Quotes of All Topics . Occasions . Authors
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
A lot of people from the Bay, especially musicians, feel like northern California is not the place where everything's poppin' off and not quite on the cutting edge artistically as New York or L.A. People from the Bay feel like they have something to prove, and I always love feeling like I have something to prove.
I do think that something of the effect I have on people is to put everything on an edge where they're both infatuated with a kind of charmingness happening in the person or in the writing, and also flatly terrified by a revelation or acceptance of revelation that's almost happening, never quite totally happening.
Cultures have long heard wisdom in non-human voices: Apollo, god of music, medicine and knowledge, came to Delphi in the form of a dolphin. But dolphins, which fill the oceans with blipping and chirping, and whales, which mew and caw in ultramarine jazz - a true rhapsody in blue - are hunted to the edge of silence.
I think that's something a scientist can do because a scientist works at a border, at the edge of science, at the edge of knowledge, and so there's a lot of fun of reaching out and thinking about things that other people didn't think about. And so it has a kind of exploratory notion, kind of adventurous part in it.
If you look back over the history of computing, it started as mainframes or terminals. As PCs or work stations became prevalent, computing moved to the edge, and we had applications that took advantage of edge computing and the CPU and processing power at the edge. Cloud computing brought things back to the center.
I have no wish to go back to being frustrated by a character. It's really just part of being on an ongoing series. You're constantly hoping the next episode you get, something will happen for you. You're on the edge of your seat all the time, pressing your hands together and hoping that something cool will turn up.
The San Gabriel Mountains rise like a rampart at the edge of the city, safeguarding more than 500,000 acres of mature forests, mountain streams, dramatic waterfalls, and towering peaks that reach over 9,000 feet. These untamed places attract bighorn sheep, mountain lions, and other threatened or endangered species.
There's rock n' roll in hip-hop, there's rock n' roll in pop music, there's rock n' roll in soul, there's rock n' roll in country. When you see people dress, and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock n' roll. Everybody still wants to be a rock star, you know?
In the 1920s, a generation before the coming of solid-state electronics, one could look at the circuits and see how the electron stream flowed. Radios had valves, as though electricity were a fluid to be diverted by plumbing. With the click of the knob came a significant hiss and hum, just at the edge of audibility.
I always said when Edge and I were tag team partners that we had great chemistry together. Then we ended up parting our own ways and facing each other, and we found that chemistry again as opponents. It doesn't matter how you put Edge and myself in the ring, we're going to make sure that we give you what you pay for.
We have seven pillars of development. India has a cutting edge information technology industry. We are setting up a technology park. We would like to see technology penetration iin education. Besides, we would like to see cooperation in industries like fashion, filmmaking, ship-building, education, health and energy.
I am passionate about finding undiscovered and talented artists. I want to help those artists get to the next level and provide existing artists with a new way to reach fans. I wanted to partner with the Cutting Edge Group because they share my vision and have a proven track record in innovation in the music business.
On the second flight, we were doing a lot of science experiments, and we've got a really cool window called the cupola. It's a big, circular window with six panes around, sort of at angles so you can see the Earth, you can see the edge of the Earth, you can go out - look out into the universe. It's pretty spectacular.
Longevity is something I never gave a second thought to. I guess it's the shadow of growing up in post WWII, but I never believed I would live past 20. Here I am though... a senior citizen... my voice and heart are stronger than ever, but boredom is the greatest enemy so I have to be careful not to slip over the edge.
I often hear actors say during their interviews: 'I want to play a crazy person, a murderer, or someone who's on edge.' But that question scares me. I mean, of course there are characters I'd like to play, but I can't really say specifically who they are. It's much too hard to play a convincing normal person as it is.
Sometimes, I seem to be only able to actually move and get going with things on the razor edge of possibly still managing whatever it is I'm supposed to do. I think, secretly, I might even get a buzz out of it. Maybe I crave the adrenalin like some sort of crazy gambler high on risking everything on the turn of a card.
Every movie has three things you have to do - you have to have a compelling story that keeps people on the edge of their seats; you have to populate that story with memorable and appealing characters; and you have to put that story and those characters in a believable world. Those three things are so vitally important.
I did grow up in Kenosha, Wisconsin, around a lot of my mom's family. I had a lot of cousins and aunts and uncles around me, and my sisters and my brother. Probably the most formative part of it was that we grew up on the edge of a forest. It wasn't a big forest, but it was enough. When you're a kid, it feels gigantic.
Meetings are the linchpin of everything. If someone says you have an hour to investigate a company, I wouldn't look at the balance sheet. I'd watch their executive team in a meeting for an hour. If they are clear and focused and have the board on the edge of their seats, I'd say this is a good company worth investing in.
I think there is something about a good person doing bad things for what they consider to be a good reason. Then the battle is on to almost prove to the audience that it's justified. How far can you go with that? How far can that character go before people won't accept it? Trying to walk to edge of that line is a challenge.
It's depression. You can't put it into words. You get stuck and time passes by. I'm stood there on the edge of a cliff, can't go back and can't go forward. Days go by. I'm still in the same place. Everyone else's life goes on, but you're stuck. You try and try and try and I don't know how, but you came out of it eventually.
Looking back, yes, I made too many comebacks. But each comeback I was 100 percent sure that I would win. I never came back for the money, because I didn't need it. The adulation I was getting anyway in other spheres. But I'm a guy who likes to see how close he can get to the edge of the mountain - that's what makes me tick.
If you get into an armbar and someone locks it down on you, it's easy for you to tap out, but sometimes dealing with certain things, fighting through certain adversities, and being that I've been in some of the toughest situations in life, it just gives me an edge on my opponent that I'm going to torture him and beat him up.
With a live audience, it's very clear when you've pushed it too far to the edge - because you fall off that edge and hit bottom with a thud. Nothing abstract about that. You know you went too far when you hear that groan or worse - that silence instead of the big laugh you were expecting following your hilariously edgy joke.
There's a tipping point that happens with soccer in which you just kinda get it. I was drawn to it because the best soccer teams play similarly to my favorite basketball teams - like the eighties Lakers or eighties Celtics - teams that emphasized teamwork over individualism and relied on passing as their biggest ongoing edge.
Witches are the kind of more traditional, home and family, craft people - so they're the ones who are making things; crocheting shawls and things like that. But then they also have that slightly confident, dangerous, edge. I always see them as having very extreme hair, either amazingly beautiful straight hair or kind of wild.
I'm all about entertaining and keeping a reader on the edge of their seat, so to me, the social issues have to be meaningful and give the book what's really 'at stake,' but ultimately it's not about them - it's always a personal story of everyday people thrust into life-threatening situations and having to perform heroic acts.
I think I was probably looking for gay role models when I was younger, before I even knew or thought I was gay. I didn't really make the connection that they were gay, but I felt drawn to them because they were going against the grain, and I knew there was something that they had that everybody else didn't have. It was an edge.
Confidence is one of those things that no one ever wants to talk about in this industry because confidence and ego run neck and neck. But you have to understand, those are things that you have to have in order to make it to where Edge has made it. You've got to have a certain amount of ego and confidence in yourself to get there.
To keep the edge, you just keep doing something new. I'm not gonna say that working is easy, but while I'm doing it, I'm just a happy little moron - that's how my girlfriend describes me. The fact that nothing might happen with those things is not the point. The point is, I'm doing new things, and I have a good feeling in my soul.
There is no part of the executive branch that more exists on the outer edge of executive prerogative than the American intelligence community - the intelligence community, CIA, covert action. My literal responsibility as director of CIA with regard to covert action was to inform the Congress - not to seek their approval, to inform.
I want to improve TSA's counterterrorism focus through intelligence and cutting edge technology, support the TSA workforce, and strengthen the agency's relationships with stakeholders and the traveling public. All of these priorities are interconnected and are vital to TSA's mission - and I would say, all of our collective mission.
Genetic modification has many different areas, for example in medicine, and Britain is at the leading edge of this new technology. I don't know, but people tell me, it could indeed by the leading science of the 21st century. All I say to people is: 'Just keep an open mind and let us proceed according to genuine scientific evidence.'
You know, as kids were weren't jazz musicians or anything. But, the circle of friends and the neighborhood I lived in, we were really big Rush freaks and Yes fans. We would listen to 'Close to the Edge' and 'Hemispheres' and '2112' - the more artsy, progressive stuff. Some of the guys were into King Crimson and Genesis and all that.
I've played the wicked mothers; I've played the serial-killer-type mothers now. They have to have an edge on them. They can't just be everyday moms, because I never thought of myself as an everyday person in cinema - I'm an everyday person in real life, like anyone. But not in what I project out there. I want something more exciting.
When I was a teenager, I really didn't like loud rock music. I listened to jazz and blues and folk music. I've always preferred acoustic music. And it was only, I suppose, by the time Jethro Tull was getting underway that we did let the music begin to have a harder edge, in particular with the electric guitar being alongside the flute.
We had some really powerful technology - Atari always was a technology-driven company, and we were very keen on keeping the technological edge on everything. There's a whole bunch of things that we innovated. We made the first computer that did stamps or sprites, we did screen-mapping for the very first time, and a lot of stuff like that.
You know, I never knew if I had any talent when I started in this business. My first job was being a page at The Tonight Show. I saw Jack Paar come out one night and sit on the edge of his desk and talk about what he'd done the night before. I thought, 'I can do that!' I used to do that on a street corner in the Bronx with all my buddies.
Since I've been hired to contribute to the storyline of 'Doom 4' I can say what was always true anyway. I'm working. You see, for a writer, lots of stuff that doesn't look like working is actually working. Looking out of the window, for example. Balancing a pencil on the edge of the desk in order to find its exact fulcrum. Playing 'Doom.'
One way Groupon hopes to gain an edge is by using software to learn about its members so it can deliver more relevant offers: my wife will get the manicure-pedicure deal, but I'll get an offer on fly-fishing lessons. The key now is execution - delivering great customer service and keeping everybody happy on both sides of the transactions.
Our parents, loved ones, and friends are getting cancer. So we need to know how to care for them, support them, and understand what the hell is going on. I don't think it's that hard to reach them: you have to go where they are - online. You have to speak their language - humour, wit, and edge. And you have to be honest, authentic and bold.
We need to be creative, on the cutting edge, challenged, and it's really hard going. It's relentless, and we're relentless, and we have a history of breaking engineers, producers. I mean, people come out of working with U2 and just go, 'I just don't know what's happened; it feels like a lifetime has passed by.' And that's just the way we work.
In a way, architecture is about communication. That's an aspect of the discipline that is somewhat lacking, and there's definitely room for more progression into that area. I suppose that gives me a bit of a different edge. I'm also very, very used to doing a lot of exhaustive research and finding interesting information from different sources.
When I was 23, my Norwegian relatives taught me how to sit still. During the long sunlit evenings in the summer of 1992, my cousins would lead me across the farm to the edge of the forest, each of us lugging a folding chair. There, in a scraggly bramble of wild blueberries, we would set them down a few yards apart, each in our own little patch.
'The Lost Symbol' has much to impart about the mind-body problem as filtered through the work of Peter's younger sister Katherine, who more than dabbles in noetic science, or 'leading edge research into the potentials and powers of consciousness', according to the website of the real-life Institute for Noetic Science, based in Northern California.
When you create those characters that people love and care about and put them in a dark hallway, already the audience is on edge, and they feel empathy for that character. Then it's up to me to decide what jumps out in that hallway. So I think laying that foundation of strong characters and strong story is the most important thing in a horror film.