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I live myself with my cat Pebbles. She isn't enjoying the attention as much as me - she ran off up the stairs as soon as the film crew for the show came into the house. She didn't come down for hours. But I have the support of all my brothers and sisters and my neighbours and friends - everyone thinks it's just great.
I had just discovered jazz, and I started singing in a kind of blues cover band at the age of 15. We called ourselves - it was a terrible name - the Blue Zoots. We couldn't actually get our hands on zoot suits, nor did we dress in blue. We did covers of Screamin' Jay Hawkins and kind of Blues Brothers repertoire stuff.
I grew up in uptown Jamaica; I went to a rich school. I was raised by my mother and my stepfather; they made sure education came before anything. I had a good childhood, grew up spending time with my bigger brothers and sisters. My people are good people. I was exposed to a lot of different kinds of people and culture.
We were doing press for this movie that my friends and I made for $5,000 called 'Brothers Justice,' that I also wrote and directed. And during the press of that, people kept saying, 'What's next, what's next?' And my best friend Nate and I - Nate produced it - we kept saying, 'Oh, we're gonna do a car-chase movie next.'
'All Stars' is a weird game. The rules are weird. However, I think 'All Stars' mirrors the real industry much more closely than normal seasons of 'Drag Race' do. In the real world of entertainment, it really is about the impressions you leave on your brothers and sisters in the room, and that's kind of what it is about.
I was going to make movies. I was the one in the family who was always rolling the video camera, making movies of my brothers around town, and then screening them for my parents. I still would love to make movies someday... that's something that really means a lot to me, and I know I'll have the chance to do it one day.
The spark for 'In Praise of Slowness' came when I began reading to my children. Every parent knows that kids like their bedtime stories read at a gentle, meandering pace. But I used to be too fast to slow down with the Brothers Grimm. I would zoom through the classic fairy tales, skipping lines, paragraphs, whole pages.
What's important is that people realize that I can't be put into a box musically. I've studied all forms of music; I know probably more Jay-Z songs than the biggest Jay-Z fan. I've studied R. Kelly to the Isley Brothers to Stevie Wonder to Sting and Sade. You don't have one personality every day. You don't have one mood.
Very often as a little girl, then as a young woman, I have suffered my lot of discrimination. I was brought up with brothers; I grew up in a boys' world. You have to elbow your way in. When you come with that sentiment of having been in a minority for a long period of time, then you are much more attentive to minorities.
I purely attribute my 'hamming it up' quality to growing up with three older brothers and just being like a tomboy my whole life. Literally, my mother had to be like, 'Honey, there's a certain point where you have to start wearing a shirt.' You know, I would run around with the boys and play tag football and climb trees.
Most of the time, your risk management works. With a systemic event such as the recent shocks following the collapse of Lehman Brothers, obviously the risk-management system of any one bank appears, after the fact, to be incomplete. We ended up where banks couldn't liquidate their risk, and the system tended to freeze up.
Making music on TV used to be as common as commercials. In the '60s and '70s, prime time was stuffed with variety shows headlined by such major and treasured talents as Carol Burnett, Red Skelton, the Smothers Brothers and Richard Pryor, who had a very brief comedy-variety hour on NBC that was censored literally to death.
I just did this movie with Kristin Wiig called 'The Skeleton Twins.' That's a straight drama. We play estranged twins, and I end up moving in with her and her husband, played by Luke Wilson. But it's a drama, and the Duplass Brothers produced it and this great guy, Craig Johnson, directed it. And that was great, you know?
Jesus kinda fools around and gives you parables. He doesn't oftentimes say exactly what he means. But in Matthew 25, he's very, very clear. And he delineates what it takes to get into the Kingdom of Heaven very, very clearly. And he says how you treat the least among us, the least of our brothers, that's how you treat Him.
I think what you're seeing is a profound recognition on the part of the American people that gays and lesbians and transgender persons are our brothers, our sisters, our children, our cousins, our friends, our co-workers, and that they've got to be treated like every other American. And I think that principle will win out.
Dad wouldn't let me fool with his guitar much, because I'm left-handed, and I'd pick it up upside down. But I remember learning to sing 'Paper Doll,' the Mills Brothers song - this was during the war - and I remember my dad taking me down to one of those little record booths where you could make spoken letters to send home.
I didn't get a chance to see Bruno Sammartino regularly because I didn't grow up in the northeast, but he came into Indianapolis in his in-between time of being the champion between '71 and '73 when he worked for Dick The Bruiser because he liked The Bruiser. I got to see him and the The Bruiser against the Valiant Brothers.
'FlashForward' was on the outs when I was approached with 'Happy Endings.' I literally got the script on a Friday, and on Saturday morning I met with David Caspe, Jamie Tarses, and the Russo brothers. I took the role on that Saturday, and on Monday I was doing a table read. It all happened very fast, but it was super exciting.
I am a big fan of the Gallagher brothers. At Liverpool, they came a few times; they are friends of Steven Gerrard. It was nice to meet them. When I was in Spain, I couldn't speak English, so I couldn't understand the lyrics. When I came to England, I started studying music and trying to understand what my favourite songs said.
There was a wonderful little short four-year time period when marvelous things happened. It started in 1908, when the Wright brothers flew in Paris, and everybody said, 'Ooh, hey, I can do that.' There's only a few people that have flown in early 1908. In four years, 39 countries had hundreds of airplanes, thousands of pilots.
My father was a man of great charity towards the poor, and compassion for the sick, and also for servants; so much so, that he never could be persuaded to keep slaves, for he pitied them so much: and a slave belonging to one of his brothers being once in his house, was treated by him with as much tenderness as his own children.
The basic idea of 'The Venture Brothers' was taking the world of 'Jonny Quest' and jumping back into 30 years later, seeing how someone who grew up like Jonny - with that kind of space race enthusiasm and disregard for other cultures - would turn out. Dr. Venture is a boy genius who didn't grow up to be what he should have been.
The genius of the Marx Brothers is for parody. They never are themselves. They exist too abundantly to be content with being that - they must go on, by the rapidest of transitions, to being something else. Groucho, in my opinion the bright star among the three, is never anything but the thing he is at the moment pretending to be.
Strange, is it not, my brothers, how often in America those great watchwords of human energy - 'Be strong!' 'Know thyself!' 'Hitch your wagon to a star!' - how often these die away into dim whispers when we face these seething millions of black men? And yet do they not belong to them? Are they not their heritage as well as yours?
The influence of the Shaw Brothers films on my work has been profound. In addition to the richness of Asian culture, we at Wu-Tang were fascinated with the struggles between the oppressed Chinese villagers and the repressive Manchu authority and how it mirrored our own experiences growing up as black kids in America's inner cities.
When I walk up on that shore in Florida, I want millions of those AARP sisters and brothers to look at me and say, 'I'm going to go write that novel I thought it was too late to do. I'm going to go work in Africa on that farm that those people need help at. I'm going to adopt a child. It's not too late, I can still live my dreams.'
One of my most memorable Thanksgiving memories was probably the first year that me and my two brothers decided to start our annual eating contest. We ate throughout the whole day. We started that morning and weighed ourselves, and at the very end of the night, we weighed ourselves out. And all three of us equally gained five pounds.
I think what draws people into 'Supernatural' is that when all is said and done, and the ash from the various apocalypses settle, it's about the brothers. Even though there's cool fights in this and cool special effects, and there's superheroes... in the end, it is about family. Two families: the family by blood and family by choice.
The Canary Islands offer special incentives to companies looking at potential filming locations, so it was only logical for me to help the local government make connections with major U.S. film studios like Universal, Fox, Sony, Disney, Paramount, Time Warner, 21st Century Fox, CBS, Viacom, Comcast, HBO, Netflix, Warner Brothers etc.
We played one warm-up gig at this bar that was kinda like that bar in 'The Blues Brothers' with the chicken wire. This place called The Brick House, in Housatonic. I really can't believe we're going to play for people in New York City. I'm terrified, but it's a small enough room. But it's really just supposed to be for the fun of it.
Getting the role in '300' saved me. I'd been out of work for 11 months after 'The Brothers Grimm.' Once the film came out and didn't do so well, the director Terry Gilliam blamed me for absolutely everything. It was pretty appalling, and I had started to wonder if I'd ever get another job again when I was asked to audition for '300.'
I watched a lot of silent directors who were absolutely great like John Ford and Fritz Lang, Tod Browning, and also some very modern directors like The Coen Brothers. The directors take the freedom within their own movies to be melodramatic or funny when they chose to be. They do whatever they want and they don't care about the genre.
I don't believe in categorising a gender, as it makes for discord. People always say, 'That's what men are like' or, 'That's what women do'; I don't really feel that at all. I think that's because I have two fathers, three brothers, a husband and two sons. I'm surrounded by maleness, and I couldn't possibly summarise them into a type.
If you think of the 1930s in film as the decade of Gable and Lombard, Cagney and Harlow, Stanwyck and the Marx Brothers, think again. The biggest star - No. 1 in the 1936, '37 and '38 exhibitor polls - was a three-time box-office champ before she was 10. Shirley Temple, singer, dancer, and prime exemplar of Movie Cute, owned the '30s.
The Russo brothers are the best people ever, and they cast me in 'Happy Endings.' I did text Joe Russo to say, 'I don't think my character dies, so if you need a local news cameraman to show up in 'Captain America 2'... I know it doesn't make sense, but just hear me out on this!' He was really cool about it and turned me down right away.
I just love the people I work with so much, you know. It's an embarrassment of riches to get to work with Kristen Schaal and Mel Rodriguez and Mary Steenburgen and Boris Kodjoe and Cleopatra Coleman and January Jones, but then to get to bring Jason Sudeikis into the mix, you know, we're like brothers from all that time we spent together.
When I was nine years old, living on the south side of Chicago, my father was a minister and my mother used to scrub floors. I had seven brothers and four sisters. I told my mama, 'One of these days I'm going to be big and strong and buy you a beautiful house.' That's all I've ever wanted to do with my life, is to take care of my mother.
The one thing that was nice about being an only child is that my friends' parents would always ask me whether I would want any other brothers and sisters? My mom wasn't able to have any more children, and they didn't know that, but I would always say that I can have friends over, and whenever I get sick of them, I can just send them home.
The player who is almost at the same age as my daughter... I treat all my team-mates as brothers and I treat him just like a team-mate. I embrace them all and I am always around them giving advice because this is part of my job as a team captain and friend. I don't make them feel the gap in the age because I believe this should be normal.
As a kid, I was growing up in an era of celebration of the Civil War centennial, with a lot of 'Lost Cause' emphasis on the Confederacy. I used to play Civil War soldiers with my brothers as a child, and my older brother always insisted that he got to be Lee, and I got be Grant. I never knew that Grant won until quite some time had passed.
I write simply because I hear voices of people in my head who won't give me peace until I convey their stories to the rest of the world. Seriously. They've always been with me. While other girls played with dolls, and my brothers with Hot Wheels, I was busy traveling through space or traipsing through graveyards with my imaginary playmates.
'The Martin Show,' the 'Jamie Foxx show,' 'Living Single,' 'The Wayans Brothers,' 'Hanging with Mr. Cooper...' Some of these shows were good, some were typical television, but they facilitated a lot of work for blacks in front of as well as behind the camera. A lot of us in Hollywood thought it was the beginning of a real racial breakthrough.
A woman of faith is blessed by faithful men in her life who hold the priesthood of God and honor this privilege: her father, bishop, husband, brothers, sons. They value her and the divine gifts given by God to His daughter. They sustain and encourage, and they understand the great mission of her life as a woman. They love her; they bless her.
I'm Irish as hell: Kelly on one side, Shanley on the other. My father had been born on a farm in the Irish Midlands. He and his brothers had been shepherds there, cattle and sheep, back in the early 1920s. I grew up surrounded by brogues and Irish music, but stayed away from the old country till I was over 40. I just couldn't own being Irish.
Us three brothers - me, Janis, and Martins - we made a bet. We all sat down and said we were going to grow our hair out. But after a month or two, they cut their hair. But I was too young to make the decision about whether I would get a haircut, so mine just kept growing. And it was so long that I decided I should start rocking those cornrows.
I think I really thought I was a boy until I was ten years old because my parents divorced when I was born, and so my three brothers were almost like my fathers growing up. So they taught me how to ride a bike and all that stuff. I really was just kind of a guy's girl and just kind of an outspoken - some could say obnoxious - in-your-face kid.
Among all the marvels of modern invention, that with which I am most concerned is, of course, air transportation. Flying is perhaps the most dramatic of recent scientific attainment. In the brief span of thirty-odd years, the world has seen an inventor's dream first materialized by the Wright brothers at Kitty Hawk become an everyday actuality.
I'm the youngest of four kids, with three crazy older brothers. Don't let this hair and face fool you - my brothers helped mold me into the feisty, tough woman I am today. I don't stoop down to anyone. I was raised playing football and being the punching bag for my brothers. I guess you could say that is the root of my aggression and athleticism.
Mother's father and brothers all took great interest in pugilism, and they knew the game well from much practice of their own. They were never so much delighted as when I visited them with a black eye or a bloody nose, at which time they would be at the trouble to give cunning points as to how to meet an opponent according to his weight and height.