Quotes of All Topics . Occasions . Authors
Depending on their fondest memory of you, most people hold on so tightly to their fondest memory they don’t usually let you be anything greater than that. And that’s one of the things I think I allowed myself to be a victim of earlier in my career. What I learned as I got older is I decide. I decide what it’s like for me, not other people. You can be whatever you’d like to be. You just have to choose it.
I think I've learned a lot about how to make movies, and particularly about how to edit movies by thinking about how similar problems are resolved in other forms. The issues in all forms are the same in an abstract sense, aren't they? Characterization, abstraction, metaphor, passage of time... Whether it's a movie, a novel, a play, or a poem, those issues exist. And each person resolves them differently.
When one is that powerful and one think life will last like that forever, it is simply the most ephemeral thing. I don't think these sons and daughters of drug dealers are contributing to a lasting peace nor to human values that add to our society. They're delivering the message of riches and power that comes at the cost of people's lives and health and they incentivize young people to follow this model.
Many of the younger generation know my name in a vague way and connect it with grotesque inventions, but don't believe that I ever existed as a person. They think I'm a nonperson, just a name that signifies a tangled web of pipes or wires or strings that suggest machinery. My name to them is like a spiral staircase, veal cutlets, barber's itch — terms that give you an immediate picture of what they mean.
Pope John Paul II was fascinated by the United States. And I think he was initially surprised at the vigor of the Catholic Church in the United States. Maybe some of the press that we had gotten he found wasn't true. No, I think he suspected the church in the United States. Did he challenge us to some things? Sure, he did. But, no, I always - I think there was a good alliance. There was a good gel there.
I think growing up it was never an issue for me to think about working out or having a healthy lifestyle because I danced so much. Then when I stopped dancing and I got into regular life mode, I didn't realize how much diet and nutrition and being active was so important. Not only for my physical state, but for my mental state, too. I think that's just as important as working out for your physical state.
Terrorism [is] a biological consequence of the multinationals, just as a day of fever is the reasonable price of an effective vaccine . . . The conflict is between great powers, not between demons and heroes. Unhappily, therefore, is the nation that finds the "heroes" underfoot, especially if they still think in religious terms and involve the population in their bloody ascent to an uninhabited paradise.
Every worldview has its ambiguities - debatable elements that people simply will not see to eye on. There's nothing wrong with that as long as the disagreement is principled and dignified. I actually think that arguments - as opposed to quarrels - are good things because they're the best way to figure out what's true. Share your reasons, listen carefully to each other, be nice, and may the best idea win.
And fourthly there is a major shift in public opinion and attitude to accommodate to the post-9/11 mentality and the Bush administration's penchant for secrecy. I think the public has simply become increasingly accustomed to being turned away from vital information and is protesting less and less. You have some squeaky wheels out there, but I don't think they're representative of the population at large.
As we trudge back through the woods, we reach a boulder, and both Gale and I turn our heads in the same direction, like a pair of dogs catching a scent on the wind. Cressida notices and asks what lies that way. We admit, without acknowledging each other, it's our old hunting rendez-vous place. She wants to see it, even after we tell her it's nothing really. Nothing but a place where I was happy, I think.
Phury knelt beside him and stroked his face. "I've only ever had you to live for. If you die I have nothing. I'm utterly lost. And you are needed here." Zsadist tried to reach out, but couldn't lift his arms as Phury stood up. "God, Z, I keep thinking this tragedy of ours is going to be over. But it just keeps going, doesn't it?" Zsadist blacked out to the sound of his twin's boots heading from the room.
Press information is serious information, but press information is also manipulated by people who want you to think that this and that happened. So it's the old thing that you still cannot trust photography at all or you have to know who is distributing the photograph. In terms of cell phone photography, I think nobody cares about a photograph anymore because they're taking so many pictures just for fun.
It's been written about as "the overview effect." All I can give you is my perspective, but most all of the people who have been in space start to see the world without boundaries. You start to think about how we can keep doing these things we're doing that are destructive of the environment and destructive of the planet. It causes you to start to think things in a quite different way than we had before.
It's about something that I'm extremely passionate about: exploring other cultures, how Americans are perceived by other cultures and how we perceive other cultures through our worldview. I travel whenever I get an opportunity to do so, and I think this country is ready for a show on television that is bilingual and really puts front and center another culture, both as the protagonist and the antagonist.
There is the apocalyptic influence in the Trumpean presidency: The world is destroyed in order to be purified and renewed in the ideal way that is projected by a Steve Bannon. And there is a sense of that when Trump says we'll make America great again, because he says it's been destroyed, he will remake it. So there is an apocalyptic suggestion, but I don't think it's at the very heart of his presidency.
He tilted his head to the side, still watching me in that same, disconcerting way. “Some things are true, drunk or sober. You should know that. You deal in facts all the time.” “Yeah, but this isn’t—” I couldn’t argue with him looking at me like that. “I have to go. Wait… you didn’t take the cross.” I held it out to him. He shook his head. “Keep it. I think I’ve got something else to help center my life.
I think real enlightenment is total sanity, a kind of acceptance of what actually is. It does involve a kind of different way of looking at things. As I've done this Zen practice for years and years, I've acquired what I realize is an almost upside down view of life compared to what most people think, which is just what I used to think it was too. It's not really an insane view, at least I hope it's not.
Something about telling that story made my gut grow back together." What?" Oh, nothing. Just thinking out loud." That's who you really like. The people you can think out loud in front of." The people who've been in your secret hiding places." The people you bite your thumb in front of." Hi." Hi." ..." ..." Wow. My first Lindsey." My second Colin." That was fun. Let's try it again." Sold." ..." ..." ...".
We can be aggressive at the right time with the right stakes when it comes to price. But I think for us, it starts and ends with people. And generally speaking, venture investors will say that. Right? That people are very important. It is all about the people. But at Anthemis, it is beyond "all about the people." Because it's almost exclusively about the people. We've been operating this way for a while.
But what I realized when I was looking back at them was that no matter how different they are, they're still coming from me, and they're still coming from my brain and my set of obsessions. I think that no matter how different I tried to make them, there were just these certain questions that I just kept circling back to as I was writing. I think they were the ones I was really swept up in in that decade.
There is no better moment than this moment, when we're anticipating the actual moment itself. All of the moments that lead up to the actual moment are truly the best moments. Those are the moments that are filled with good times. Those are the moments in which you are able to think that it is going to be perfect, when the moment actually happens. But, the moment is reality, and reality always kinda sucks!
I think green buildings are extremely important but it's only part of the equation. A lot of people think that if I put a green building everything is going to be fine, but actually it's not just the green buildings we need, but green businesses, green governments, green economics. We have to extend the greening of buildings to our business and our lifestyles - that is the most important thing to do next.
I think the fact that my parents are still, "Hey, great, that's great!" and not, "We need you to do this and be a star!" - it was never like that. My mom's a translator, my dad's a woodworker; that's the world I grew up in, that's the world I'm most comfortable in. The whole idea of Hollywood or any of that other stuff that unfortunately goes along with film, that wasn't part of my upbringing, thankfully.
I think people do look to writers to tell the truth in a way that nobody else quite will, not politicians or ministers or sociologists. A writer's job, is to, by way of fiction, somehow describe the way we live. And to me, this seems an important task, very worth doing, and I think also, to the reading public, it seems, even though they might not articulate it, it seems to them something worth doing also.
I don't know whether we think in moving images or whether we think in still images. I have a suspicion that on our hard drive, our series within our brains, [exist] still photographs of very important moments in our lives. ... That we think in terms of still images and that what the photography is doing is making direct contact with the human hard drive and recording for all time a sense of what happened.
I made the decision (that), if I was gonna do this, I was gonna do it 100% because before in my life I had been an entrepreneur. It was weird. I would wake up in the morning (saying) "You know what? I'm gonna do this." (I'd) set out (and) in three months (I'd) have a new business on its way. I didn't stop and think about the repercussions of anything. I just did it. I moved forward in doing it to succeed.
I think humor really is the most effective way for me personally to express myself. When I see an incredible formalist painting, I respect it. I really do. I see its history and I get it. But when I pass something weird or something funny, I totally associate with it. I find myself thinking about it later that day. That's how I know something is thought provoking. That's how I know something is effective.
But when, at the end of my sophomore year, I became a philosophy major and started doing my first seriously pretentious thinking, I became a vegetarian again. The kind of willful forgetting that I was sure meat eating required felt too paradoxical to the intellectual life I was trying to shape. I thought life could, should, and must conform to the mold of reason. You can imagine how annoying this made me.
Unfortunately, they develop a fixed mindset that they're the most talented, and they think that continued success is a right. Problems arise because pure talent only works as long as the going is easy. Furthermore, they don't take risks because failure would harm their image of being the best, brightest, and most talented. When they do fail, they deny it or attribute it to anything but their shortcomings.
You always think, 'Oh, if only I had a little chalet in the mountains! How great that would be and I'd do all this writing' Except, no, I wouldn't. I'd do the same amount of writing I do now and the rest of the time I'd go stir crazy. If you're waiting for the perfect moment you'll never write a thing because it will never arrive. I have no routine. I have no foolproof anything. There's nothing foolproof.
Casting is really a black art. It's a huge part of directing and it's the most invisible. It's one that people don't really think about or talk about. But you can really destroy your movie by casting it badly before you've shot a foot of film. And yet there are no guidebooks for it, there's no rule book to tell you how to do it. It's all your own experience and your own sensibility and your own intuition.
In terms of my conversations with [Vladimir] Putin, these are conversations that took place before the election. As I indicated, there has been very clear proof that they have engaged in cyber attacks. This isn't new. It's not unique to Russia. There are a number of states where we've seen low-level cyber attacks and industrial espionage and, you know, other behavior that we think should be out of bounds.
When I then went to Welling I had to think about the possibility of getting another job outside of football. If that hadn't worked out then I would probably have joined the family building firm, working as a ‘brickie’ or something like that. It is a big leap to be playing in the Champions League final - the biggest game of my career - but after what I've been through to get here, it holds no fears for me.
A weird theory I have is we come from a suppressed culture. Ireland is one of the most invaded countries ever. I think the British started it very early, it could be like 800 that decided to come and show us out; and the Danes in the north. We've had a tough time and pretty much a similar culture would be the Jewish culture; they had a pretty hard time. They were being kicked around for a long, long time.
The only thing better than good English writing is - I can't think of anything. You just don't pour it pureed over your potatoes. You savor it as if it were a find chardonnay. What on Earth does it matter if you stop and repeat a phrase, roll it around on your tongue, dart a few lines ahead and then suddenly come back and reread it? If the phrase is good enough, you are supposed to stop and rejoice in it.
I think the fact that she [Eleanor Roosevelt] was a woman probably in those days would have been an additional criticism, although first ladies by definition in those days were women. There's always been a problem and still is, about the role the first lady should play, of course. Everybody's seen it in Jackie Kennedy and Nancy Reagan and, heaven knows, Hillary Clinton. So the problem has not been solved.
The basis of artistic creation is not what is, but what might be; not the real, but the possible. Artists create according to the same principles as nature, but they apply them to individual entities, while nature, to use a Goethean expression, thinks nothing of individual things. She is always building and destroying, because she wants to achieve perfection, not in the individual thing, but in the whole.
I do think they [French] view my writing itself as exotic - though that's probably not the best term for it - to a small extent, mainly because I say things that most French writers would probably hesitate to say for fear of offending someone or upsetting public sensibilities. I don't think that answers the question, but I'm not much good at figuring readers out or I would probably be writing bestsellers.
You think that your silence on certain topics, perhaps in the face of injustice, or unkindness, or mean-spiritedness, causes others to reserve judgement of you. Far otherwise; your silence utters very loud: you have no oracle to speak, no wisdom to offer, and your fellow men have learned that you cannot help them. Doth not wisdom cry, and understanding put forth her voice? We would be well to do likewise.
I can't emphasize more to you that I had the luxury, the privilege of living up here in Vancouver. I feel like I'm on vacation, and I get to work, as well. I don't think I need a vacation after working. I'd just like to really look with a positive outlook in being here in such a beautiful city. I really am feeling lucky on the days off that I have, that I'm here on vacation in Vancouver, British Columbia.
I don't think it was me getting rid of any sort of imageI do specific things in my career that are tailored for a specific audience. Obviously I have a younger generation that looks at me - and I really appreciate that. And I just did an animated movie, so I want to respect that and still do things that will earn me that respect. But I also want to do things that challenge me and put me out of my element.
I didn't know how to check other people's feeds. When I started Instagram, it was just me posting! But then at some point, like eight months ago, I realized I could see what other people were sharing. It was so exciting and so fun, but it was like I'd already gotten into the rhythm of sharing and not worrying about what it was like compared to other accounts. I think that was kind of protective, in a way.
In the absence of government each man learns to think, to act for himself, without counting on the support of an outside force which, however vigilant one supposes it to be, can never answer all social needs. Man, thus accustomed to seek his well-being only through his own efforts, raises himself in his own opinion as he does in the opinion of others; his soul becomes larger and stronger at the same time.
The avant-garde theater is fun; it is free-wheeling, bold, iconoclastic, and often wildly, wildly funny. If you will approach it with childlike innocence -- putting your standard responses aside, for they do not apply -- if you will approach it on its own terms, I think you will be in for a liberating surprise. I think you may no longer be content with plays that you can't remember halfway down the block.
There are stories, like maps that agree... too consistent among too many languages and histories to be only wishful thinking.... It is always a hidden place, the way into it is not obvious, the geography is as much spiritual as physical. If you should happen upon it, your strongest certainty is not that you have discovered it but returned to it. In a single great episode of light, you remember everything.
I've been offered nymphomaniacs, kleptomaniacs, pyromaniacs, homicidal maniacs and just plain maniacs. I think producers felt that after playing a long series of noble and admirable characters there would be quite a lot of shock value in seeing me play something altogether different. But I prefer upbeat stories that send people out of the theater feeling better than they did coming in. It's my cup of tea.
What if consciousness is the ground of being? What if the possibilities discovered by quantum physics are the possibilities of consciousness itself? Remember there is already a class of people who think in this way. They are called mystics, and they say it is all God. Finally, a few scientists dared to say that some of the characteristics attributed to God are similar to what we describe as consciousness.
In adolescence, it's 'How do I fit in?' In your 20s, 'What do I want to do?' Your 30s, 'Is this what I'm meant to do?' I think the trick is living the questions. Not worrying so much about what's ahead but rather sitting in the gray area; being okay with where you are. If you can find the parity between 'Where am I going?' and 'What's my purpose?' you've got two pretty solid pillars for your coffee table.
I would like to see a critical mass of very gifted anarchists come together in an appropriate place in order to do highly productive work. That's it. I don't know why that can't be done except for the fact that I think that people mistrust their own ideals today. I don't think that they don't believe in them; I think they mistrust the viability of them. They're afraid to commit themselves to their ideals.
I cannot think of a more personally rewarding and appropriate use of wealth than to give while one is living - to personally devote oneself to meaningful efforts to improve the human condition. More importantly, today's needs are so great and varied that intelligent philanthropic support and positive interventions can have greater value and impact today than if they are delayed when the needs are greater.