Quotes of All Topics . Occasions . Authors
After I graduated in Vancouver, I had been working on a book about war-affected children and land mines with the foreign minister - he was working at a place on campus and hired me. I then got a job as a Human Rights and Refugees Officer in London, and I loved working there.
I get labelled as just being about one thing, but there's lots of layers to what I do. It's just lazy journalism, but people start to accept it. If people spent an hour in my car driving around London and listening to the stuff I listen to, they'd hear some interesting stuff.
Because I direct films, I have to live in a major English-speaking production center. That narrows it down to three places: Los Angeles, New York and London. I like New York, but it's inferior to London as a production center. Hollywood is best, but I don't like living there.
It's a unique situation as well because England is a small country, so it makes it easy for the fans to travel. If we play down in London, they get buses and we'll get three or four thousand fans come down. They'll all sit in the same area and show their support for the team.
This is what I wanted. They tell me that London is the best field in history. I wanted to be part of that. Because everyone will be there it will be a wonderful challenge for me. You can see the best runners, how they look, how they run. For me to beat the best is what counts.
I read numerous books - loads in fact - and, as I always do when recording a historical project, immersed myself into the subject matter. I spent many hours at Henry's old homes, such as Hampton Court, and visiting the Tower of London. I read no other books during that period.
I don't like the idea that one hotel could be better than another. In any city, I try to find a hotel that has the identity of that place - Claridge's in London, the Danieli or Cipriani in Venice. In New York, I stay at the Mercer Hotel; it is so much in the character of SoHo.
My father, who was illiterate, smoothed iron for Ford Dagenham and we'd get up at 5;30 A.M. to give him a jump-start. My mother was a nurse and part of the Windrush generation. Growing up in east London, we were financially poor, but rich in hope and dignity, and we were happy.
New York is more exciting, I guess, than even Paris or London. New York's the center of something; I don't know what, really - the center of a lot of things. With all its problems and chaos and craziness, it's still a great place to live. I can't see myself living anywhere else.
I wish more people knew that the only one of the three main parties where not a single MP flipped from one property to the next, and not a single MP avoided capital-gains tax, where every single London MP did not claim a penny of second-home allowance, was the Liberal Democrats.
I have always loved and avidly read the novels of Jack London, Jules Verne and Ernest Hemingway. The characters depicted in their books, who are brave and resourceful people embarking on exciting adventures, definitely shaped my inner self and nourished my love for the outdoors.
I wrote 'She's a Lady' on the back of a TWA menu, flying back from London after doing Tom Jones's TV show. Jones's manager wanted me to write him a song. If I have an idea and I don't have a pad of paper, I'll write on whatever is available. What's the difference? Paper is paper.
I don't like flying at the best of times. And as I get older, I like it less and less. I don't much like driving, either. I prefer to be driven. And, when I'm in London, I don't even like walking on the street. I can never get used to looking the right way when I cross the street.
I visited the set [of Allied] a few times, and it was a great set to visit. A lot of it was in West London, in an old Gillette factory. You'd go into the factory through the security, and then there were a lot of camels and goats. Most sets are really dull, but this was fantastic.
I consider myself extremely lucky to have been born and raised in London, and to have had on my doorstep this most fascinating of cities with so many relics of 2000 years of history still to be found in its streets. One of my greatest pleasures was, and still is, exploring London.
I think if you follow anyone home, whether they live in Houston or London, and you sit at their dinner table and talk to them about their mother who has cancer or their child who is struggling in school, and their fears about watching their lives go by, I think we're all the same.
The whole London football scene is now financially more powerful and ambitious than ever before. That reflects the city's economic might and its multiculturalism. Now West Ham have a new , and Spurs and Chelsea will follow. And the London clubs have widened their areas of support.
It is quite hard to relax in London. I always say I'd move somewhere quieter, but I am a bit of a confirmed urbanite now - it crept up on me without me noticing. I always think that I function quite well on my own, unusually so, but then I'm reminded how important people are to me.
The Thames is a wretched river after the Mersey and the ships are not like Liverpool ships and the docks are barren of beauty ... it is a beastly hole after Liverpool; for Liverpool is the town of my heart and I would rather sail a mudflat there than command a clipper out of London
Devo and The Cramps didn't get big until they went to New York City. Chrissie Hynde didn't get big until she moved to London. When I was growing up, there wasn't even a place to play - just one little bar. If we wanted to have a gig, then we had to drive 45 minutes up to Cleveland.
I think you need humour and a sense of fun, which is what I try to bring to my books to leaven the danger and action. The ones that really transcend the genre always have a great laugh in them, such as 'Fright Night,' 'Lost Boys,' 'American Werewolf in London' - just to name a few.
When I first moved to L.A., I discovered Roy London. I didn't know anything about the arts, the profession; I had no technique, I knew nothing, I'm fresh from Missouri. I sat in on a few classes, and they just felt a little guru-ish and just didn't feel right to me. Until I met Roy.
When I first moved to London, I felt very homesick and yearned after the countryside a lot. Because London's hard. It's a big place, and it's lonely. It takes a while to get into it. But once I got into the flow of it and started to grow up, I realised that my home is wherever I am.
The one I remember is going into London, as it was for us in Essex, on New Year's Eve in 1981. There were four of us and we'd had a few lagers on the way. One of my mates threw up in the Tube and then stood up and fell over in it. We thought it was the funniest thing we'd ever seen.
It sounds stupid, but there's nothing like walking down the street and seeing a building that's older than 100 years old. I think London - not to sound pretentious - like New York, it's a big melting pot for all things and it's just got this energy that you can't find anywhere else.
I've noticed that once you leave London you do kind of become a bit more famous. People in London are a bit too cool for school. It's not so unusual to see someone from London in the street. But outside of London people are a bit more excited to see you and come out and support you.
The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing.
I always try to see the good in everything, and that gives me strength. Even when I lost in the London Olympics quarterfinals, I said to myself, 'Don't lose heart, God has his own plans.' Actually, life just goes on; you have to accept whatever challenge you face and become stronger.
As an actress and comedienne, I'm a huge fan of he theatre and the Tricycle in Kilburn is my favourite in London. I dragged my kids to a performance of 'Twelfth Night' there, where they handed out pizza. Who knew that all it takes to get children interested in Shakespeare is a snack?
When I was a kid in Ireland, there were not very many black people. I was very much like the strange brown thing, intriguing and cute. I didn't experience racism there. The first time I did was in London. It was that moment that you realize you're black. A kind of lifting of the veil.
Many people in my constituency come to see me absolutely distraught at the prospect of losing their private rented flat because of the imposition of a housing benefit cut. Social cleansing is going on in all of central London because of the benefit cap. That is a disgraceful situation.
I never really wondered about getting from London to Lahaul. It all seemed such a natural progression. In London I felt I was in the wrong place and wanted to leave. I'd thought about going to Australia or New Zealand. It's nothing against England, but I knew I wasn't meant to be there.
Madrid is not as big as London, but it is true when you are coming from a big city like Madrid, nothing is going to surprise you, and I am very happy to move to a city like London. It is a big city, and you can do everything you want with the respect that the English people always have.
The suicide bombers who struck London on 7 July 2005 killed 52 innocent people and wounded hundreds more. All of them must live with their memories. And the rest of us will always remember where we were when we heard that London had been hit by the worst terrorist attack in its history.
It's one thing if you live in London and you're rooting for Chelsea or you're in New York and you love the Giants or Jets and no matter who's on the team you're into it. It's different in tennis; you're sort of your own guy, so you have to reach out and grab a person in a different way.
My office walls are covered with autographs of famous writers - it's what my children call my 'dead author wall.' I have signatures from Mark Twain, Earnest Hemingway, Jack London, Harriett Beecher Stowe, Pearl Buck, Charles Dickens, Rudyard Kipling, Alfred, Lord Tennyson, to name a few.
I won't eat offal. Once, I was in London at the Le Manoir aux Quat'Saisons, which is this really fancy eating establishment and hotel, and I almost got conned into eating testicles. It was one of the most delicious meals I've ever eaten, about twelve courses. That was one of the courses.
I have studios in the different places where I live - in Ibiza, Paris and London - but they're not crazy studios, they're just rooms with good monitors, and all I do is plug my laptop in. It's a different way to make music, but for me, I love it, because it's more connected to the world.
I don't hate humanity and I'm not interested in people who do. Although, it's funny, actually, some of my favorite writers really do. Like Martin Amis. My dirty secret. 'London Fields' is one of my favorite books ever. And it's indefensible! But he's so funny... I forgive him everything.
When I first started acting, I was actually working with the National Youth Theatre in London doing anti-knife crime workshops, so I was listening to a lot of music that was around us all the time, around the guys I was working with, and the kids - lots of young grime artists from London.
I spend a lot of time in L.A., and I think it would probably be easier if I lived there work wise, but there's no city like London, there is so much going on. I can jump on the Tube and be anywhere in 20 minutes, and all my friends and family are here and I'm not prepared to give that up.
Les Mis' was an amazing experience, to be in the original cast of 'Les Miserables,' and 'Chitty Chitty Bang Bang' God bless it that was fantastic, at the London Palladium the biggest theatre in London the most successful show that has ever been at the London Palladium, that was fantastic.
I was picked up on a London street by a model agent. She took me to her office and then sent me to Paris to work in shows. It was supposed to be two weeks, but I ended up living there with my Zimbabwean boyfriend. I made enough money modeling and acting in French movies to buy a nice flat.
I just like the lineage and the heritage and the fact that British dance music is still progressing. I'm from London; I love London, and I wouldn't know how else to show that love in musical terms. There's something about British stuff that's a bit faster, a bit harder-hitting. Just tough.
My brother's my best friend, without a doubt. Me and my big sister get along so well. She moved to East London, though, so points off, but she's wicked. And then my little sister is a little genius. She's super talented and such a great person, always been far more mature and cool than me.
You hear about things happening to people - they slip in the bathtub, fall down the stairs, step off the curb in London because they think that the cars come the other way - and they die. You feel you want to die making an effort at something; you don't want to die in some unnecessary way.
London was the Olympics that I was most nervous about. From coming into the venue and stepping on to the mat, people were supporting with 'Saori' banners and waving the Japanese flag, so even though it was London, I felt much more like fighting at home that way, which was really inspiring.
When I did my first film, I was in college; I did it as a senior thesis. The original version was 60 minutes. But I developed it and made it almost 90 minutes. In 2007, it premiered in Venice, and I stopped in London to develop a script with my dad that fell apart, and we started 'Gravity.'
People say that New Yorkers aren't friendly, but I think they're more friendly than Londoners. Here there is a front-footed nature of Americans. You can go out on a night out and meet 10 random people and stay in touch with them, whereas that's not going to happen in the same way in London.
'Top Boy,' for some people, was very controversial because it seemed to be portraying black people in a certain light that they thought to be stereotypical. However, what I would say is that the writer went and lived in Hackney in East London for a long time and did his research really well.