Quotes of All Topics . Occasions . Authors
I'm in touch with Stick players all over the world, so I have a unique perspective on what they need from a website. Stick Enterprises is a small family-run business, but they have a depth of experience and committment that's pretty rare these days. I try to make sure that all the bases are covered for them, because I think what they do is really valuable to the music world.
The American system is, in many ways, more difficult, certainly far more expensive and much longer than a parliamentary system, and I really admire the people who subject themselves to it. Even when I, you know, think they should not be elected president, I still think, well, you know, good for you I guess, you're out there promoting democracy and those crazy ideas of yours.
Speaking about symmetry, look out our window, and you may see a cardinal attacking its reflection in the window. The cardinal is the only bird we have who often does this. If it has a nest nearby, the cardinal thinks there is another cardinal trying to invade its territory. It never realizes it is attacking its own reflection. Cardinals don't know much about mirror symmetry!
Until now the theory of infinite series in general has been very badly grounded. One applies all the operations to infinite series as if they were finite; but is that permissible? I think not. Where is it demonstrated that one obtains the differential of an infinite series by taking the differential of each term? Nothing is easier than to give instances where this is not so.
Mann was less interested, I think, in constructing any kind of "portrait of an age" than he was in delineating an individual consciousness in which profound struggles about identity and direction arise - struggles that Mann himself had not only reflected on but felt keenly. Visconti takes up this central focus of the novella, but he couples it with a more social perspective.
I think I was just so ecstatic that I was working, and then as it went on, you know, I started to really appreciate that it ["Freaks and Geeks"] was good and that we were doing something a little different and that, you know, everyone was really cool to work with and that it was really talented group of people, and it was just when I was realizing that, that it got canceled.
I'd forgotten what an honest sandwich it is. For those of you not familiar, 'BLT' stands for 'bacon, lettuce, and tomato.' A lot of people think the 'B' stands for 'bread,' and I can understand someone not wanting a lettuce and tomato sandwich. But, the bread is implied in the word 'sandwich.' Anyway, it's an American original. Everyone should have a BLT as soon as they can.
I certainly think so, and I argue so, and I give talks on that. Are there risks by putting people together? Absolutely. Is there value in the black church? Absolutely. Is there value in having immigrant churches? Absolutely. But if we don't have congregations gathering with people of different races, what we're doing is we are redefining racial division, a racial inequality.
I definitely go through periods where I'm in a particular mood, or there's a consistent imaginative context that I feel I'm in, and I'm drawn to certain things. I can sometimes feel it when I'm moving away from something that I was once interested in - an idea or an exploration of particular relationships. I go, 'Well, I think I've done that and I don't want to do it again.'
In my opinion the separation of the c- and ac-stars is the most important advancement in stellar classification since the trials by Vogel and Secchi ... To neglect the c-properties in classifying stellar spectra, I think, is nearly the same thing as if a zoologist, who has detected the deciding differences between a whale and a fish, would continue classifying them together.
The Vietnam War was so obviously evil and bore down most heavily upon working class youth that it made me think about things more deeply than I had before. It disillusioned me completely and forever about the government. And it made me aware that the media and the government lied almost as a matter of course. But it also opened my eyes to what was really going on in America.
In the long-run I think we lost some of our audience because of noise. I don't think people were ready for it, OK? And after we did it nothing really happened, but then 4-5 years later when there was a rap-rock emergence, we were already over it. We could have made Bring the Noise part 2, Bring the Noise part 3 - but like I said we're a METAL band, we didn't want to do that.
I wanted to lose weight when it was my time to lose weight, not because someone's calling me out for it. I've been called the Fat Kardashian Sister for the past ten years. But I could have gone and gotten gastric [bypass surgery] or done liposuction or whatever and I did not feel the need to do that, and I didn't think - I sincerely didn't think anything was "wrong with me."
It's difficult to parent one kid, let alone five! It's insane. It's this strange, overwhelming mess that I would not trade for anything. I think it's more difficult in New York City. It's not like we can hop in the minivan and go somewhere. I don't own a car. It's chaos anywhere. Being a parent is difficult. Being a son and a daughter is difficult. It's a human relationship.
When you come out to L.A. to make movies or to do this kind of work, everybody is coming out on their own and you leave your tribe behind. Then, it's a question of, that was your tribe by blood, and now, what is the tribe that you're making by choice or by what you think is important? I think we were having that experience, so somehow the cult world seemed really compelling.
I think I love and reverence all arts equally, only putting my own just above the others; because in it I recognize the union and culmination of my own. To me it seems as if when God conceived the world, that was Poetry; He formed it, and that was Sculpture; He colored it, and that was Painting; He peopled it with living beings, and that was the grand, divine, eternal Drama.
I'm interested is the oblique as a concept deeply connected to human lived experience, not separate from it. I was listening to an interview with film director Stephen Frears on NPR the other day and he said, "People's lives are never what you think they are," or something like that. Human lives are oblique. It makes sense to me that attending to them in language is as well.
I reach readers rather unintentionally, I think, and those readers likely connect with the slant, the off-kilter, the part of the road you can barely see from the well-traveled road. So, when I'm writing, I'm not thinking about audience at all. Instead, I'm trying to see behind those shrubs, down that hidden path. We're the weirdos of the world and there are so many weirdos.
There is no life without guilt anyway, at least in the Western world. I think in other civilizations it might be different but if the world is getting Westernized all over, guilt will enter through the technology and democracy and their actions. It will come side by side so there won't be anymore innocent societies in the future I think which in fact is not such a bad thing.
I thought Donald Trump approach on Brexit was a fascinating window into how he thinks. His basic point was that [David] Cameron should resign because he didn't read the public mood on the issue right. And that Boris Johnson should be the next prime minister because he did. That's a very different definition of leadership than many politicians have. Or at least say they have.
Does Rupert like me? I think so, but it doesn't matter. When I go up to the magic room in the sky every three months, if my numbers are right, I get to live. If not, I'm killed. Our relationship isn't about love-it's about arithmetic. Survival means hitting your numbers. I've met or exceeded mine in 56 straight quarters. The reason is: I treat Rupert's money like it is mine.
I think that the whole voyeuristic attitude of filmmakers or of me personally - of shooting documentaries and so forth - is an important issue. And it was an important issue to me, personally. And the whole question of when - when do you put the camera down or when do you keep shooting to get the shot. And a number of times in my life I've had that question hit me very hard.
We think it's time for the president Donald Trump to announce steps for the White House to undertake. We'd like to see a White House task force on hate crimes. This could be something again convened by the attorney general, but you would bring to bear DHS, the Department of Education, the FBI and other federal agencies to use all of their resources to deal with this problem.
I think to dwell continually on the dark side creates gloom and despair and anger and hatred, and that just adds to the darkness. So rather than that, we need to think of the beauty in the world, and also send out love and compassion to all beings in this world. Not just the people we like, but people who we find difficult. Because they are very deeply in need of compassion.
I maintain that any writer of a book is fully authorised in attaching any meaning he likes to a word or phrase he intends to use. If I find an author saying, at the beginning of his book, "Let it be understood that by the word 'black' I shall always mean 'white,' and by the word 'white' I shall always mean 'black,'" I meekly accept his ruling, however injudicious I think it.
Training is doing your homework. It's not exciting. More often than not it's tedious. There is certainly no glory in it. But you stick with it, over time, and incrementally through no specific session, your body changes. Your mind becomes calloused to effort. You stop thinking of running as difficult or interesting or magical. It just becomes what you do. It becomes a habit.
I do think that copyrights and intellectual property are important - it's important to be able to keep people from making verbatim copies of a particular creation that could somehow hurt the creator. If I spend time conceiving and making a piece of art and somebody else sees that it has market value and replicates it in order to steal part of my market, then that's not cool.
I think that if I get into the habit of writing a bit about what happens, or rather doesn't happen, I may lose a little of the sense of isolation and desolation which abides with me. My circumstances allowing of nothing but the ejaculation of one-syllabled reflections, a written monologue by that most interesting being, myself, may have its yet to be discovered consolations.
I wrote poetry in a secretive way, I think, a secret from myself, I mean. I wrote it because it gave me great pleasure to do so and because it relieved the ever-building pressure of the demanding world around me. It's always served me as a way of appraising, and controlling overwhelming experiences. But this need, and desire, was always in conflict with my need to "survive."
I think people resist freedom because they're afraid of the unknown. But it's ironic....That unknown was once very well known. It's where our souls belong....The only solution is to confront them - confront yourself - with the greatest fear imaginable. Expose yourself to your deepest fear. After that, fear has no power, and fear of freedom shrinks and vanishes. You are free.
I believe that there will be ultimately be a clash between the oppressed and those who do the oppressing. I believe that there will be a clash between those who want freedom, justice and equality for everyone and those who want to continue the system of exploitation. I believe that there will be that kind of clash, but I don't think it will be based on the color of the skin.
If I did see a white man who was willing to go to jail or throw himself in front of a car in behalf of the so-called "negro cause," the test that I'd put to him, I'd ask him, "Do you think negro, when Negroes are being attacked they should defend themselves even at the risk of having to kill the one who's attacking them?" If that white man told me, "Yes," I'd shake his hand.
I think it is quite wrong to photograph, for example, Garbo, if she doesn't want to be photographed. Now I would have loved to photograph her, but she obviously didn't want to be photographed so I didn't follow it up. Then somebody will photograph her walking down the street because she has to walk down the street, and I mind that sort of intrusion. I think this is horrible.
We'd be recording and I'd go down to Greenpoint where Rostam was living and track stuff... It was a busy time. I felt like in general, I was just super psyched with the prospect of getting to be a musician, that it became a thing that I would think about more than I would think about my studies and stuff like that. I still did fine, but it was an interesting time in my life.
Growing terrorism, permissive societies, democracy collapsing through lack of law and order. If things continue on their present track, the disintegration of Western societies will occur much sooner than you think under the hammer blows of fascism and communism. Freedom is not something that does not have a breaking point, and your enemies would like you to reach that point.
I think the Respublican party's lost its way. We have given into nativism and protectionism. And I think that, if we're going to be a governing party in the future, and a majority party, we have got to go back to traditional conservatism, limited government, economic freedom, individual responsibility, respect for free trade. Those are the principles that made us who we are.
In a way I do hate the process of writing. It's like learning a role where you never think you're going to be able to conquer it when you start and it just takes enough focus and narrowing and getting enthusiastic and not losing it and so on. It's never good enough, but you aim for something and you hope it comes somewhat close. But it is a pleasure once you have written it.
I really became aware of the fact that, oh yeah, whereas a lot of other shows are sort of cynical or jaded or just sort of coming from that sort of energy, our show is very, very about these love-based relationships. It really comes out, a lot of times, in a sweet way. And I think people find that refreshing about our show. That's one of the things I definitely picked up on.
It isn’t necessary to know exactly how your ideal life will look; you only have to know what feels better and what feels worse…Begin making choices based on what makes you feel freer and happier, rather than on how you think an ideal life should look. It’s the process of feeling our way toward happiness, not the realization of the Platonic ideal, that creates our best lives.
I think I write or publish as much as I do because I can bear being without a book to work on. But routinely when I finish a book, I think, "What will I do? Where will I get an idea?" And a kind of low-level panic sets in. And then eventually something happens. I don't know. If I knew how it happened I would repeat the process, but I don't know - something just occurs to me.
I like to use really basic or classic colors, things that people have seen over and over and over again. Primary colors, at least in photography, have been around a lot longer than neon colors and really vibrant purples, hot pinks. Red, blue, yellow, orange - because of Kodachrome and the way that things were produced I think that those colors stood out more than any others.
I don't think you can ever get used to being this famous. I've learnt how to keep things separate or at a distance. I've nothing to hide. But seeing this as work, like a job, means I can take a step back. It's me right now in front of you and in the papers but it's not all of me. If you give yourself entirely to the business, you'd end up going mad. And I'm not mad. Not yet.
I have spent over half my life teaching love and brotherhood, and I feel that it is better to continue to try to teach or live equality and love than it would be to have hatred or prejudice. Everyone living together in peace and harmony and love - that’s the goal that we seek, and I think that the more people there are who reach that state of mind, the better we will all be.
You have a tendency to just remember the bad times and bad moments. I think that often it's the way of life. Yet the rewards we got from it were fantastic and we played a lot of shows to sellout audiences in I don't know how many cities. I just think we didn't realise how insane it was until we were actually right in the middle of it and couldn't stop. We just couldn't stop.
I'd much rather be part of a society which greatly honors and respects people who are altruists and who are effective in their altruism, than one that either admires people because they're, you know, celebrity movie stars or because they're super wealthy just no matter what they do with their wealth because I think we ought to try to encourage more people to act in that way.
You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.
I think of music a lot when I paint. The theme of it to a degree is music. So instead of literally putting in music or literally putting in a musical instrument, I use only a hint of the instrument, but the brocaded pattern is like a line of Bach because of its order and the leaves going up are like passages from Vivaldi, and the emphasis on drapery is where the sound comes.
Those who deal in magic learn to see the world in a slightly differnt light than everybody else.you gain a perspective you had considered before. A way of thinking that would never have occurred to you with out exposure to the things a wizard sees and hears.When you look in to some ones eyes you see them in that other light and for just a second they see you in the same way.
I'm not a writer who's preaching some particular philosophy or something but the big questions do concern me and I like to make my readers think and debate and argue with each other and look at some aspect of the world or some act of governance or war or power and have an angle they haven't considered before, and that's something I strive for and hopefully have accomplished.
Did you ever, in that wonderland wilderness of adolesence [sic] ever, quite unexpectedly, see something, a dusk sky, a wild bird, a landscape, so exquisite terror touched you at the bone? And you are afraid, terribly afraid the smallest movement, a leaf, say, turning in the wind, will shatter all? That is, I think, the way love is, or should be: one lives in beautiful terror.