Quotes of All Topics . Occasions . Authors
I was about 10 when I first began to sing. My mother had been away for three weeks, and I learned 'Don't Cry for Me Argentina.' When she came back, I sang it in front of her, my auntie Linda, my father, my uncle Jim, and my grandmother.
Philadelphia is a great market for local TV news. Both KYW and Channel 10 have had good runs. But Channel 6 doesn't give you a reason to turn the channel. I have such profound respect for Jim Gardner. He is Philadelphia television news.
To be honest, I've made a game out of trying to live through my James Dean, Janis Joplin, Freddie Prinze, Jim Morrison period, those demons that we all have that we're either successful or not at making work for us rather than destroy us.
Natasha Lyonne is fantastic on Twitter. She posts hilarious pictures. I don't even know where she finds some of them; it'll be like a random picture of a chinchilla kissing a lion or Bill Murray and Jim Belushi out on a boat or something.
My brother Billy was the joke teller. My brother Jim had a really sharp, cutting wit. And the teller of long stories, that was my brother Ed. As a child, I just absorbed everything they said, and I was always in competition for the laughs.
I went through a big Jim Morrison phase where I grew my hair and wore those black leather pants. I even tried to get the boots, the chains, and I was full into getting that Jim Morrison vibe... but I didn't go overboard or try the mascara.
I was onstage with Menudo since I was 12 years old. To us, the most successful one was the guy with the most fans. If you moved your hips and the girls screamed, you were getting it right. Who wouldn't want to be like Elvis or Jim Morrison!
I enjoyed my time at DC. Dan Didio, Geoff Johns and Jim Lee were great to me, and I'm very grateful for the opportunities they gave me. Having said that, I think it's important to try new things and work with new people to keep myself fresh.
The thing that got me closest to doing Kermit was remembering what Jim did when he was doing Kermit. When he would do Kermit, there were certain faces that he made. There was a certain way he stood, a certain kind of body language that he had.
Right from the outset, the prevailing mindset in British comics fandom was a radical and progressive one. We were all proto-hippies, and we all thought that comics would be greatly improved if everything was a bit psychedelic like Jim Steranko.
Rest in peace, Harold Lederman. When I was younger, my brother and I used to imitate his famous 'OK, Jim!' line while watching the big 'HBO Boxing' events. What an amazing character he was, and while I never met him, he seemed to be a lovely man.
'One Day' is definitely heartbreaking in a few ways, but one of the main ways is that my character and Jim Sturgess's character are just people from two different worlds who love each other in so many ways and can't quite seem to get it together.
I grew up in Ohio, where civil-rights accomplishments had already begun to accelerate before Martin Luther King appeared. In hindsight, we know that many people, black and white, were instrumental in changing the Jim Crow status quo on all levels.
It used to be that what was going to be written on my tombstone was 'Benjamin Wittes, former 'Washington Post' editorial writer,' or 'Benjamin Wittes, who wasn't even a lawyer.' Now it's just, like, 'Benjamin Wittes, who's a friend of Jim Comey's.'
Young people and Indian people need to know that we existed in the 20th Century. We need to know who our heroes are and to know what we have done and accomplished in this century other than what Olympic athletes Jim Thorpe and Billy Mills have done.
The stories in 'Jim the Boy' are either made up or appropriated from some source other than my family. But the idea of a family telling stories to the kid, often to impart some kind of lesson, that's very familiar, and that's the way that I grew up.
I think other than Jim Cornette, who's just, you know, a bitter old man who wants viewings, other than people like that guy who are just bitter, I could probably find whatever fan out there and show them some match that I've done that they would enjoy.
My friend Jim Parrack is in 'Child of God,' and we grew up together. Back then, we would watch old movies and go reenact them at a Blockbuster or a supermarket. We'd end up getting in trouble because you can't reenact movies. People think you're crazy.
The Journey of Reconciliation was organized not only to devise techniques for eliminating Jim Crow in travel, but also as a training ground for similar peaceful projects against discrimination in such major areas as employment and in the armed services.
I remember I was up for the role of Jim in 'Huck Finn,' and because I went to Harvard and Yale, they didn't think I would be able to play a slave. I said, 'Oh, please.' I had to go in there and prove to them that I wasn't too intelligent to play a slave.
I knew since third grade I wanted to be Jim Carrey. His freedom, his goofiness, his crazy, loud, sudden energy. I told my family I was going to be a pediatrician, but in the back of my mind, I was like, 'Nope, I'm going to be the biggest movie star ever.'
One of the best features of my career is that I have gotten to meet and work with some of the most stellar people in the business. From Tim Russert and Jim Lehrer to Bryant Gumbel, Andrea Mitchell and Judy Woodruff, I have learned from the leading lights.
After graduating high school, Betty attended the Tuskegee Normal and Industrial Institute in Birmingham, Alabama, the alma mater of both her parents. My mother relocated to New York because she refused to accept the oppressive racism of the Jim Crow south.
Legends like Jim Murray at the 'Los Angeles Times' and Shirley Povich at the 'Washington Post' were the most beloved guys at their papers. They'd write a cherished column for 30 years, and that was it. There was nothing else to do, no higher job to attain.
I sent some scenes from 'Life on Mars'... and then I didn't hear anything for about 48 hours, and I was sure that I wouldn't get this. Then I got a phone call saying, 'They want you to take the role of Jim Shannon on 'Terra Nova,' and would I be interested!
I think if you look at Sam Raimi and Jim Cameron, those guys know things about filmmaking that almost nobody knows anymore. They are students of film from when they handmade films themselves, you know cut films with their own hands and razor blades and tape.
Jim Newman, the business visionary who created the term 'comfort zone,' showed me how to expand my horizons. Thanks to Jim, after I attended one of his PACE Seminars in 1978; I moved out of my comfort zone at Bear Stearns and became a super successful oilman.
Woody Harrelson played a long-term love interest of Debra Messing's; I think it was for a whole season. They almost cast Nick in that part. They almost had given to him. But at the eleventh hour, Jim Burrows put in a call to Woody, and he said he would do it.
James Ralston, my guitar player, has performed with Tina Turner for about 22 years. Jim Hanson on bass has played with Johnny Cash, Rodney Crowell and Bruce Springsteen, and they're fantastic musicians and amazing singers they get a really cool vocal sound together.
Ariel Pink would be a regular on the Mike Douglas Show. Both a master songwriter and a charismatic figure, he'd wander the set like a cherubic, more likable Jim Morrison. His songs would be all over KFRC - the way Boz Scaggs ruled for one summer with 'Silk Degrees.'
When I was 8 years old, I made my own encyclopedia of American biography - Johnny Appleseed, Jim Bowie, Davy Crockett, Daniel Boone, Charles Lindbergh, my pantheon of favorite heroes. Then I would write my own things and sew them together and try to make my own book.
I remember as a young man seeing these bigger-than-life, strong images of black manhood in the form of Jim Brown and Fred Williamson, Jim Kelly, Billy Dee Williams. All these guys were these alpha males who were smart, attractive. I said, 'Wow, I want to be like that.'
I had been drawing my weekly comic strip, 'Life in Hell,' for about five years when I got a call from Jim Brooks, who was developing 'The Tracey Ullman Show' for the brand-new Fox network. He wanted me to come in and pitch an idea for doing little cartoons on that show.
I grew up on the crime stuff. Spillane, Chandler, Jim Thompson, and noir movies like Fuller, Orson Welles, Fritz Lang. When I first showed up in New York to write comics back in the late 1970s, I came with a bunch of crime stories but everybody just wanted men in tights.
I used to imagine what it would be like to do what Jim Brown was doing. I used to imagine what it would be like to be like a Tony Dorsett. I used to imagine what it would be like to be like a Walter Payton. I was imagining Emmitt Smith doing exactly what they were doing.
Anyway, it fell through because they ran out of money. That was when I learned not to waste your time getting your hopes up or to believe something until it actually happens. We broke up for various reasons, but it was a good band. Jim and Don produced some magical music.
The folks celebrating Jim Bunning are seeing him as an anti-government, anti-spending activist. But to embrace Jim Bunning is to embrace a strange record, if you really are a libertarian, if you really are a deficit hawk, if you really care about spending and responsibility.
In 1984, Jim Koch used his family's lager recipe to start Boston Beer Company, which has since become the largest 'craft' brewer in the country. He brews Samuel Adams, a rich lager named after the American revolutionary that comes with the tagline, 'Take pride in your beer.'
Our co-founder and company president, Jim Levy, came from a record industry background and understood the marketing and promotion of artists as well as products. So the video game business went from absolutely zero designer credit to something approaching rock star promotion.
The secret to 'Year One' is that it's a Jim Gordon story. It's a great Bruce Wayne story, don't get me wrong, but Jim Gordon is the focus of that book. To me, that's the stronger emotional arc. It's not that the Bruce Wayne stuff isn't masterful, because it is, but it's Jim's book.
Historically, Hollywood comedy has arrived in skinny envelopes. From fence post Buster Keaton to herky-jerky Jerry Lewis to wiry nerve-bundle Woody Allen to hung-loose Richard Pryor to whippy contortionist Jim Carrey, its comics and clowns have tended to be sliced thin and bendable.
'Lollipop Opera' is the backdrop to Finsbury Park. A place that is very thriving, interracial and lot of music stores, Greek, Turkish, all sorts of immigrant music. It's utter Englishness. It blends the Jamaicans, the Irish. It's like what Jim Reeves did with American country music.
When I first arrived in WWE after having a somewhat high profile on-air role in WCW, it was WrestleMania season. In a way, I was perceived to be the voice of WCW after the Ted Turner/TBS buyout of Jim Crockett Promotions. That 'claim to fame' did not endear me to many WWE personnel.
I basically look like a lot of modern Orthodox people you know, but I work on a TV show where I sometimes have to kiss Jim Parsons. That's why I don't take on the title of modern Orthodox, but in terms of ideology and theology I pretty much sound like a liberal modern Orthodox person.
I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.
I think the biggest lesson that I take from 'Avatar' on any set that I go to is just work ethic. Working with Jim Cameron, you're used to working very, very long days and you're very meticulous about details. He's very, very picky about little details, little character-isms and things.
I will say that there are genuine and serious concerns about what Hillary Clinton did before the Benghazi attacks, during them, and after them. I think her extremely careless handling of classified information, to use FBI Director Jim Comey's term, disqualifies her from being president.
My heroes were people like Jim Jarmusch. Scorsese was my god. Spike Lee was exciting, doing exactly what we thought we were going to do: personal movies based in, and about, New York. My heroes were all participating in an economic model that was collapsing as I was finishing film school.
If a person is homosexual by nature - that is, if one's sexuality is as intrinsic a part of one's identity as gender or skin color - then society can no more deny a gay person access to the secular rights and religious sacraments because of his homosexuality than it can reinstate Jim Crow.
I bought a tape recorder and some stuff and went to Europe for three months when I was 18. The puppeteering was only there as a hobby. I wanted to be a journalist. When I was 19, and after I had spent about a year in college, Jim Henson asked me to come out and try puppeteering for awhile.