Quotes of All Topics . Occasions . Authors
I am convinced that when the team plays well, the attackers will have chances to score - and that's why I will have the chance to score.
Three score and, and ten has always been something that I never thought I'd make. So when I made it, I wanted to celebrate it and I did.
It's important what you can do for your team. Even if you score 30-40, if it contributes to team's victory, then it is always memorable.
Playing further up the pitch, you have more opportunities to score and provide assists, and it's something I liked right from the start.
I want to play in every match, score goals when the opportunity presents itself, and help players in good positions to also score goals.
For me, it is very important to control a situation in defence. You can always score goals, but you have to add stability in the defence.
Leo, Cristiano Ronaldo, Neymar, Eden. Every year, you look at their numbers - score goals, assists, minutes - to see they play very well.
If I have a bad game, coaches, teammates tell me not to worry, next game I'll score. When people tell you this, it makes you comfortable.
When you are not able to score the first goal, maybe we get nervous and don't 100% feel the confidence is there and we have to be patient.
It's not important how many mistakes you make; it's about how many chances you create and how many goals you score. That is my philosophy.
When you score 30 goals in a season, you can expect that the following year there will be a little bit more pressure and attention on you.
There are some examples in my career when my family was more concerned than me. So every time I win or I score, I always think about them.
I can play in different positions, and if I can do what I'm good at, score goals, show how good I can play football, then it's OK with me.
If I was to become an icon, then I'd be very happy. I'll need to score a lot of goals, and the team will need to pick up trophies, though.
I miss many chances, but I always keep trying, and sometimes you score easy goals or difficult goals, but in the end, I am trying to score.
Sometimes a piece of music in the score isn't effective. When a score is too well finished with too many elements, sometimes it's too much.
When I was a kid, there was no DVD, no VHS. The only way to re-live a movie once it was out of the theater was to listen to its film score.
As a striker, people look at the goals you score. But for me, my game is more than just about goals, it is how you link with other players.
As long as everyone does their part - the attackers score the goals, and the defenders keep the clean sheets - then you can't go too wrong.
As a striker, what you got used to on a daily basis, it is to be applauded when you score goals. When the opposite happens, it's difficult.
I love Philip Glass' work, not only as a film composer but also as a musician. The film score work that he does always amazes and shocks me.
A good film demands its own score, and if you are a musician, your conscience will never allow you to do something mediocre for a good film.
When you can score three goals without the most prolific scorer in the world, you know you have a lot of depth, and it gives you confidence.
I sort of enjoy being able to hear what other composers are doing and how they might score something differently than me. I enjoy that part.
Before 'Memphis,' I had never considered working on a musical. But when Joe DiPietro sent me the script, I heard the entire score in my head.
When you go to a World Cup, in midfield you need to have players who can score from distance, who can get in the box and obviously play-make.
I was always a guy who could score the ball as a kid, but everybody wanted to score. And I always wanted to be different in some type of way.
Being invited to score for 'Black Swan' was a real honour. To have my work form part of such an amazing film is something I am very proud of.
If I don't score runs in 5-10 games, it doesn't mean that everything is lost. I know what kind of a player I am and what my capabilities are.
My target is to score in every match here at the 2012 Olympics. I am hoping to land on target with my penalty corner shots at crucial moments.
For me, it's important to build good partnerships rather than score centuries. Once, you have those partnerships, you will also get centuries.
In a film score, the last thing you want to do is take people out of the movie. The music is secondary. In opera, the music is the main event.
I'm just going to give my all every game, be a good box-to-box midfielder, hopefully score some goals, and I will always give it 100 per cent.
I have this mindset and mentality every time I touch the score, and I really truly believe that. It's something I try to do a little too much.
When I dine with CEOs at Michael's in New York or Spago in L.A., we score the best tables. On my own, I wind up seated near the kitchen doors.
The best team I played in was the Brazilian one in 2002; we felt that we could always score. It was a team without any vanity - or individuals.
I'm a goal scorer, so I'm here to score goals, but at the end of the day, I want to help my team-mates reach something, so we are working hard.
Being an impatient guy, even off the field, I would always look to score runs and score them quickly. Sometimes I panic if runs are not coming.
In addition to being the most beautiful score I have ever sung, 'Piazza' gave me the opportunity to honor the matriarchs of my Southern family.
I'm going to play with one goalkeeper, obviously, one defender, one midfielder and two attackers, very offensive because we need to score goals.
The game of life is a lot like football. You have to tackle your problems, block your fears, and score your points when you get the opportunity.
I always had a frisson when I heard the Champions League music. To play in that competition, to score a goal in it, is something special for me.
I've always liked technical, creative central midfielders with the capacity to score goals, such as David Silva, Samir Nasri, and Santi Cazorla.
I would really love to do the score for movies. Pick the music and work with composers. I don't know if I'd be any good at it, but I love music.
What matters is the team winning. Even if I only managed to score once or twice all season, if the team won the league title, I'd still be happy.
It's tough coming out of Nebraska, where you're the man and you have to score, to going to the guy that sets the team up and being a role player.
The music you love when you're a teenager is always going to be the most important to you, and I find that it's all over the score of 'Hamilton.'
Money is just a way to keep score. The best people in any field are motivated by passion. That becomes more true the higher the skill level gets.
Playing against an Italian team is harder than all the other leagues. The Italians won't score lots of goals, but they won't concede many, either.
I like David Beckham just because of his lifestyle. He don't ever need to score another goal again. How many times has he been on the cover of GQ?