Quotes of All Topics . Occasions . Authors
Every time I start to get worked up over something, I just think to myself, 'Is this really going to matter in my life tomorrow, in an hour, in a year?' You just can't get stressed about the little things 'cause it's just not worth it at the end of the day.
The BBC sports department when I was there was seriously to the right of Ghengis Khan, and if people think I am strange, they should have met some of the production staff I worked with. Margaret Thatcher and the Queen were the pin up girls for many of them.
I wanted to go to drama school, but when I got the part in 'Falling,' I got an agent, so it seemed a good idea to work. I always did a lot of singing and dancing, so I am glad it worked out that way. I would like to study stage acting at some point, though.
You look at the best players in the game - Wayne Gretzky, Bobby Orr - they didn't sit on the couch and then one day join the NHL. They worked on their game. Their talent was perseverance, dedication. Those are talents to me; that's what gets you to the NHL.
When I was thin, I had no notion of what being fat is like. When I worked in a department store, I had sold clothes to women of most sizes, so I should have known; but perhaps you have to experience the state from the inside, to understand what fat is like.
We worked very hard to make the lyrics suit the music. I can't, like Elton John, for example, compose by lyrics. Elton has a great talent for that. Whatever you give him, including your questions, he composes in half an hour and makes a great song out of it.
Well, it's been an interesting career. Since I last appeared on 'Top Of The Pops,' I've been doing about 150 live shows every year. The live shows have always been well received and they consistently worked, it's just the records that haven't been very good.
There's a lot of surplus rage from the '60s that was never really worked through publicly. I think a lot of that rage still exists, and I think you see that when John McCain runs a commercial that beats up on Hillary Clinton's earmark for a Woodstock museum.
My problem was that I was blond. There were no heroes with blond hair. Robert Taylor and Henry Fonda, they all had dark hair. The only one I found was Van Johnson, who wasn't too cool. He was a nice, homely American boy. So I created my own image. It worked.
As a child growing up in refugee camps, life taught me that many things were impossible. My older sister, Claire, taught me otherwise when her strength and resilience made the impossible possible in the way she worked, behaved, and took control of our lives.
I worked with James Orange and Hosea Williams as a teenager, and he's portrayed in the movie by Wendell Pierce. So, for me to be able to come in, 20 years after working with them as a teenager, and to portray Reverend James Orange in 'Selma' is mind-blowing.
A lot of people, when they see my career, they hear or remember, 'Sat on the bench four years in college, got cut by the Packers, worked in a grocery store, and then won the Super Bowl.' That's kind of the timeline the people see when they hear 'Kurt Warner.'
One of the reasons I got into acting to begin with is that I was trying to figure out how life worked. It was interesting to me to try and follow how other people, real or imaginary, would deal with problems, because I was trying to deal with my own problems.
I worked on scores. I went to the musical library in Berlin which is very famous. I discovered that we had scores of Beethoven, printed scores of Beethoven, that are full of mistakes. Not the wrong or false notes, but the wrong dynamic, understandable things.
Having worked in disasters, I have seen that, in those critical first few hours, those first few days - so much ends up riding on you and your neighbor and whoever is around. The official response always comes later, and it always feels like it comes too slow.
The idea of me writing something that I'd get to be in as well was not what I saw coming. I do think that life works that way. When you kind of let go of something and accept that it hasn't worked, it takes all the pressure off, and then you end up getting it.
I do feel kind of guilty sometimes 'cause, like, I could buy myself a $5,000 dress or a $3,000 dress, and I'm buying these things, but I'm knowing that my cousin need money for the rent. And then I gotta tell myself, 'Stop feeling guilty. You worked for this.'
When I was a kid, I worked in the circus. It was a touring circus that was owned by a man named Terrell Jacobs. It was just one big tent, and he was a lion tamer. He didn't have any kids, but the bit was that I would dress up as his son in an identical outfit.
When I was younger, I would go to auditions to have the opportunity to audition, which would mean another chance to get up there and try out my stuff, or try out what I learned and see how it worked with an audience, because where are you gonna get an audience?
I'm extremely proud I was born and raised in the Bay Area and loved representing Oakland. I started recording in the Bay Area and worked with a lot of different producers. But I always wanted to collaborate with different writers and get different perspectives.
The people of Canada have worked hard to build a country that opens its doors to include all, regardless of their differences; a country that respects all, regardless of their differences; a country that demands equality for all, regardless of their differences.
I worked as a teacher in the public school system in New York City for several years, and I was a victim of the layoffs, you know, in the mid-'70s. And then I worked as a sales engineer for a company in New Jersey that was selling industrial filtration equipment.
I did plays in high school, but I was convinced you couldn't make a living doing it. You don't have a lot of options in Indiana anyway, though, so I didn't want to stay there. I graduated early and worked a bunch of really odd jobs, and then I joined the Marines.
All I wanted to do when I was a teenager was get dropped off at a radio station - one of the ones I listened to - and watch how the shows worked. After a point it was about showing up and driving people crazy, driving the van to promotions and sneaking on the air.
I had joined Yes in 1971. I was a classically trained musician who had worked with numerous artists as a session musician. I played on David Bowie's 'Life On Mars,' Cat Stevens's 'Morning Has Broken' and even on some Des O'Connor records, though I kept that quiet.
Every business decision I ever made I learned from my grandfather Papa Sam. He moved here from Russia when he was a boy. He worked his way up selling newspapers and ladies' handbags, and eventually, he became Cadillac Sam, one of the biggest car dealers in Chicago.
I had what Leicester gave me but then I worked with a guy around my house, a guy that my agent recommended. I worked with him for the three weeks solid, leading back into pre-season. We were just doing horrible running. Minging running! It wasn't pretty to be fair!
The American surge of combat forces into Baghdad that was ordered by President Bush worked. And there was a calm, a relative calm that descended on the country kind of late 2008. That pretty much held until the last American combat soldiers left at the end of 2011.
I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.
There's pride on Bourbon Street for the musicians that work there. They take it very seriously. I've never worked there or played in band there, but it's a part of the city. They play for the tourists and represent a whole different side of the culture of our city.
I worked with fantastic actors, fantastic directors. People I would never otherwise have met. Was I limited? Yes. Did I use it as I could have? No. But I was always ambivalent about Hollywood and what I wanted. And ambivalence in our business is no good for success.
For long-duration exploration missions, NASA is looking for folks with a lot of operational, hands-on experience, people who have been in field-type situations such as military deployments. In my case, I worked in the Congo and in Biosafety Level 4 labs on smallpox.
Guest roles are how you get initiated into the industry. It's fun. Over the course of a few years you realise you've done many shows. You get a chance to prove yourself, and that's how you get jobs because of people who have worked with you in the past and trust you.
I never really thought of myself as a musician. I'm not saying Sonic Youth was a conceptual-art project for me, but in a way, it was an extension of Warhol. Instead of making criticism about popular culture, as a lot of artists do, I worked within it to do something.
My mother was a sociologist and an intellectual, and my father was an industrialist with a business in copper and aluminum wire. He was very strict and he wanted me to work in the family business - for him, the worst thing was having a daughter who worked in fashion.
Mascara can definitely be one of the hardest parts of the beauty routine. Nothing is worse than when you are applying your mascara, and you've worked an hour on the most flawless blended eye shadow, and with one slip of the finger, your mascara is all over your face.
One of my direct subordinates, one of my guys that worked for me, he would call me up or pull me aside with some major problem, some issue that was going on. And he'd say, 'Boss, we've got this, and that, and the other thing.' And I'd look at him and I'd say, 'Good.'
What you learn from my life is, first of all, that anybody can be a leader. You can be a leader. I wasn't born that way - I developed it, I worked at it. And also that the grassroots can organize and take on all the powers that be and defeat them. That is the lesson.
I've done so many jobs. As an actor, you have to. I didn't have my parents footing the bill when I moved to New York. I moved here with, like, 300 bucks. I was a bike messenger. I was a waiter. I was a bartender. I worked in a consignment shop for high-end designers.
I haven't worked enough to worry about getting typecast, but I do as a film lover didn't want to be working with the bad guys. I didn't want to be making a movie I thought was contributing to a lower base of movies that I just didn't think were helping people, really.
The split between religion and science is relatively new. Isaac Newton, who first worked out the laws by which gravity held the planets and even the stars in their traces, was sufficiently impressed by the scale and regularity of the universe to ascribe it all to God.
For about a year, I worked for 'Daily Kos.' They were great. I mean, they allowed me to write whatever I was thinking about and feeling. 'The New York Daily News' saw it. They were making some pretty big changes. They hired a new editor in chief. I was his first hire.
Without mincing words or really embellishing anything... I consider Mike Alsbury the renaissance man. He could do it all. He was an engineer. He was a pilot. He worked well with others. He had a great sense of humor. I never heard him raise his voice or lose his cool.
Apart from the emergency aid we provide to alleviate the sufferings of victims of natural disasters, calamities and crises, we worked for transforming U.A.E.'s charity activities into an institutional activity with an aim of making them more effective and sustainable.
I moved to New York aged 16, and worked part-time in a Korean store in South Bronx selling groceries, bread and confectionery. I earned $10 and it was painful because I didn't want to be there. I also worked in Debenhams as a kid, and a Wimpy in Brighton when I was 20.
I worked seven years in territories in Japan and Puerto Rico and worked my way up to the main events on those cards, then went to the WWF and spent a little while there before I got into the Intercontinental run and a main event runs with Shawn Michaels and Kevin Nash.
I can tell you who I'd like to work with as far as rock legends. Definitely Dave Grohl from the Foo Fighters. Of course Linkin Park. Actually, I already worked with Travis Barker on a couple of things. Gotta let the drummer get some. Possibly Paramore, Hayley Williams.
The greatest competitor was Bob Gibson. He worked so fast out there and he always had the hood up. He always wanted to close his own deal. He never talked to you because he was battling so hard. I sure as hell don't miss batting against him, but I miss him in the game.
God gave you a brain. Do the best you can with it. And you don't have to be Einstein, but Einstein was mentally tough. He believed what he believed. And he worked out things. And he argued with people who disagreed with him. But I'm sure he didn't call everybody jerks.
Pumping iron is not what it used to be. It doesn't have the personality it used to. When we started out, people who worked out had nothing. Now there is so much money involved; back then it was the love of the sport. We appreciated what we have. Today it's not the same.