I don't watch Comedy Central. I don't enjoy it.

There are many differences between Netflix and Comedy Central.

You know all those young people watching Comedy Central love 'Frasier.'

In some sense, Comedy Central has made their audience into comedy connoisseurs.

But my problem was that I did an hour for Comedy Central and nobody seemed to care.

Trevor Noah is a great, relevant young comic, and Comedy Central is smart to stand by him.

I'm also doing a special for Comedy Central called Autobiography. It's going to be a spoof of Biography.

I support the homies, like Mike Jay and Hannibal Buress. And I listen to Comedy Central Radio in the car.

Being a female comic and getting a Comedy Central special is an honor because not a lot of women get that.

I hate being mean. I watch those roasts on Comedy Central and they make the hair on the back of my neck stand up.

Diplomats willing to sit for an interview usually prefer the terra firma of CNN over the whoopee cushion of Comedy Central.

It's the ultimate pinnacle of stand-up to have an hour on HBO, but way more people see Comedy Central, and they've been good to me.

I'm a comedian who happens to be Latino. What's the difference? The difference is, my special will air on Comedy Central, not Telemundo.

I have yet to see one of those Comedy Central shows with multiple standup comics that doesn't include someone the size of the Hindenburg.

My intent when I moved to L.A. was to get in good with the comedy clubs and, eventually, try to break into Comedy Central and have my half hour special.

The one that was most fun was That's My Bush; the part that I did for Comedy Central. That was a hoot. That was more fun that one should be allowed to have.

People know me. I'm not going to produce any cartwheels out there. I'm not going to belong on Comedy Central. I'll always be a tennis player, not a celebrity.

There was so long from when we did the pilot and then when the show was eventually picked up by Comedy Central - and, in fact, we had to shoot the pilot twice.

The Comedy Central CDs combined with the TV specials are what led to my stuff being traded and passed around, and a lot more people knowing my jokes than I thought.

Comedy Central is what these young people are viewing. The network speaks to their audience, which is saying, 'Give me fast jokes. Give me party stories and party language.'

Some comedians will tour and do these classic bits all the time. But now with YouTube and Comedy Central, people see your stuff, and they don't want to hear you do that again.

My mother saw the magazine, and she was like, 'You made it.' I've been on Showtime and Comedy Central, but none of that matters - all that matter is that she sees me in 'People!'

The goal is doing stand-up on TV somewhere, which is what I'm working on. Something on latenight or Comedy Central, but - I dunno, something. It could happen, it could not happen.

I really think the biggest honor, as a comic, is to get roasted by either the Friars Club or the Comedy Central or someone like that. Because it really shows, you know, that you've arrived.

I don't think that women necessarily always write like women. I was a writer on the 'Comedy Central Roasts' for a while, and I always wrote the jokes that people assumed the men would write.

Basically, I was always very interested in comedy, but I was much more sort of academic. And then, after college, loaded with my art history degree, I decided to go work at Comedy Central as a temp.

I'm a student of Comedy Central. It launched careers: Wanda Sykes and even Kevin Hart. The first time I was introduced to him, he was on Comedy Central. It puts you on the map... Hollywood knows now.

Honestly we never lied to people about who we were. Usually the wackier interviews came to pass because the interview subjects, aware that we were Comedy Central, just wanted to get their stories out.

It's a pleasure to be doing a show for Comedy Central. Traditional networks would cast me as the head of a household with 16 children, which I find extremely offensive because there are 18 kids in my family.

It's funny because I think a lot of it is simply... We've never considered ourselves satirists, but because we're on Comedy Central and because we're South Park on Comedy Central, we can do any topic we want.

The first time I met Jon Stewart was at the press conference that Comedy Central held to announce Jon would be the new host of 'The Daily Show,' which back then was not called 'The Daily Show with Jon Stewart.'

Half the shows on Comedy Central are just multi-cam blue sets, and they kind of look like game shows from the '90s. It's like, 'Why do such a bland corporate aesthetic when the sky's the limit with what you can do?'

There's a show on Comedy Central that I love called 'Nathan for You,' which is kind of a reality show, almost a prank show, where this guy Nathan Fielder goes around helping struggling businesses. He's so hilarious and so awkward.

I'm doing a pilot for Comedy Central with the band Steel Panther. They're faux heavy metal. They started as kind of a tribute band out here, or a cover band, and they're funny guys, and they just sort of morphed into their own thing.

Comedy Central was a great network, but 'Chappelle's Show' took it to a completely different level. Other shows got bigger because so many viewers were watching the 'Chappelle' reruns. For BET, the 'Real Husbands of Hollywood' has that same potential.

With Comedy Central, they produced it and did everything - I just had to walk up there and tell the jokes - whereas with Netflix, I was heavily, creatively involved, from the logo to the lighting of the room to selecting the venue to selling the tickets and promoting it.

I came home in the afternoon to sleep, and there was this e-mail from Comedy Central saying they were interested in having me be part of this new show called 'Jump Cuts'! So I called them right away, and the producer started laughing and said, 'We sent that e-mail one minute ago - you're so fast!'

I really love 'Real Housewives.' It's like the, you know, comedy stuff that's, like, intentionally funny. Like, I love 'Nathan for You,' that Comedy Central show. It's just brilliant. My friend Bill Eichner has a show called 'Billy on the Street' that I write for, and even if I didn't write for it, I'd still love it.

When I first got to New York, Comedy Central was the only place to go if you weren't on HBO or network. And then FX, Adult Swim, and other sort of ventures came up, and all of a sudden there were other places to go, and I think Comedy Central is making a concerted effort to become a place where smart, funny weirdoes can come and do their stuff.

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