Quotes of All Topics . Occasions . Authors
The most difficult part of making movies is to keep making them. Maybe, you could make the biggest hit in the world, but then the big problem is what to do next and how to maintain devoted to a certain instinct that I have about films.
There's not much to do in Atlanta, so the cast went to the gym together, went shopping together, and dinner was always a group thing. It's that whole summer-camp experience that making movies tends to be anyway.
I must say, to my great surprise and pleasure, I deeply loved making movies in the United States because of all the opportunities it gave me to work with people that I admire as artists.
My approach to making movies is different than other people, because I just write a lot of screenplays. I'm constantly writing screenplays.
When I started making movies, I was pretty young, and at the time I felt like there needed to be more confrontation in cinema - or I needed to make something more disruptive - so in the beginning, those movies were me wanting to play with the rules.
When you're in L.A., and you're making movies and that kind of stuff, you don't really get a sense sometimes, I think, what the fans are like. But you go into a room with 4,000 people or 2,000 people who know your movie, know the lines, and know the characters; it's really a lot of fun.
I started making movies in the early '90s, a few years after I discovered 'the cinema' during a three month stay in Paris during which I watched 100s of films.
For me, I've never been too concerned of what people think of me, so now as the youngest Baldwin brother in Hollywood making movies while simultaneously being a charismatic evangelical born again Christian who's an evangelist - that's a pretty crazy combination.
Everybody just asks me 'Are you going to make Hollywood movies now?' First, I don't know. Second, I never dreamed about that; I just dreamed about making movies with Tarantino. So if I can make movies with a lot of amazing directors - yes.
Making movies has become such a golden ring, and it's all such a big business, that the rewards system has gotten totally out of whack. Suddenly, you're treated in a manner befitting someone who is actually an important person.
We knew people in Cleveland who had been making movies for 20 years that nobody sees. Every couple of years, they make a little small movie on their own, and it goes to some minor festivals, and that's it. Four years later, they do it again. That's a fulfilling life for some filmmakers, and they're happy to work that way.
My photography is mainly focused on my work making movies, which I've done my whole life. I think I have a perspective that not many people have. And I get to take advantage of all of the strange sources of light on a set.
If you're strutting around Beverly Hills and hitting up these big industry parties every night when you're not making movies, then it's going to eventually consume you. But for me, I live most of my life in Boston. I do things no different from the way my buddies back home do them, except when I go to work, I go to a film set.
We love making movies. We got into the business to make movies. At the end of the day, whether you're doing a low budget film or a big budget film, you want it to do well and you want people to see it. That's the whole point. You want to put some kind of message in it.
If you can't stop somebody from working and making movies that you hate, what's the next best thing? Destroy them personally.
I'm a single parent, and I just found that it was too difficult to manage raising my kids and doing the traveling involved in making movies. So I took a little bit of a break. And the little bit of a break turned into a longer break, and then I found that I really didn't miss it.
I look up and go, 'I'm living in the world I visualized a long time ago.' From making movies, to the Film Society, to just being in a film world. It's a life that I wanted to inhabit. I think everyone has the opportunity to do that in this world - it's just, are you gonna work for it, and how much does it mean to you?
It feels like there are two very different parts to making movies. There's the making of it and then there's the putting out of it - and I like the making of the movies a lot more than putting it out into the world.
I prefer movies because the money is better and certainly because you really know where you stand when you are making movies, and I have made a lot of them: 50-something - I don't know.
I'm not impressed by someone's degree... I'm impressed by them making movies.
Playing big, heroic characters with heart is always a lot of fun. I enjoy making movies like that, and a lot of people love to live vicariously through those characters.
I think our culture has gotten so skewed. People assume that because you're an actor you want to write a book to exploit your celebrity, but my celebrity is only a byproduct of me making movies. I have no intention of being a celebrity.
We have to accept that making movies is a never-ending process of occasional progress, frequent setbacks, and unexpected curveballs being thrown our way. Navigating that process requires stamina, curiosity, openness, and creative fire.
The studios gotta start making more stuff where black folks get quality stuff. But I can't trip about that because I've been making movies for 35 years, and I've played everything from an old lady to a donkey, so I can't be on here talking about, 'They don't give us enough roles' and diversity.
I'm in show business, and we have a long history here of making movies about law enforcement officers. If you're my age, and you're male, and you're trying to get work, you're going to run into those roles as opposed to having a long run of playing dancers.
I'm making movies about people as flawed as myself and the viewers. So if you just have a reptilian brain and live your life simply by reacting to things, my movies aren't going to work for you.
I came to N.Y.C. in 1988 and got very involved with Act Up. I also started making movies, including two very gay shorts, 'Vaudeville' and 'Lady.' It was the height of the AIDS epidemic, and New York City was both dying and very alive at the same time.
The toughest thing about making movies is being apart from your family. One of the things I try my best to do is call my wife every day to keep up to speed with what's going on in her life. And tell her what's going on with mine.
I wish I was making movies back in the days when John Ford made movies and you were a director under contract to a studio. John Ford had years when he made three movies in a year.
I never thought I was going to make a movie about men. I've always thought we don't have enough movies about women, and if I spent my whole life making movies only about women, there still wouldn't be enough movies about women, so that's a wonderful thing to dedicate my career to.
I think you get out of film school what you put into it. If you don't care about making movies, film school will do you no good.
One of the things that I find so exciting about life is that you're constantly surprised. You never know what's going to happen, and it's certainly like that making movies; every once in a while, one will come along that transcends all of your expectations.
We all want to experience that in our lives - a moment when we're two feet off the ground - and making movies gives you that opportunity. It comes and it goes so fast that it's unreal, but it does happen.
I'm very much into the costuming of any character that I portray and it's one of the great things about making movies is it's a collaborative art form so you get all these artists who are looking specifically about for this instance your character's costume and what that might tell about your character.