Quotes of All Topics . Occasions . Authors
It's very hard to track down what's real and what's not real. We haven't absorbed what climate change is doing. Because whether people associate it or not, fear of immigration is completely related to climate change, because the mass migrations that are happening, the war in Syria, all of these structural human migrations are related to climate change.
For ten years I had been protected, wrapped up in something like a blanket that had been stitched together from all kinds of different things. But people never notice that warmth until after they've emerged. You don't even notice that you've been inside until it's too late for you ever to go back-- that's how perfect the temperature of that blanket is.
I also visited several healing meetings... and became angry with what appeared to be the manipulation of people for the material gains of the faith healer... Dressing like sideshow barkers. Pushing people over and calling it the power of God. And money - they were always asking for more, leading people to believe that if they gave they would be healed.
Our history is a passion for me. I feel that we leave out so much information and huge gaps in the American story and it makes it hard for people to really understand that we are all intricately related as Americans. So I am attracted to historically based projects because we entertain and learn something at the same time. I just love that combination.
When I started thinking about plans to avenge [my father], I realized I was only going to become someone worse than him, someone worse than the person I had so often criticized. I was going against my own principles. And yes, people tell me that it was a tremendous life decision in the span of 10 minutes but I just say, what else was there to think of?
There are two ways of dealing with nonsense in this world. One way is to put nonsense in the right place; as when people put nonsense into nursery rhymes. The other is to put nonsense in the wrong place; as when they put it into educational addresses, psychological criticisms, and complaints against nursery rhymes or other normal amusements of mankind.
This whole show business industry is awkward; I just met you and I'm telling you personal things about my life. But that's my life: "Hey, how you doing?" There are not a lot of people that you can relate some of these things to, so it's nice when you meet someone who is going through similar stuff - not "going through," but that "gets" stuff like that.
I'M INTROSPECTIVE, because sometimes I want to take "our" side without looking at the facts in situations like these. Sometimes I feel like it's us against them. Sometimes I'm just as prejudiced as people I point fingers at. And that's not right. How can I look at white skin and make assumptions but not want assumptions made about me? That's not right.
It borders on irresponsibility when people get on television and start talking that way when they should know better. They should do their homework, and they should report in a responsible manner. Unfortunately, it's a very competitive business, the business we're in, and there is a perception that by hyping up this threat, you draw people's attention.
Youth Ministry, as traditionally organized, has also suffered the impact of social changes. Young people often fail to find responses to their concerns, needs, problems and hurts in the usual structures. As adults, we find it hard to listen patiently to them, to appreciate their concerns, demands, and to speak to them in a language they can understand.
In other words, you're taking away your freedom of speech. And they [ministers and priests] started telling me about the Johnson Amendment which really was the first time - and I started studying .And we had a meeting a month later and I said, "We're gonna get rid of the Johnson Amendment because they're stopping you and our great people from talking."
This is the problem with foreign policy - talking about foreign policy in a political context. Politics is binary. People win and lose elections. Legislation passes or doesn't pass. And in foreign policy often what you're doing is nuance and you're trying to prevent something worse from happening. It doesn't translate well into a political environment.
Smoking is, as far as I am concerned, the entire point of being an adult. Many people find smoking objectionable. I myself find many - even more - things objectionable. I do not like aftershave lotion, adults who roller-skate, children who speak French, or anyone who is unduly tan. I do not, however, go around enacting legislation and putting up signs.
You might say that a creative person is a person who simply has a desire to have something, to add something to the world that's not there yet, and goes about arranging fort that to happen. When you desire a work of art and make it, you've added to the stock of art in the world. Artists are one of the people who can do that: add to the stock of things.
If you had a front row seat at the Renaissance, you would have seen Machiavelli come by plotting, and you would have seen murders in the streets, you would have seen violence, you have seen people burning books and it would have looked like the world was a horrible place, but that's where all these incredible stuff we're still living with comes out of.
If she had been left alone she would have gone on, in her own way, enjoying herself thoroughly, until people found one day that she had turned imperceptibly into one of those women who have become old without ever having been middle aged: a little withered, a little acid, hard as nails, sentimentally kindhearted, and addicted to religion or small dogs.
How do I do that preparation [for film]? Just an immersion. I have a musician's, I guess, ear for the sound of the voice but it's also important to me, in the case of [playing] someone who is controversial, to get the outlines of the character right because how they present themselves to the world has a great deal to do with how people feel about them.
The point of my music? The point I just want to get across is I'm me and I exist. Just letting people know who I am. Ever since I was young, I was the little attention grabber; I always loved attention. I want to grab people's attention. I want them listen to me and know that this is really good music. Whether they like it or not, they're gonna listen.
It is no accident that propels people like us to Paris. Paris is simply an artificial stage, a revolving stage that permits the spectator to glimpse all phases of the conflict. Of itself Paris initiates no dramas. They are begun elsewhere. Paris is simply an obstetrical instrument that tears the living embryo from the womb and puts it in the incubator.
There is a correlation between evil. There is a primary evil that comes directly from the Devil. Even though all evil stems from the Devil, the Devil sometimes interacts with people in the physical world and the spiritual world and sometimes there's just plain evil that people do to one another. And I've seen plenty of that over the course of 20 years.
Instead of focusing on what the law says about trans people, which is really what the law is saying about itself as a protector of trans people, we should be focused on what systems of law and administration do to trans people and our interventions should aim to dismantle harmful, violent systems such as criminal punishment and immigration enforcement.
Sometimes people that are very good at improvisation in life, meaning like stage improvisation, aren't good in films because you have to ultimately take a scene where it needs to go. It's not about just saying something that's funny. You can say something funny but if it's not on story or driving the scene to its end it's really not very helpful at all.
Though if love was an animal, Garret knew, it would probably be the Loch Ness Monster. If it didn’t exist, that didn’t matter. People made models of it, put it in the water, and took photos. The hoax of it was good enough. The idea of it. Though some people feared it, wished it would just go away, had their lives insured against being eaten alive by it.
People say, "I'm tired of hearing about the war in Iraq. I'm tired of hearing about it." And it makes me realize how few people have deeper connections with it, as far as knowing people who have come back paralyzed or who have died, or families that have been affected . . . If they had a connection to it, then they wouldn't be tired of hearing about it.
There were a lot of people in our nationalist group who went on to become cops and firefighters and correctional officers. Unfortunately so. I haven't talked to them in 20 years, but just by keeping tabs on Facebook I know that there are some who've gone that way. And they've never indicated publicly that they've changed their opinions. It's a minority.
When people ask me what qualifies me to be a writer for children, I say I was once a child. But I was not only a child, I was, better still, a weird little kid, and though I would never choose to give my own children this particular preparation for life, there are few things, apparently, more helpful to a writer than having once been a weird little kid.
I understand how democracy works. Quite a little bit of criticism in it, which is fine. That's fine. That's part of the process. But I have every right, as do my administration, to make it clear what the consequences would be of policy. And if we think somebody is strong or doesn't see the world the way it is, we'll continue to point that out to people.
Intellectual traditions emerging from populations that have always been the constitutive other in the development of the properly free citizen - indigenous people, populations labeled physically or mentally unfit, black people, migrants, women, prisoners - have always produced robust critiques of the what Dylan Rodriguez calls "white bourgeois freedom."
If you ever get to a wall, you just got to break that wall down and keep going, and I feel like I have come up with some conceptual songs that will really connect with people and that is something that I have been showing and improving my lyrical ability so much that I came to this realization that I also want to make music that people can connect with.
We find all the no-life-support-wealth-producing people going to their 1980s jobs in their cars and buses, spending trillions of dollars' worth of petroleum daily to get to their no-wealth-producing jobs. It doesn't take a computer to tell you that it will save both Universe and humanity trillions of dollars a day to pay them handsomely to stay at home.
All of my plays have puzzled some people, and I'm happy to say delighted a few, but a lot of people have just not seen how quite to look at them. And this film... if you like my writing, you'll like this film. If you don't, you won't like the film. It's pretty faithful to - it's a pretty uncompromising presentation of my way of seeing things, I suppose.
Witness testimony is always flawed. It's better than circumstantial evidence, sure, but people aren't camcorders; they don't record every action and reaction, and the very act of remembering involves chosing words, actions and images. In other words, any witness who was supposed to be giving a court facts is really just giving them a version of fiction.
For a long time, the humans are going to be better than the machines and so different parts of the job will be leveraged. In a way that's happened for centuries, and we've adapted. And it's made the people who had parts of their jobs automated more valuable and more productive to the extent that they are essential for the other components of their jobs.
People might be making too much of me maturing and growing; I’m still the same person. I still like to joke around and have fun in the locker room and on the road trips. I still get into arguments with Jonathan because we both have strong opinions, and we’re both so comfortable with our relationship that we can argue and still have a healthy friendship.
Never, however, do I take shortcuts. There is not path of least resistance in my training. What I do equates to hard manual labor, disciplined grunt work. Once you permit yourself to compromise, you fail yourself. You might be able to fool some people, but you can never fool yourself. Your toughest critic is the one you face every morning in the mirror.
A lot of people can be afraid of the masking because people can misrepresent themselves [in the Internet] and they can pose as people they're not. Well, yeah; that's true. That's one side of it. But the other side of it is that it equalizes you and if you happen to be a person who is not equal in the eyes of the greater society that's a damn good thing.
This is what I want. I want people to take care of me. I want them to force comfort upon me. I want the soft-pillow feeling that I associate with memories of being ill when I was younger, soft pillows and fresh linens and satin-edged blankets and hot chocolate. It's not so much the comfort itself as knowing there's someone who wants to take care of you.
When people say ceramics is therapeutic and seductive, I think it's really about the wheel. Nothing I've done has that feeling; I feel like I'm fighting with the material the whole time. It doesn't want to be vague. It doesn't want to be asymmetrical. It doesn't want to have different clays combined. It doesn't want to do any of the things I make it do.
Many people don't wake up. They fight against a difficult time, shut the window and become more bitter. Fortunately or unfortunately, however you see it, we are served up those opportunities over and over in our life. So if you've shut the window, don't worry, another hard time is going to come around the corner - to give you that chance all over again.
Those who allow themselves to be led by the Spirit understand that placing oneself at the service of the Gospel is not an optional extra, because they are aware of the urgency of transmitting this Good News to others...I assure you that the Spirit of Jesus today is inviting you young people to be bearers of the good news of Jesus to your contemporaries.
It must be acknowledged that an increasing proportion of the world's population is living in cities, in almost completely human-made environments. But we should also acknowledge that there are still a considerable number of people who wish to live in harmony with nature, and that globalization has made their ways of life increasing difficult to sustain.
The movie not only about what story you're telling and who you're looking at. It's mostly about how you're telling it and how you're looking at it. And people who don't like it, who say, "Oh, it's not 'true' because you're looking at it in a stylized way" - it's a movie and it's fiction, so it's also a lot in the artistic direction that it is political.
Cosmopolitans begin, I think, with a sense of one thing we all certainly share, which is our fallibility. Nobody has reason to be confident that they're right about everything. That's one of the motivations for conversation across differences. It's in my interest to converse with people who are wrong about different things from the ones I'm wrong about!
All my life I have been passionately interested in monomaniacs of any kind, people carried away by a single idea. The more one limits oneself, the closer one is to the infinite; these people, as unworldly as they seem, burrow like termites into their own particular material to construct, in miniature, a strange and utterly individual image of the world.
Living without expectations is hard but, when you can do it, good. Living without hope is harder, and that is bad. You have got to have hope, and you must'nt shirk it. Love, after all, hopeth all things. But maybe you must learn, and it is hard learning, not to hope out loud, especially for other people. You must not let your hope turn into expectation.
If we know one thing from the transgender people who are currently serving - I'm in contact with one group that counts almost 200 people in uniform today who identify as transgender - it is a process that they have - that many of them have begun, that many of them would very much like to complete, if they could do so without putting their years at risk.
The biggest problem in countries that don't have a tradition in animation or a film industry, is that precisely, that it's not an industrial activity as it is in Hollywood where there are clear production procedures. Because of this we all become snipers making our films any way we can and crossing our fingers to get distribution so people can see them.
The sum of all is, if we would most truly enjoy the gift of Heaven, let us become a virtuous people; then shall we both deserve and enjoy it. While on the other hand, if we are universally vicious and debauched in our manners, though the form of our Constitution carries the face of the most exalted freedom, we shall in reality be the most abject slaves.
When you are in hard labor, remember that the length of labor is usually proportional to the number of people around. Avoid the presence of anybody who might release adrenaline. The best situation I know for an easy birth is when there is nobody else around than an experienced, motherly and silent midwife who does not behave like a guide or an observer.
When you're starting out as an actor people are very interested in who you are because they want to know where they can put you. And quite often, and we're all guilty of this is our lives, we judge very quickly and we pigeon-hole people very quickly based on how they look and how they talk and how they dress and we think: "Oh yeah, we know who you are."