I always wanted to make my parents feel proud of me.

I always feel like rejection is my petrol. That's what keeps me going.

I kind of feel the career chose me. My motto has always been, 'Go where I'm wanted.'

Most of my closest friends have come to visit me in Hyderabad. So I feel I'm always linked with Mumbai.

If I feel the part is right, and I know that the producers and the director want me, I'd go for broke. Always.

I have been complimented many times and they always embarrass me; I always feel that they have not said enough.

When I go to Brazil, I feel like an American, and in the U.S., I always notice the traits that make me Brazilian.

If my closet were burning, it'd be my collection of jackets I would save - they always make me feel pulled-together.

My friends are my everything. When I feel that anxiety, I always call them or text them and they talk me through it.

It's probably the journalist in me, but I'm naturally suspicious about consensus and always feel an impulse to confront it.

My husband is always supportive and excited about my projects, and I feel very fortunate to have him cheer me on and encourage me.

The operation left me very emotional. I cry a lot anyway. I've always been the type to feel hurt easily, but now I hit rock bottom.

I've always wanted to have a book published - it was a dream of mine, but the thought of actually writing a book made me feel really sick.

I always use Michael as, first and foremost, a vocal inspiration, and 'Off the Wall' was definitely the one that made me feel like I could sing.

I've always been a girl's girl, and I've always enjoyed my girl friends' relationships, so I want the girls who follow me to feel like we're besties.

I've always been slightly afraid of coming out with my record because it's so personal to me. Now it doesn't feel as frightening as I thought it would.

Hollywood never suited me, I didn't ever feel comfortable with it, it took me a couple of years but I found where I was always meant to be... Chiswick!

I think it's always an adjustment for me, but I do feel like, ultimately, I can kind of write anywhere. It just takes a second to get back in to the groove.

I don't know if I feel like an outsider or an insider; I just feel like I always did. I don't have one of those stories where I felt like no one understood me.

The pore strips have always been a staple for me. I like products where you can really feel like it's working, and of course you can see all your blackheads getting ripped out.

I've had one or two personal trainers at different times - and it's expensive, first of all - but they always make me feel uncomfortable because they're jocks who just yell at you.

My playing is always just a little on top of the beat. I can't lay down the kind of groove that Brad Wilk can. I'd really have to lay back to do that; it just doesn't feel natural to me.

For me, I like to have explosive moments, whether it is a particular movement itself in the whole sequence. I like to have shocking moments; for audiences to feel, like, 'Whoa!' It's always been my forte.

I never thought I would be such a family-oriented guy; I didn't think that was part of my makeup. But somebody said that as you get older, you become the person you always should have been, and I feel that's happening to me.

I feel that the industry can be sliced into two categories - grateful actors and non-grateful actors. I'm always so appreciative that this has happened for me - and against all odds - as a middle child from Canada. I'm very grateful.

I've always been interested in how fast-moving our identity is and that I've never been able to pin down who I truly am. That inspires me to write, because I feel like that cements me a bit, in that I find my identity in being an artist.

The thing about tarot - maybe this to me is the difference between it and working with a psychic - to me it's clarifying the things that you already know. I don't feel like any tarot reading I've done or received was particularly surprising. They always speak to things that you kind of felt already.

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