When I directed the third 'Insidious' film I loved it so much that I decided this is what I want to do from now on. I don't even think I would write something as a screenplay now with no intention of directing it.

The British series I was part of, 'Beecham House,' directed by Gurinder Chadha, was set in 1795. That was also an incredible experience, just to see the kind of research that goes into recreating that time period.

Always when I directed the play, I was always trying to cast people not who were necessarily like the characters, but people who I felt had the essential component that the character had, some kind of soul for it.

In revolt against this new and very evil thing came the republicanism of the eighteenth century, inspired and directed in large measure by members of the fast perishing aristocracy of race, character and tradition.

I was doing well in TV as a freelance cameraman, but it wasn't the direction I wanted to go in. I directed videos and tried to put something cinematic in every one. Dialogue, action sequences, helicopter, Steadicam.

I suppose they call me a woman's director because there were all these movie queens in the old days, and I directed most of them. But I also directed Jack Barrymore and Ronald Colman and James Stewart, to name a few.

I have made movies on education and dance, have directed and choreographed legends of Bollywood. Now, I want to make a movie on martial arts. I myself am a black belt, so I am looking forward to do something on this.

I do regret that when I went to college, I didn't have a liberal arts education. I got a BFA in musical theater, so it was a very directed toward what I was doing. I wish that I had expanded my horizons a little bit.

The two most exciting things for me to get to work on 'The Wolverine' was getting to work with James Mangold, the director who directed '3:10 to Yuma' and 'Walk the Line' as well as getting to work with Hugh Jackman.

I think we've shot scenes from every angle directors can think of to make it look like different villages. I've directed a couple shows on that set and believe me, it's impossible not to duplicate some camera angles.

I still think of Columbia as one Rita Hayworth movie a year, or maybe one a year directed by Frank Capra in the '30s. To see how many really outstanding movies Columbia made, and all together, is kind of eye-opening.

I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by Kazan and was called Baby Doll.

I have no style. There are certain people who just have a visual sense that defines their work. You could probably watch 30 seconds of anything they do and you'll know exactly who directed it. I don't have that skill.

I'm an awful driver. I'm not going to lie about it. I'm not a good driver. I tried for a long time to pretend that I was. There's a lot of road rage and a lot of times it's directed at something I've done on the road.

I really like Kickstarter because you don't have to be a Medici to fund the arts and sciences or to get behind a big idea or a person that sparks your imagination. It's a type of microfunding directed toward creators.

Even in 'The OA,' we had to follow Guild requirements and put 'directed by' and the credits, and I'm embarrassed to put my name every time. I mean, who cares. Look it up on the Internet if you want to know who made it.

It's ludicrous to think people work for you: 'a film by...' doesn't exist. Directed by, maybe, but it's a film from a collective, a group of people whom you consult and seek your counsel and advice and vice versa, too.

People are always angry at America. They're absolutely certain that America either caused their problems or is deliberately not fixing their problems. But the anger is always directed at America and never at Americans.

Well I actually came to shoot 'Stranger Things' straight from filming a movie called 'Bridge of Spies,' which is directed by Stephen Spielberg, so I was recommended to watch a bunch of his movies, like 'E.T' and stuff.

Sometimes directors may not give you words, you know? They may not talk at all! You've just got to use your radar to figure out how you can get to the center and not lose yourself, but still be directed at the same time.

I have 800 books of just Samuel Beckett's work, tons of his correspondence, personal letters that he wrote. I have copies of plays he used when he directed, so all of his handwritten notes are in the corners of the page.

You can't act for the editing. You have to leave that to him. So you just go in and do the scene the way you think is right or whatever you're directed to do, and leave the rest of that technical stuff up to the director.

Most of the approaches to peace between Israel and the Palestinians, have been directed at trying to resolve the most complex problems, like refugees and Jerusalem, which is akin to building the pyramid from the top down.

There's no question that my son is better prepared for college than I was. He manages his time better, is more efficient and more directed, and spends less time in lines and more time doing exactly what he sets out to do.

I ordered each man to be presented with something, as strings of ten or a dozen glass beads apiece, and thongs of leather, all which they estimated highly; those which came on board I directed should be fed with molasses.

There are plenty of bad actors and there are plenty of bad directors. There are actors who will always be bad and there are good actors who you cry for because they're being badly directed or the material isn't good enough.

It's one of those scenarios where no, I never imagined that I'd be directed in a love scene - not even a love scene because it's kind of a hard-core sex scene because it's kind of just purely played for this carnal venting.

I've acted with all types, I've directed all types. What you want to understand, as a director, is what actors have to offer. They'll get at it however they get at it. If you can understand that, you can get your work done.

I'm doing a play at Trafalgar Studios with The Jamie Lloyd Company - 'The Maids' by Jean Genet with Uzo Aduba and Laura Charmichael, directed by Jamie Lloyd. It's one of my favourite plays by one of my favourite playwrights.

I got into music around the age of eight years old, and I think the reason why was because I discovered the Spice Girls. I fell in love with them, and it was the first time I ever felt like the music was just directed to me.

When I was a teacher, I'd walk into the classroom. I stood at the board. I was the man. I directed operations. I was an intellectual and artistic and moral traffic cop, and I - and I would direct the class, most of the time.

New-Year's Day arriving, and the ministers, to whom I wrote, remaining silent, I consider their silence as evidence, that they cannot prove what I said not to be from the Lord, and have therefore published as I was directed.

But in this Congress, accountability is just a catch phrase, usually directed elsewhere. Demands to personal responsibility or corporate accountability abound, but rarely congressional accountability or fiscal responsibility.

Early in your career, you feel like there is a formula, a path you have to take. You have to do this movie because this person directed it and you have to be associated with these people. In some ways, I have thrown that out.

I directed the play 'Amadeus' with puppets way back in the day for theater. I also studied puppetry at the Eugene and Neil Center with a lot of the 'Sesame Street' people, so I do have a little bit of a history with puppetry.

The earth was probably born by accident; but, in accordance with one of the most general laws of evolution, scarcely had this accident happened than it was immediately made use of and recast into something naturally directed.

There have been huge Muslim demonstrations against cartoons depicting Muhammad and any other perceived insult against Islam. But I am unaware of a single demonstration of Muslims against Muslim terror directed at non-Muslims.

I have never directed anything for the stage. I studied for three years in the theater, and it was a very, very scary experience to direct live, being so vulnerable without the possibility to control things, to be so exposed.

Having been an actor and a writer for so long - 20 years or so - I felt that it would be daft to go to one's grave without having directed. It's a natural extension of writing and acting, and so I knew it would happen one day.

America is a friend to the people of Iraq. Our demands are directed only at the regime that enslaves them and threatens us. When these demands are met, the first and greatest benefit will come to Iraqi men, women and children.

I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.

Well, the first two movies of any size that I did were a movie called 'Everybody's All American' that Taylor Hackford directed - I was pretty diva on that - and then 'Pretty Woman,' which is probably my first real breakthrough.

I feel that Christian music is a subculture directed towards the Christians. It's not really being exposed to non-Christians and it's not really created for non-Christians, so non-Christians almost never hear any of this music.

Their final objective toward which all their deceit is directed is to capture political power so that, using the power of the state and the power of the market simultaneously, they may keep the common man in eternal subjection.

A play is not a play until it's performed, and unless it's a one-person play that is acted, directed and designed by the author, many other people will be deeply involved in the complicated process that leads to its performance.

I did my acting performance in 'Roger Rabbit.' I think I did a voice-over also in 'Osmosis Jones' and I directed an episode of my show years ago, 'Tales from the Crypt' and that's my endeavors in the non-producer oriented ranks.

'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.

I never want to set a belief that a woman has to direct a woman's film, meaning she can't direct a man's film. If only films can be directed by people who are exactly the same as that, it's only gonna limit all of the women more.

Restoration I did because I really loved e novel and I like Michael Hoffman, who directed it, but it wasn't a really challenging part for me. I'm not critical of the film: I just don't think I gave a very interesting performance.

Since every effort in our educational life seems to be directed toward making of the child a being foreign to itself, it must of necessity produce individuals foreign to one another, and in everlasting antagonism with each other.

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