more accurate, I suppose I've read more like" - his eyes went up as he calculated - "three sevenths? Yes, three sevenths." "Only three sevenths?" said Kate, pretending to look disappointed. "And here I was prepared to be impressed.
Donald Trump is an entertainer. Okay. He goes on shows like Howard Stern's to get people to watch his program. "The Apprentice" or buy his books or whatever. When he goes in there, he back then when it happened was basically trying to entertain. All right. So he had no public policy on his mind, none of that. All right. He's an entertain.
Anthony Ryan is a new fantasy author destined to make his mark on the genre. His debut novel, Blood Song, certainly has it all: great coming of age tale, compelling character, and a fast-paced plot. If his first book is any indication of things to come, then all fantasy readers should rejoice as a new master storyteller has hit the scene.
To me, my favorite comic book movies were the ones that were never based on comic books, like Unforgiven. That's more the kind of thing that get us inspired. Usually when you say something's a comic book movie, it means you turn on the purple and green lights. Suddenly that means it's more like a comic book, and It's not really like that.
I was focused on building things from an early age. When I was about 3, our toilet broke, and my mother was ready to call the plumber. I told her I would fix it and asked her to get my Richard Scarry book 'How Things Work in Busytown.' Between the picture of a toilet and the text she read to me explaining how the parts worked, I fixed it.
In later years, holding forth to an interviewer or to an audience of aging fans at a comic book convention, Sam Clay liked to declare, apropos of his and Joe Kavalier's greatest creation, that back when he was a boy, sealed and hog-tied inside the airtight vessel known as Brooklyn, New York, he had been haunted by dreams of Harry Houdini.
Here lies the secret. Says Patanjali, the father of Yoga, "When a man rejects all the superhuman powers, then he attains to the cloud of virtue." He sees God. He becomes God and helps others to become the same. This is all I have to preach. Doctrines have been expounded enough. There are books by the million. Oh, for an ounce of practice!
The Bible did not arrive by fax from heaven. The Bible is the product of man, my dear. Not of God. The Bible did not fall magically from the clouds. Man created it as a historical record of tumultuous times, and it has evolved through countless translations, additions, and revisions. History has never had a definitive version of the book.
There is danger in the concentration of control in the television and radio networks, especially in the large television and radio stations; danger in the concentration of ownership in the press...and danger in the increasing concentration of selection by book publishers and reviewers and by the producers of radio and television programs.
The book [ One Thousand Gifts] took just over a year to write, on the fringe hours, early and late, around home educating 6 kids and farming and blogging. And I wonder if the greatest challenges was to keep pressing into it when I had never been here before. I felt like Abraham - being called to something that he didn't know how to get to.
Peter Conners stunning prose poems are packed with keen sensitivity, dreaminess, and wit. I love his time travels, the vibrant layering of image and detail. Try taking walks as you are reading this book- the dazzle of landscapes, inner and outer, feel replenished and rich. This is language and vision I want to come home to again and again.
I've just finished my 20th book this past year and I'm working on my 21st book about the Middle East right now that I'll finish this year. And I get up early in the morning and when I get tired of the computer and tired of doing research, I walk 20 steps out to my woodshop and I either build furniture or paint paintings. I'm an artist too.
My personal history would not be disappointing to readers, but it is my own affair which I want to keep to myself. I am in fact in no way more important than is the typesetter for my books, the man who works the mill; no more important than the man who binds my books and the woman who wraps them and the scrubwoman who cleans up the office.
All the books on my shelves, when I would go to them to look for help with my anguish, they all just seemed so crass. They didn't get it. Those books don't understand. Nobody understands. The universe, nobody understands my agony, or my questioning, and it's this shift in what in the world around us could possibly be meaningful or helpful.
The Ploughmen is as good a book as I’ve read in years. Kim Zupan’s language is as rich as Cormac McCarthy’s, and like Cormac’s, it comes from ground-zero of the heart. I’m also reminded of James Lee Burke’s sure-footed prose and delight in metaphor. Luminous...nothing short of brilliant...a firstnovel that leaves me impatient for the next.
Gabriel Levin's book is a journey through time and through entrenched animosities of the Middle East. What's astonishing and refreshing is his ability to combine the reporter's perspective with a deep knowledge of poetry, including pre-Islamic Arab poems. A brilliant poet is at work here-a poet in the rugged landscape of conflict and pain.
I developed a mania for Fitzgerald - by the time I'd graduated from high school I'd read everything he'd written. I started with 'The Great Gatsby' and moved on to 'Tender Is the Night,' which just swept me away. Then I read 'This Side of Paradise,' his novel about Princeton - I literally slept with that book under my pillow for two years.
I had a library of maybe 1,000 books in my room in Buenos Aires. I did have the sense that everything there was organised in the right way. You'll probably think I needed serious psychiatric treatment, but there were times when I would not buy a book because I knew it wouldn't fit one of the categories into which I had divided the library.
I'm a relatively disciplined writer who composes the whole book before beginning to execute and write it. Of course, you can't hold - you cannot imagine a whole novel before you write it; there are limits to human memory and imagination. Lots of things come to your mind as you write a book, but again, I make a plan, chapter, know the plot.
A writer arrived at the monastery to write a book about the Master. "People say you are a genius . Are you?" he asked. "You might say so." said the Master, none too modestly. "And what makes one a genius?" "The ability to recognize." "Recognize what?" "The butterfly in a caterpillar: the eagle in an egg; the saint in a selfish human being.
When you write, you're alone in a room. And when someone reads a book, they're alone in a room, too, usually. It's a really intimate exchange. And so people ask me where I get the boldness to talk about this or that, but I didn't feel like it required any sort of courage, because I was alone. Sometimes it feels weird for people to read it.
I love writing picture books because they are very child-centered and family-focused. The idea of creating a story within 2-5 typewritten pages is very magical, especially what comes after that. When the words are matched with illustrations - I consider this a kind of high magic. It is amazing to witness the way the process comes together.
It [the memoir "In The Body of the World"] wrote me. I joke about it, but this book was so unusual. It just started to come out. I really feel like it came straight from my body. I think it was both an expression of what I had gone through, but also it just felt like everything had come together in my body and it needed to tell that story.
I was studying graphic design at the time, when negative scanners and all that stuff was coming out, and you could do it all in your apartment. So I would shoot, make contact sheets, scan all the cool negatives, and make all these zines and books of my photos to give to my friends. I was really into zine- and bookmaking from skate culture.
Experts generally agree that taking all opportunities to read books and other material aloud to children is the best preparation for their learning to read. The pleasures of being read to are far more likely to strengthen a child's desire to learn to read than are repetitions of sounds, alphabet drills, and deciphering uninteresting words.
I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot; the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.
Sometimes you change to survive, and some things you don't give up, or you're too prideful, and then you think well, what's pride? Is it a good thing? Maybe it's a bad thing. That's what I look at in my life. It's always a question in my life I look at, and I never find the answer, because if I did, probably I wouldn't have books to write.
As a reader I feel included a lot in Julie Carr’s hard and beautiful book. I can pretty much hear its author speak—a whispering that enables us into its world . . . a masterfully sutured journey, painfully useful. Sarah—Of Fragments and Lines is a book I know I will return to. And urge it on my friends who have lives too and write in them.
Truly Alice, books are wonderful things; to sit alone in a room and laugh and cry, because you are reading, and still be safe when you close the book; and having finished it, discover you are changed, yet unchanged! To be able to visit the City of Invention at will, depart at will – that is all, really, education is about, should be about.
[Wave of bestselling conservative commentators] it's kind of like reading The Power Of Positive Thinking, or any other advice or how-to book. All they do is reassure people of their basic opinions, and then they can continue to act like they've always acted. I'd say it's time to move on to something else, but I don't know what it would be.
I feel like it's so, sort of representative of a generation. I mean everything that they talk about in the books are things that I get. Even like a lot of the Canadian references because I've worked in Canada a lot, so I totally know Sloan and I know, you know, all this stuff, and meeting Chris Murphy was really cool, and yeah, everything.
However often we turn to it [the Koran] at first disgusting us each time afresh, it soon attracts, astounds, and in the end enforces our reverence. . . . Its style, in accordance with its contents and aim is stern, grand, terrible - ever and anon truly sublime - Thus this book will go on exercising through all ages a most potent influence.
In his study of Atlanta over the last 60 years, Kevin Kruse convincingly describes the critical connections between race, Sun Belt suburbanization, the rise of the new Republican majority. White Flight is a powerful and compelling book that should be read by anyone interested in modern American politics and post-World War II urban history.
People come, people go – they’ll drift in and out of your life, almost like characters in a favorite book. When you finally close the cover, the characters have told their story and you start up again with another book, complete with new characters and adventures. Then you find yourself focusing on the new ones, not the ones from the past.
In modern society most of us don't want to be in touch with ourselves; we want to be in touch with other things like religion, sports, politics, a book - we want to forget ourselves. Anytime we have leisure, we want to invite something else to enter us, opening ourselves to the television and telling the television to come and colonize us.