People think what you are doing is real, on a TV show.

Doing representations of real people is not my strongpoint as a visual artist, and I know that.

I just kept on doing what everyone starts out doing. The real question is, why did other people stop?

I prefer doing interviews where people don't have to interpret what you say. I'm going to be real honest.

Part of how you grapple with intense opposition is by creating real, organic momentum: by actually doing something for people, and then they rightfully buy into it.

I don't know who's left to hear us. But if there are people who want the real thing, we've got it. My band rocks, and I plan to keep doing it 'till nobody shows up to see it anymore.

I want people to see a real person on the ice. I want to seem tangible, hard-working, passionate about my skating, not just going out and doing something I've rehearsed a million times.

It's always the case, whenever you're doing someone real, how much you want to do an impression or a characterisation. If I was doing Churchill, or Gandhi - people know exactly how they talked, walked.

I don't know if you'd do a Marvel story on Ferguson, because it trivializes what the real flesh-and-blood people on the ground are doing there. But you can make an allegory and deal with the bigger questions.

All the characters on 'Girls' are growing and changing, which is how real people behave, especially when we're young, trying to figure out who we are, doing things that are the polar opposite of our characteristics.

One of the things that continually surprised people with the kind of shows I do, is that we try and find people who aren't doing jobs that are traditionally aspirational but who have nevertheless prospered and found real contentment doing it.

Making a film or doing a play are completely different experiences and entirely fulfilling, but completely unique. I also think one complements the other. People often say that theater is about flexing your muscles, and is actually real acting, whereas I sort of disagree.

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