Because of network neutrality rules, activists can turn to the Internet to bypass the discrimination of mainstream cable, broadcast, and print outlets as we organize for change.

In Sweden, they broadcast the American shows in English with Swedish subtitles, whereas in many European countries they dub them. Watching those shows in English was big for me.

I've done it with Broadcast News-where there was no finish line, there was no agenda that I had to move all the characters to this point, that I was sort of open to what happens.

I studied journalism at Binghamton University, even interning for NBC's longtime anchor Carol Jenkins. Before graduation, I told my parents I wanted to pursue broadcast journalism.

Internet TV and the move to the digital approach is quite revolutionary. TV has historically has been a broadcast medium with everybody picking from a very finite number of channels.

When I was 10, 11, 12 years old, I would pretend to be on the radio. I bought a mixer and these big, ugly headphones and I would literally broadcast the cassette tapes in my bedroom.

And a pang is ultimately private. It's not a thing that gets broadcast to the world; it's a kind of internal alarm that sounds when something has to change and it has to change fast.

Cable's on fire. Traditional broadcast TV's hearing a death knell. I sample as much television as possible. I like 'Homeland,' 'Game of Thrones,' 'Veep.' Now reinvention's important.

The shows you can do in cable are just more buzzworthy and are about subject matter that's more unusual or dark. And broadcast shows tend to be more mainstream or middle-of-the-road.

I was reluctant to join Twitter. My biggest concern was, I don't want these thoughts that pop into my brain to be immediately broadcast. There's a danger in that. And also - who cares?

Almost every day I wrap up my two-hour live broadcast and I say to myself as I'm driving home, 'I wish I would've done this' or 'We really should have gone live longer with this segment.'

People often lump radio and television together because they are both broadcast mediums. But radio, anyway, and the radio I do for NPR, is much closer to writing than it is to television.

You can't expect that because you find a story and report it out that your newspaper and broadcasting company is going to want to publish and broadcast it - and you're going to be a hero.

People pay their licence fee in this country because people believe that we should have public service broadcast programming. Of course, there are lots of different ways you could do that.

This country was founded on a core set of family values. These values should not be discouraged and blatantly undermined by the airing of offensive material on broadcast television and radio.

Although we leave traces of our personal lives with our credit cards and Web browsers today, tomorrow's mobile devices will broadcast clouds of personal data to invisible monitors all around us.

I was a broadcast journalism major at the University of Illinois, so there's always part of you that thinks you could, or hopes you could, but it's not like you can just walk in and get a TV job.

Live TV is the future. It's the only way you can beat the DVRing of America. Everything is DVRed, and no one watches stuff when it's on. Awards shows and sports are watched when they're broadcast.

Friends often tell me how much their grandchildren enjoy 'Are You Being Served?' It doesn't matter that they were not even born when it was broadcast, or that they belong to a very different world.

This programme would only really make sense and work properly if it was also broadcast on France's international television channel TV5. So I ended up with a double production, on France 2 and TV5.

I do think that the days of gathering around a television set that functions merely as a television set, to receive a live broadcast of some networked programming, those days are probably numbered.

The movies that I love and model after, like 'Annie Hall,' 'When Harry Met Sally,' and in particular for me, 'Broadcast News,' are the tone of life, which isn't a setup punch-line every two minutes.

The government would be able to go to court with respect to newspaper articles, broadcast pieces and the like that they thought were bad or harmful or even against the government and try to block them.

The thing is, all the time I press my radio button, it is broadcast, and sometimes it sounds a bit arrogant - especially the 'I'm not here to finish fourth' - and that is just what comes up in my mind.

I probably watch less than one hour of television a week. And when I do watch television, it's usually a football game. Sometimes I'll watch a news broadcast for a few minutes. Otherwise, I don't have time.

The network and local TV angle of broadcast television has received a black eye for not properly debating within the news issues that should be debated, instead of shuffling them of to television advertising.

At the age of 10 I started writing to the BBC about getting into broadcasting. It went on for years. I was 17 when they finally gave in and offered me a job as a bookings clerk in sport and outside broadcast.

May I share with you my earliest memory of a political row? It was with my mother, about the Queen - classic Freudian stuff, shrinks would say. I was eight, and refusing to watch the Queen's Christmas Day broadcast.

I own a copy of the original 'Talking Heads' by Alan Bennett, which I purchased many years ago shortly after they were first broadcast. It's been lovingly well-thumbed over the years. They are magnificent. A masterpiece.

Back in the late 1980s I was programme editor of Channel Four's Business Daily. Day after day we broadcast the latest news, views and analysis for the City in a period when its visibility was as high as it has ever been.

It was very hard to get any records, so the only source for us to really hear what was happening was listening to the Voice of America. We would be taping all the broadcast and then sharing the tapes and talking about it.

I got a degree in broadcast journalism at Northwestern but was running a sketch-comedy group and then went to Second City. When the writers' strike happened in 2007-2008, I went to work at E! because I had that background.

I went into broadcast journalism. I loved every class I took, I just got anxious because I came to the realization that you're groomed in high school to get good SAT scores to get into a good college or else you're done for.

Hollywood has known this for quite a while: Cable is the place to go because they truly have a supportive network and they want to do things that cannot be seen on broadcast. That stimulates the writer-producer. Cable is king.

Soon, the viewer won't even know if he's watching on broadcast or the Internet. He'll just be eating his cereal and see an image on the spoon. That's how we'll be watching soon, on spoons. The commercials will be on the knives.

Today, fashion shows are now blogged and broadcast all over the world via social media. By the time the merchandise ships many months later, the newness and excitement has worn off, and in many cases, the customer has moved on.

Being in this position enables myself and others to deliver messages of positivity - we can broadcast to everyone just how beautiful this world is, and all the ways we can keep it beautiful by treating one another with kindness.

I think my broadcast partner Mike Gorman said it best. He said there's a generation of fans who know me as a player and there's a generation of fans who know me as a coach and now there's a generation of fans who think I'm Shrek!

I don't have any personal memories of the broadcast of 'Civilisation'. I was born the year afterwards. But the many personal stories I have heard from the people it touched do resonate as I had my own television-induced epiphany.

By April 1998, the fortunes of Lazio were on the rise as they won their first trophy in 24 years. Meanwhile, my salary of around £400,000 basically tripled overnight when TV companies started paying for rights to broadcast games.

At one of the games I broadcast at Florida State a few years back, the mercury soared to 105 degrees, and you try attempting to look composed and professional, providing insight from the benches, while sweat pours into your eyes.

I'm excited about my own network, BounceTV. It's the first African-American-owned broadcast network. It's myself, my partner Rob Hardy, and some other African-American businessmen, including Andrew Young and Martin Luther King III.

After directing broadcast media coverage for seven House committees, I know the signs of a sideshow - and delivering demand letters to reporters before they go to the person being asked to produce documents is one of the chief signs.

Moveon is not a one-way broadcast media. The Internet, when used best, is a two-way media. We have a forum in which people can post comments and those comments can be rated. We get a sense of what people feel most passionately about.

Every time a new technology comes along, we feel we're about to break through to a place where we will not be able to recover. The advent of broadcast radio confused people. It delighted people, of course, but it also changed the world.

If speech always wins, even if it's an atomic secret that's going to be broadcast to our enemies, it's easy to make a decision. Speech always wins. But it doesn't... Liberty doesn't always trump equality or equality always trump liberty.

When we say, 'We're here for you,' we mean it to this point - everything we do, everything we preach, every broadcast we come on, everywhere we minister, everything we say and do is prayed, engineered, designed to minister to the people.

The words we use have weight. Whether it's in a conversation with a friend or something said publicly on stage or broadcast. And as performers, we know that because that's why we choose the words we use - that's the whole point of comedy.

Most of us still haven't grasped the fact that everything we commit to the digital space - not just our public blogs and broadcast tweets, but every private text message, email, and voicemail is likely to be stored and accessible. Forever.

In making the jump from a local program to the showcase of a coast-to-coast broadcast, Ted Yates and I were determined to maintain the candid, sometimes combative style we'd introduced on 'Night Beat.' But that proved easier said than done.

Share This Page