Quotes of All Topics . Occasions . Authors
Couples without kids have each other, their friends, families, and Siri to talk to. It's not like they're quarantining themselves in an underground bunker, never to take a romantic stroll on the beach or attend a Morrissey concert ever again. They're just using birth control.
The ecstatic insanity of romantic pursuit can be so enhanced by music that entire romantic conquests, victories and ruinous, crushing defeats can be tied to songs to such a degree that it's almost unbearable to listen to them again, as they bring back the memories so vividly.
When you fall in love, it is a temporary madness. It erupts like an earthquake, and then it subsides. And when it subsides, you have to make a decision. You have to work out whether your roots are become so entwined together that it is inconceivable that you should ever part.
Love is a decision, it is a judgment, it is a promise. If love were only a feeling, there would be no basis for the promise to love each other forever. A feeling comes and it may go. How can I judge that it will stay forever, when my act does not involve judgment and decision.
Today I begin to understand what love must be, if it exists... When we are parted, we each feel the lack of the other half of ourselves. We are incomplete like a book in two volumes of which the first has been lost. That is what I imagine love to be: incompleteness in absence.
What I'd really like to write is a romantic comedy. This is my favorite kind of movie. I feel almost embarrassed revealing this, because the genre has been so degraded in the past twenty years that saying you like romantic comedies is essentially an admission of mild stupidity.
I loved Debussy, Stravinsky, Chopin, Tchaikovsky, anything with romantic melodies, especially the nocturnes. Nietzsche was a hero, especially with 'Thus Spoke Zarathustra.' He gets a bad rap; he's very misunderstood. He's a maker of individuals, and he was a teacher of teachers.
It's been such a deep and amazing journey for me, getting close to John Keats, and also I love Shelley and Byron. I mean, the thing about the Romantic poets is that they've got the epitaph of romantic posthumously. They all died really young, and Keats, the youngest of them all.
I think Bach is equally a romantic composer because he laid the seeds harmonically for people like Chopin and the great Romantics, Brahms, so it's difficult to you know all this like labelling and putting - I think Bach is attractive to musicians because he supersedes the labels.
As far as the leading man/romantic lead, I'll tell you what, I really enjoyed my experience more than I thought or imagined I would on 'Catch and Release.' God bless them if they want to give me another shot at that. I would love to have that as something I can go to on occasion.
There's a hardening of the culture. Reality TV has lowered the standards of entertainment. You're left wondering about the legitimacy of relationships. It's probably harder to entertain the same people with a more classic form of writing, and romantic comedies are a classic genre.
I've always employed a melodic style with my leads, placing strong emphasis on infusing romantic sensibilities into what I'm trying to say. Those big, epic melodies come from influences like Pink Floyd, Journey, Marillion... bands that have these guitar parts that are just soaring!
'Little Night' has layers of meaning. There's something enchanted about night. All those heavenly bodies, shooting stars, the crescent moon, celestial phenomenon. Owls fly at night, and first kisses happen. Night is romantic. Alternately, darkness hides the worst of human behavior.
When most people set out to change their lives, they often focus on all the external stuff, like a new job or a new location or new friends or a new romantic prospects and on and on. The reality is that changing your life starts with changing the way you see everything in your life.
A soul mates purpose is to shake you up, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light can get in, make you so desperate and out of control that you have to transform your life, then introduce you to your spiritual master.
As an actor, I've grown considerably. For example, it's taken me years to get comfortable doing a romantic scene and dancing on stage in front of a live audience. I do it a lot better than I ever did. I've really opened up a lot. And I'm glad I have because I'm being appreciated for it.
I think I meant that, given the circumstances of my childhood, I had the illusion that it's easier to be alone. To have your relationships be casual and also to pose as a solitary person, because it was more romantic. You know, I was raised on the idea of the ramblin' man and the loner.
It is really rare to find someone you really, really love and that you want to spend your life with and all that stuff that goes along with being married. I am one of those lucky people. And I think she feels that way too. So the romantic stuff is easy because you want them to be happy.
Ooh, it's too embarrassing to share my innermost romantic secrets - although I have written Danielle the odd poem. If anything they are more comedic than romantic. They used to be well received but that was before she started studying Shakespeare at drama college. Now I feel so inept.
I never knew before, what such a love as you have made me feel, was; I did not believe in it; my Fancy was afraid of it, lest it should burn me up. But if you will fully love me, though there may be some fire, 'twill not be more than we can bear when moistened and bedewed with Pleasures.
Kabul is a walled city, which sounds romantic except the walls are pre-cast reinforced concrete blast barriers, 10 feet tall and 15 feet long and moved into place with cranes. The walls are topped with sandbags, and the sandbags are topped with guard posts from which gun barrels protrude.
Something like 'Without a Paddle' does really well at the box office and I'm like, 'Oh, here we go.' In 'Without a Paddle' I'm the romantic lead - great! A comedy and that's what America wants. Then it did nothing for me and I went into kind-of a work abyss. I just didn't get another shot.
The most passionate, consistent, extreme and implacable enemy of the Enlightenment and ... all forms of rationalism ... was Johann Georg Hamann. His influence, direct and indirect, upon the romantic revolt against universalism and scientific method ... was considerable and perhaps crucial.
He could not forget the touch of her arms around his neck, impatiently felt as it had been at the time; but now the recollection of her clinging defence of him, seemed to thrill him through and through,—to melt away every resolution, all power of self-control, as if it were wax before a fire.
Vulnerability is the essence of romance. It's the art of being uncalculated, the willingness to look foolish, the courage to say, 'This is me, and I'm interested in you enough to show you my flaws with the hope that you may embrace me for all that I am but, more important, all that I am not.'
I heard what you said. I’m not the silly romantic you think. I don’t want the heavens or the shooting stars. I don’t want gemstones or gold. I have those things already. I want…a steady hand. A kind soul. I want to fall asleep, and wake, knowing my heart is safe. I want to love, and be loved.
I usually decide if I'm going to do a movie based on if I like the script or not. I thought 'Pulling Strings' had every single element that a classic romantic comedy needs to be a success. It's very well written. The cast was amazing. It was a decision I made based on the power of the script.
Vampires are so old that they don't need to impress anyone anymore. They're comfortable in their own skin. It's this enigmatic strength that's very romantic and old-fashioned. I think it goes back to something of a Victorian attitude of finding a strong man who's going to look after his woman.
If I say your voice is an amber waterfall in which I yearn to burn each day, if you eat my mouth like a mystical rose with powers of healing and damnation, If I confess that your body is the only civilization I long to experience… would it mean that we are close to knowing something about love?
As a young woman, I had been seeking experience, knowledge, truth, the stuff writers need in their work, but when the artist actually kicked in, I came to understand that in this romantic relationship I was not free to be myself, or to find myself, in order to begin the true work I needed to do.
Lost love is still love. It takes a different form, that's all. You can't see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it.
Neutrinos alone, among all the known particles, have ethereal properties that are striking and romantic enough both to have inspired a poem by John Updike and to have sent teams of scientists deep underground for 50 years to build huge science-fiction-like contraptions to unravel their mysteries.
I mean, if you look at all the great romantic screwbally kind of movies from the '30s and '40s, they're all in New York. Even 'Sleepless in Seattle,' a movie about Seattle, ends up in New York, of course. The whole country, even if they've never been to New York, knows about it... from the movies.
As far as the lack of hits goes, I think perhaps it's because I've played a lot of different roles and have not created a persona that the public can latch on to. I have played everything from psychopathic killers to romantic leading men, and in picking such diverse roles I have avoided typecasting.
They are just really stupid people in Hollywood. You write them a script, and they say they love it, they absolutely love it. Then they say, 'But doesn't it need a small dog, and an Eskimo, and shouldn't it be set in New Guinea?' And you say, 'But it is a sophisticated romantic comedy set in Paris.'
The violent quarrel between the abstractionists and the surrealists seems to me quite unnecessary. All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements - order and surprise, intellect and imagination, conscious and unconscious.
I'm really good at making teen angst romantic. I'm really good at dealing with heartbreak and things like that and making it into this whole experience. But there's no way to make someone-on-the-Internet-said-something-mean-about-me into romantic angst where you can listen to music and cry or whatever.
Well, there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go, there's these observations about romantic love and what it does people, and these rotten feelings that rarely are people meaning to do that to each other.
Kim Kardashian's marriage to Kris Humphries famously lasted 72 days, and was reported in the tabloids as being all about the big bucks paid by magazines for the bridal photos: it is a spectacle of a bride-to-be as entrepreneur, not as romantic heroine; the groom, in this scenario, is nothing but a prop.
Love is not breathlessness; It is not excitement; It is not the promulgation of promises of eternal passion. That is just being “in love”, which any of us can convince ourselves we are. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident.
I love you also means I love you more than anyone loves you, or has loved you, or will love you, and also, I love you in a way that no one loves you, or has loved you, or will love you, and also, I love you in a way that I love no one else, and never have loved anyone else, and never will love anyone else.
My favorite - my very favorite movie, which I suppose is a bit of a guilty pleasure in that it's like, you know, every scene, you know, pushes every button, is 'True Romance' directed by Tony Scott with Patricia Arquette and Christian Slater, and it's a fantastic, fantastic film, very violent, very romantic.
It may be that, while we plodding realists go on, for ever preoccupied with our daily chores, abstracting a microscopic pleasure from each microscopic duty, your true romantic has the truer vision, and beholds, afar off, in all its lurid splendour and terrible proportions, the piquant adventure we call life.
I admit I do have some drawbacks and limitations as a candidate. Although I am a professional comedian, some of my critics maintain that this is not enough. I cannot deny that I stand before you untested and inexperienced - I only spent two years in television, never as a romantic lead or a song and dance man.
It is that kind of space, that little space of longing, whether it is in something like romantic love, or whether it's in something like divine love. You know, that kind of search for something that's not quite in your grasp. It's a very powerful place to explore as an artist, because it's not necessarily sad.
I absolutely love Ireland. It's one of the most beautiful places on Earth, and I have strong ties here. Both my grandmothers are from Ireland, and I have spent every summer in Bantry since my father, who is an artist, had the romantic idea 20 years ago to buy an old farmhouse on the west coast and renovate it.
My personal style changes wherever I am. When I'm in Ibiza, I'm a bit girlier because there's an opportunity to be more romantic and dress up for the beach scene. Whereas in New York, I tend to go for suiting and tailoring that almost feels like weaponry for the city - but I think I'm quite playful no matter what.
Movies don't look hard, but figuring it out, getting the shape of it, getting everybody's character right and having it be funny, make sense and be romantic, it's creating a puzzle. Yes, having been a writer for so long, I have an awareness of when things are going awry, but it doesn't mean I know how to fix them.
A woman in the presence of a good man, a real man, loves being a woman. His strength allows her feminine heart to flourish. His pursuit draws out her beauty. And a man in the presence of a real woman loves being a man. Her beauty arouses him to play the man; it draws out his strength. She inspires him to be a hero.
The connection to place, to the land, the wind, the sun, stars, the moon... it sounds romantic, but it's true - the visceral experience of motion, of moving through time on some amazing machine - a few cars touch on it, but not too many compared to motorcycles. I always felt that any motorcycle journey was special.