Quotes of All Topics . Occasions . Authors
Some of these love stories can be destructive as examples of what it means to really love. To think that someone is your one and only, that you're fated to be with this person, is a really powerful, sexy fantasy - but it is a fantasy, at least in part.
As Faulkner says, all of us have the capacity in us for great good and for great evil, for love but also for hate. I wanted to write those kinds of complex character in a fantasy, and not just have all the good people get together to fight the bad guy.
Out of the 72 kids that I went to high school with, I still talk to 25 of them on a fairly regular basis. Seven of my classmates live in L.A., and five of them are in the entertainment business, and we constantly talk and play fantasy football together.
The state of childhood resonates with life inside a fantasy novel. If you have no control over how you spend large chunks of your day, or are at the mercy of flawed giant beings, then the desire to bend the laws of the world by magic is strong and deep.
The buildings that I build very often have a dreamlike reality. I don't mean by that they have a fantasy quality at all, in fact quite the reverse. They contain in some degree the ingredients that give dreams their power... stuff that's very close to us.
I love to cook. I'd hoped by now I'd have a big loft. I have this fantasy that between 12 and 4, if you're in New York, it's known that I'll be serving a meal and you can just show up. You can watch TV, hang out, nap. Once a month. Wouldn't that be nice?
I don't really like politics that much. And I like the order and simplicity of sports. They have an ending. You can argue with your friends about it, but in the end you still like sports. I almost love the fantasy world of sports more than the real world.
To suggest that organic vegetables, which cost far more than conventional produce, can feed billions of people in parts of the world without roads or proper irrigation may be a fantasy based on the finest intentions. But it is a cruel fantasy nonetheless.
I hope to read a Harry Potter novel soon, to see what it's all about. I admit to being annoyed that many good light fantasy writers have had trouble getting published, in England and elsewhere, when it is obvious the readers were waiting for us all along.
Fantasy has had some problems with being too repetitive, in my opinion. I try to read what other people are doing - and say, 'How can I add to this rather than just recycle it? How can I stand on Tolkien's shoulders rather than stand tied to his kneecaps?'
Starting on February 1, 2010, and running through until May 30, I will be Toronto Public Library's Writer in Residence, working out of the Merril Collection of Science Fiction, Fantasy, and Speculation at the Lillian H. Smith branch at College and Spadina.
In American politics, there's a recurring fantasy, nurtured by the press, about 'courageous' politicians who do the right thing against their political interest. But really, isn't it even more encouraging when the right thing has just become good politics?
At the time of Woodstock, I was just 13, but I used to see these exotic hippy creatures and I did look on with envy. How could you not? In an ideal world, I would have loved to have been a hippy - but I might have been a bit strait-laced. It was my fantasy.
For the last 30 years our cinemas have been ruled by science fiction and horror. We've had some very good Fantasy films in that time period, but for my tastes I still haven't seen fantasy done to absolute perfection. That is the hope I have in this project.
Moments are incredible, but in my fantasy mind I see a Globe company which is renowned throughout the world for what it does with pure storytelling. So that people come and say: it's not just the building, it's the only place you can hear this kind of work.
Quite often, intent on conveying how things can go wrong for a culture (science fiction) or an individual (horror) or all of magical creation (fantasy), works of fantastika often preclude comedy, because humor gets in the way of messages of doom or struggle.
I think that Gordon Ramsay is maybe one of the most entertaining people ever on television. And I would love to pretend to be Gordon Ramsay and walk into a restaurant uninvited and attempt to make them change their menu. It's just a personal fantasy of mine.
The refusal to accept that the black presence in Britain has a long and deep history is not just a symptom of racism, it is a form of racism. It is part of a rearguard and increasingly unsustainable defence of a fantasy monochrome version of British history.
The problem with people who are afraid of imagination, of fantasy, is that their world becomes so narrow that I don't see how they can imagine beyond what their senses can verify. We know from science that there are entire worlds that our senses can't verify.
I loved all fantasy, and I always thought that the ideal job as a performer and an entertainer would be to take on a mythical character, you know? Make someone up. Give them a voice, a mannerism, whatever. I always thought that that was the coolest way to do.
Teen problem novels? I can go through them like a box of chocolates. And there are fantasy books out now that need a lot more editing. Fantasy got to be so popular that people began to think 'We don't need to be as diligent with the razor blade,' but they do.
People read vampire novels and say, 'Oh I want to read another vampire novel.' People read fantasy, and they're like, 'Oh I love fantasy.' I don't know that people are necessarily finishing 'Hunger Games' and immediately wanting to read another dystopian tale.
I only like luxury fashion. You have to decide where you stand. I like well-made, authentic clothes, well-crafted tailoring. I also like the dream and fantasy of luxury, the exception and rarity of it. I have no interest at all in fast retail. It is ambiguous.
I hate SF books that think all you need to make a book is cool technology and mind-bending ideas without a decent plot or characters. And I hate when fantasy books are allowed to ramble off into five hundred page diatribes which don't advance the story one bit.
I've found that using historical material and being rooted in historical material is liberating because I always think to myself, 'Well, this actually happened, and this is fantastic!' That's why I don't like fantasy, in a way. Because it's sort of in emptiness.
I think it's really hard to draw a hard-and-fast line and say 'Grimm's Fairy Tales' doesn't count as science fiction or fantasy. Or at what point do we say mythology is not fantasy, so reading mythology when you're young does not count as an exposure to fantasy?
I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
That's a huge fear for middle-class women. It's not so much a fear for poor women, because poor women have always assumed that they are going to have to support themselves. It's middle-class women who have this fantasy that somebody else is going to support them.
The campaigns and the models in them create the fantasy around the brand. It has always been about having strong images. Without that, we could not have gone into all the categories we did. It really has been the foundation from where the house of Guess was built.
I've come across a novel called The Palm-Wine Drinkard, by the Nigerian writer Amos Tutuola, that is really remarkable because it is a kind of fantasy of West African mythology all told in West African English which, of course, is not the same as standard English.
That's when we decided to stop in '66. Everyone thought we toured for years, you know, but we didn't. I joined in '62, and we'd finished touring in '66 to go into the studio where we could hear each other... and create any fantasy that came out of anybody's brain.
I realize that, to many readers, Hard Fantasy may seem to be a contradiction in terms. Fantasy, according to most generally recognized definitions, differs from both 'real world' fiction and 'science fiction' in that magic or magical creatures are active elements.
A lot of our assumptions of the world are fairly cynical, fairly negative, and assume the worst. What our reading tastes show - in this rush to fantasy, romance, whatever - is that we actually still want to believe in a world of possibility, in a world of mystery.
We used to talk about wanting to get some money, but that's when hip-hop was based on your dreams and your fantasy. The whole thing now is the dreams and fantasies were achieved, and you don't want to make it the focal point. You can't keep beating that dead horse.
One of my most persistent, long-term fantasy wishes is not that I could fly or become invisible, but that I could make sound recording be invented decades or even centuries earlier than it was, so I could hear what people in the 1830s or 1750s actually sounded like.
When you're 11 or 12 years old, you can get so swept up in a book that you start to believe that the fantasy is reality. I think when you have a giant crush when you're in fifth grade, it becomes your whole world. It's like being underwater; everything is different.
We've become used to processing images that are part of the non-linear narrative theory. I think there's a thinner line between fantasy and normality. People spend much more time in their own heads now. There's so much to conform to, so many influences coming at you.
I think once you have children, you just don't have the same kind of freedom to pick up and go. But then, I sort of think, how often did I really do it? How spontaneous was I really? Part of what I think I miss is this fantasy of my wild days, but they never existed!
We are not buried in history, but surrounded by it. You can't avoid our behavior being shaped by it, to a considerable degree. We have this fantasy that we are free of history. This allows us not to see the circumstances, the historical circumstances of other people.
It seems to me that humour is everybody's way of keeping sane and standing off from the situations so that they can see it intellectually, as well as emotionally, and I don't know whether you've noticed, but if somebody tells a joke, it's nearly always a mini fantasy.
When I was a kid, I really loved watching 'Cinderella.' It's a fantasy, and every girl knows that real life isn't always like these movies, but as a child, I just really loved the story of 'Cinderella.' I found it to be so romantic and just a beautiful movie to watch.
When we really start searching for the truth in stories, we can find it everywhere, not just in sincere confessions but in the deliberate lies and imagined possibilities, the magic and fantasy, and all the other unreal elements that go into the concoction of identity.
Corrupt fantasy points us, or forms us, in a consciousness that can lead to thinking that evil is good and good is evil. In the worst case, this may have long range effects, prompting the reader intuitively, subconsciously, to do evil while thinking they're doing good.
I've always liked fairy tale and spectacle. I wouldn't say I was a fantasy fan, but anything beyond reality I've always found exciting - the work of David Lynch, the work of Tim Burton. But for me, I also love those things that are absolutely about human relationships.
Fantasy is fantasy. It's fiction. It's not meant to be a textbook. I don't believe in letting research overwhelm the fiction. That's a danger of science fiction in particular, as opposed to fantasy. A lot of writers forget that what they're doing is supposed to be art.
What do I want in a good fantasy book? Court politics and social interactions based around houses and cities. Powerful women and devious men. Drama and action with emotional ramifications. Frocks. Kissing. Swords. An intense impression of history in the world-building.
At Harvard, direct cinema was the core of the film department, and most of the students were trying to make socially conscious works, but I was trying to combine fiction and non-fiction to show how our seemingly factual world is constituted through fantasy and stories.
I wonder what Proust would have made of our present-day locus of collective fantasy, the Internet. I’m guessing he would have seized on its wistful aspect, pointing out gently and with wry humor that much of what beguiles us is the act of reaching for what isn’t there.
That would really be my fantasy - maybe just do three shows a year and each year in a different city, just singing for the people who really want to see it, and then just write for other people. I do love to sing, but I'm just as happy singing in the bathtub, you know?
So wie die Verruecktheit in einem hoeheren Sinn, der Anfang aller Weisheit ist, so ist die Schizophrenie der Anfang aller Kunst, aller Phantasie. (As insanity in a higher sense, is the beginning of all wisdom, so is schizophrenia the beginning of all art, all fantasy.)