Lazy people are always anxious to be doing something.

I'm always cracking up when I hear what people think I should be doing.

I've always been motivated to stop people from doing dysfunctional things.

There are always people who are doing things that don't fit the official accounts.

Nick Kroll, A.D. Miles, Chelsea Peretti - those were the people I was always doing open mics with.

I'm always trying to play pranks on people and doing silliness, singing extremely badly and extremely loudly on set.

I was always causing trouble in school. Doing impressions of Bart Simpson, interrupting class - I liked the attention and entertaining people.

Having constant supporters and people who are always there and always giving back and knowing that they're loving what you're doing is always awesome to see.

I've always been very shy of doing television. I've always said 'no.' Not to be disrespectful to anyone - I didn't want to say 'yes' and then let people down.

People were a little leery when I was doing the press for my last album 'Rumble Doll,' yes. It's always that thing that this is a dilettante or a pet project.

Ariel Pink never really existed because he was always Ariel Pink's Haunted Graffiti, but then people started doing interviews with Ariel Pink as if Ariel Pink existed.

I was always the guy who made jokes and ribbed people at parties. After I went to the American Academy of Dramatic Arts I got sidetracked into clubs and started doing comedy.

I admire Madonna because she always did whatever she felt like doing. She went through some controversial periods when people rejected her, but she kept on reinventing herself.

When I was in improv workshops or doing stand-up or writing comedy with others, or just doing comedy, I just laughed. Funny was funny; I loved to laugh. I always liked people I found generally funny.

It's always the case, whenever you're doing someone real, how much you want to do an impression or a characterisation. If I was doing Churchill, or Gandhi - people know exactly how they talked, walked.

Just because you can leap off a drum kit doing a scissors kick while hitting a chord, people expect you to be an extrovert socially. But I'm not always comfortable with the idea of small talk at a party.

A lot of my friends were mostly working in black-and-white - people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing.

I was known for being quite... ruthless at ABB. I drove hard targets, pushed my people. But I was always fair. Once I was convinced of someone, I let them handle things themselves. But if you kept doing badly, there was no place for you.

When we were younger, playing a bar or a club, we did what we did to get as many people to like what we were doing. I wanted the person in the back of the room to like it as much as the ones in the front. That's how I've always looked at it.

Listen, acting is not surgery, it's entertainment. You're doing something to hopefully move people, to make them laugh, to transport them. But actors are vulnerable, and the reason we're vulnerable is that we're always trying to recreate human behaviour.

I run the material, always with two people, sometimes three. We all see things so differently, so to get a couple of people's perspectives on what I'm doing and the material itself is insanely helpful for honing in on what to take into the audition room.

When I used to go to Elvis's house was always a nightmare trying to get into the house because of so many fans outside the gate and he really couldn't go anywhere without sneaking in or doing something because people just wanted to be around him and to be with him.

Coming from L.A. to D.C., I'm always impressed that in D.C., people are doing the things that the people in L.A. are pretending to do. Whenever I'm in D.C., I ask people what they do, and they say, 'I'm with the agency, or I'm with State.' In L.A., I ran into a guy who said, 'I'm working on an audition for a guy who happens to be with an agency.'

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