Quotes of All Topics . Occasions . Authors
I tend to do something for two years then move on to something new. Yoga, then biking, then weight lifting, then back to biking. The moment it feels like a rut, I switch and search for a new love. It's like having a midlife crisis, but without the new wife or cheesy BMW.
Even though the public may perceive me differently, I always feel like I'm learning something new, and I like seeing myself this way. It keeps me focused on doing things with the love and care that comes from knowing you can always improve. I always have that in my head.
With the schedule I created for myself, I saw a lot of times that others copied what I did. And if you copy somebody, you are always too late. And that was always my luck, that I never copied somebody, that I developed something new. And they were always one step behind.
My wardrobe falls into two camps most of the time: either very monochromatic and tailored or really vintagey, with '30s and '40s-style long floral dresses. I don't buy that much, so every time I invest in something new, it has to elevate what I have hanging in my closet.
If Madhur Bhandarkar makes a movie tomorrow, people will expect him to do something like 'Chandni Bar' or 'Corporate!' Similarly, it takes time for filmmakers to break that stereotype and attempt something new - it is difficult for filmmakers to be versatile in Bollywood.
If I see something that seems out of sync with what's already known, the first thing I do is try to find out what's wrong with the data. Once you've done that, and it still seems wrong, that's when things get interesting. It means you've found something new to understand.
I think the indie-rock world is very creative. They're always looking for something new, and I think of all the instruments we have in the world, the ones that are the most creative and interesting are the electronic ones. There are so many sounds and plug-ins you can use.
Everyone deals with sadness and lack of love when they're kids, and all this abandonment. Most people do. Hopefully you want to learn something new, and you want to move on to this other place, and I think, for me, it was like, I really didn't know how to calm myself down.
I'm always looking to make something that didn't exist before, fumbling about in the dark, not just while making a collection. The search for something new is a constant in my everyday life. But constantly searching for something new is like looking for a well in a desert.
One thing I think is true is that is you have someone who's really good in one or a few areas they can pick up something new pretty quickly and that's kind of a hallmark of someone you really want to hire because they can be very useful in a whole bunch of different areas.
As a player, I can tell them they don't want to rush to become a coach, because there is a lot that goes on. This is all something new to me. You can talk to a lot of the coaches... and they can tell you. Until you go through it, then you can understand what it's all about.
It's through working with a lot of first-time directors that I realized that people learn on their feet. Everybody works on something for a different reason. Everybody has got something new to learn on these sets, and you don't have to know everything, the second you start.
The beautiful thing about art is that there's always somewhere to go. There's always something new to explore and, as an artist, that's just what I want to do. I wanna keep exploring new things with different directors with different producers and different styles and tones.
I've remixed lots of other people's songs, from Adele to Electric Light Orchestra to Beyonce, so when my record label said, 'Why don't you give 'Ibiza' to someone to remix?' I said, 'Sure,' because I like the idea of people reimagining art and making something new out of it.
It's understandable that when something new comes out that's unfamiliar, scary, and has severe outcomes, it gets a lot of media attention. In fact, the Zika outbreak is unprecedented. We've never before identified a mosquito-borne infection that can cause fetal malformations.
I've always thought that a Saturday morning at home should be education time. I mean fun education, for example learning to cook a dish or reading about something new. So I put on documentaries, get a bunch of magazines and newspapers and use the morning to make myself better.
I've been reading Greek mythology since I was a kid. I also taught it when I was a sixth grade teacher, so I knew a lot of mythological monsters already. Sometimes I still use books and Web sites to research, though. Every time I research Greek mythology, I learn something new!
When I started, my teachers told me that I had to sing 'Mozart, Mozart, Mozart.' I said, 'No, I want to sing all the other stuff.' If you do not push yourself, you will stay the same. Maybe some singers are happy with that, but I have to move, I have to do something new always.
My Food Network shows, 'Emeril Live' and 'Essence of Emeril,' are not in production right now, but I wouldn't say that I'm necessarily leaving Food Network. I have a lot of television still in me. I enjoy teaching people, so it's just a matter of time before I do something new.
There's nothing wrong with going out and playing for the fans that have been with you forever. I get it. It looks like a lot of fun. But that's not the thing that drives me. I already did that, and I appreciate everything I got from it, but I want to do something new and fresh.
The characteristic of great innovators and great companies is they see a space that others do not. They don't just listen to what people tell them; they actually invent something new, something that you didn't know you needed, but the moment you see it, you say, 'I must have it.'
The miracle of the American experiment was not the result of a natural sequence of events. An exceptionally virtuous and educated cadre of statesmen broke away from the politics of millennia and created something new. Only by this political miracle do Americans enjoy our freedoms.
There've always been people in the borderland between childhood and adulthood. That state is not a matter of chronological age. It's a matter of understanding that you can accept a future that has been defined by the previous generation, or you can reject it and make something new.
I like learning new stuff, also, and I can sit there and watch shows on National Geographic and the Discovery Channel or stuff like that and learn something new. I think once you've gone through such a long stage of learning one thing, you're not as well-rounded as you'd like to be.
Every day I learn something new, and, you know, you go through life's experiences, and if you can bring every experience at some point somewhere in every drama or every story that you have to portray, you will come across an emotion or a feeling you have had some point in your life.
I always say that in my career as an actress, I've always worked with people like David Lynch or Guy Maddin or Peter Weir who are considered not mainstream directors and that could be because they are like my dad. They are pioneers, and pioneers, by definition, invent something new.
I think it is the fact that I want to quit that keeps me going. It's very complicated. But I think part of this whole exploration with every job that I do is, in terms of overcoming fear and by overcoming the fear, I feel so much more complete, and I learn something new about myself.
I always look for projects that are risky and ones that want to do something unique. If audiences don't like it, you feel good knowing that you were brave enough to do something original. If they do like it, you feel like everyone is rewarded, because we all got to see something new.
I would think the correlation between an era of increased globalization and an increased desire to participate in an entrepreneurial endeavor is not a coincidence. When interconnectedness is at a peak due to technological advances, the ability to spawn something new is slightly easier.
When I did my first film, I had a fair idea of what I liked and what I didn't while watching an actor in front of the camera. After I finished the film, I thought I had exhausted everything I knew. As I moved from one story, setting and character to another, I discovered something new.
The talk-box thing that T-Pain does is something new and different for this generation because they don't know about Zapp or Teddy Riley. I think he's creative and has made the talk-box his own in the hip-hop world, but if these young ones studied their musical history, they'd know that.
Films are not the sole area in my life. Films are a passion. But it's not like I'll die if I don't get another movie. I'll grow, I'll flourish, I'll learn something new, but I'll always do something that I like. If I get the right film, I'll do it. I will not compromise for anything else.
A lot of people who voted for Barack Obama expected and were led to expect something new in politics: a new tone of political discourse in Washington. And I think - I think they're disappointed, because Barack Obama is not a new kind of politician. In fact, he's an old Chicago politician.
If a product's future is unlikely to be remarkable - if you can't imagine a future in which people are once again fascinated by your product - it's time to realize that the game has changed. Instead of investing in a dying product, take profits and reinvest them in building something new.
I've been lucky between 'Buffy,' 'Angel,' 'Alias,' and then 'Lost.' The thing they all have in common is that they were all fearless. They were not afraid to be different and try something different. Even if you didn't know that it was going to work, just try to do something new and fresh.
People who are constantly looking for the opportunity to do something new are also people who are not going to be helped by having job titles - job titles create expectations of specialization and focus which don't map really well to creating the best possible experience for your customers.
It took me a while to understand the meaning of a franchise: the reasons why you see lawyer, doctor, cop shows. It's not because anyone in their right mind says, 'You know, what's the most fascinating thing in the world?' It's because you need something new that happens every week in a frame.
I'm trying to bring something new to the Tin Man. He may be the one without the heart, but he's the most heartfelt guy there. It's a more manly heartfelt, a 'don't feel sorry for me' - type of heartfelt. I don't want to say tougher, because that just sounds stupid. But the Tin Man is a man's man.
'Brotherhood of the Wolf' is a very important movie because it represents something new. The director Christophe Gans came up with the idea of taking a French legend and making it some kind of really strange, almost Chinese action movie. The result is something that I haven't seen anywhere before.
Philanthropy is often seen as society's risk capital. That means the onus is on philanthropists, nonprofit leaders and social entrepreneurs to innovate. But philanthropic innovation is not just about creating something new. It also means applying new thinking to old problems, processes and systems.
I took a computer-science course to fill a prerequisite at Stanford, and I realized that every day was a new problem, and every day you got to think about how to solve something new, how to reason through something new, how to develop an algorithm to solve for something you hadn't worked on before.
As an actor, if you want to explore something new inside you, you need to do something different that you don't do in your regular life. You need to think in a different way. It is my duty to think like the character that I am given and believe in his mindset; only then I will be able to portray it.
There's always the danger when you have influenzas that infect chickens, that when you have the close quarters of chickens spreading from one to another and occasionally a human coming into close contact, that there will be the jumping of species from a chicken to a human. This is not something new.
The biggest thing that I've appreciated is that a lot of brands have stepped up and sent me stuff. As a professional runner, for many years I've been given Nike clothes. It's been kind of cool and fun to try something new and to do something that I haven't done in six years - train in non-Nike gear.
I hope to show people everywhere that you can be unapologetically you and still succeed. I also hope that by using more diverse models, brands can see that there is power in diversity, and not shy away from doing something new for fear of failure. The effects are bigger than just the fashion industry.
I told myself that I would not come back to women's fashion until I felt I had something new to say. I feel that fashion has become too serious and that the actual customer's needs have not really been addressed. Fashion needs to make one happy. It is a luxury and should enhance one's quality of life.
I always wanted to be that guy who pushed the envelope in all kind of ways and tried something new. When I keep that rule going, it always takes me to a new place. There are times when I fail miserably, but I always find myself knowing one more thing better, doing one more thing that I never did before.
Paris presents one incessant round of amusement & dissipation but very little, I believe - even for its inhabitants of that society - which interests the heart. Every day, you may see something new, magnificent & beautiful; every night, you may see a spectacle which astonishes & enchants the imagination.
The only part of 'A Ghost Story' that was reactionary was a temporal one. I had spent so much time making 'Pete's Dragon' that I was really impatient and excited to make something new. When this project presented itself, I was ready to jump right into it. I started shooting two days after 'Pete's Dragon.'
If we're talking about someone creating something new, those rights are fairly well defined (in the United States, at least) under existing copyright law. But then there's often discussion about the rights of people who produce works under work-for-hire arrangements, which can be far more subtle and nuanced.