Quotes of All Topics . Occasions . Authors
I've worked with all sorts of random people - everybody from Metallica to Britney Spears to Ozzy Osbourne to Michael Jackson to the Beastie Boys. I've got a really strange CV. It's interesting - I work with a lot of these disparate, different people to learn what it's like to work with random people.
I worked for George Bush. I'm proud to have worked for him. I think that a lot of the most controversial things we did, that people didn't like and - and criticized us for, things like the terror surveillance program or the enhanced interrogation techniques, were things that allowed us to save lives.
From 1975-'79, I worked for PGA professional Tony Bruno. For five years I watched, lost in admiration, as Tony ran the golf shop at Battleground Country Club in Manalapan, N.J. Tony put in 80-hour weeks doing what nearly 29,000 men and women club pros do every day: Keeping the game alive with a smile.
I have a feeling a lot of the records I grew up listening to and the records I still like, as hard as musicians worked making them, I feel like they were really enjoying what they were going through. They weren't just going through the process. You can tell that with certain things that you listen to.
I can't speak American dog very well. There was a lot of improvisation with Uggie - like when I put the dog on the table or sometimes I follow him, sometimes he follows me. I had a lot of treats in my pocket. We worked with Omar Von Muller, the dog trainer. It was very easy because it was a big movie.
I did not start hunting until later in life. When I was a kid growing up in Pennsylvania, my dad worked at a steel mill, and we didn't have the means to buy guns or take off and go hunting. But I loved being outdoors. I built tree stands and ground blinds in the woods and pretended that I was hunting.
The thing which attracted me to Google and to the Internet in general is that it's a great equalizer. I've always been struck by the fact that Google search worked the same, as long as you had access to a computer with connectivity, if you're a rural kid anywhere or a professor at Stanford or Harvard.
I am originally a surd who was born in Delhi in 1982, just two years before the Sikh riots, so all my childhood pictures are in baby frocks with ponytails, as my parents wanted to hide the fact that I was a Sikh boy, given the riots. My dad worked for a travel agency, and we soon moved to Saudi Arabia.
What a person feels within themselves and about themselves radiates from them. Trust me, I have worked with people - both men and women - who are not what most would consider conventionally attractive, but who exude such a magnetism about them that people are compelled to watch them on stage or screen.
Can I jump over two or three guys like I used to? No. Am I as fast as I used to be? No, but I still have the fundamentals and smarts. That's what enables me to still be a dominant player. As a kid growing up, I never skipped steps. I always worked on fundamentals because I know athleticism is fleeting.
While on top of Everest, I looked across the valley towards the great peak Makalu and mentally worked out a route about how it could be climbed. It showed me that even though I was standing on top of the world, it wasn't the end of everything. I was still looking beyond to other interesting challenges.
My father's Alfred Newman - born in 1900, child prodigy at the piano, ended up in pit orchestras in the teens. I think he's one of the youngest conductors to conduct Broadway and worked with George Gershwin and Jerome Kern and Cole Porter - went out with Irvin Berlin in 1930 to Hollywood and never left.
Some of George W. Bush's friends say that Bush believes God called him to be president during these times of trial. But God told me that He/She/It had actually chosen Al Gore by making sure that Gore won the popular vote and, God thought, the Electoral College. 'That worked for everyone else,' God said.
What I remember most about junior homecoming was my date getting sick afterwards. That kinda sucked. Then, senior year, someone got gum in her hair when we were dancing. She had to get one of the chaperones to take her to the office and cut up her hair. I felt really bad for her, but it worked out fine.
I worked at a movie theater in Tempe, Arizona, when I went to community college there. And I got fired because a sorority had rented out a theater to watch 'Titanic,' and they were being really rude to me while they were waiting for the movie. So as I tore their tickets, I told them the end of the movie.
My dad, he worked rebar, an ironworker. Watching my pops get up every single morning, going into work, working hard - I think that really made me want to work that hard, wanted to make me get up early and go for a run or get a lift in or get some extra hitting in and really try to better myself every day.
I went to university for a year, and I'm not one for schooling and have no enjoyment sitting in a classroom all day and ended up going to live in England for two years, just to travel. I worked in a bar in a hotel for a couple of years and had no intention of becoming an actor. That's where I met my agent.
I've worked with a lot of gay and lesbian organizations. I sit on the board of the Empire State Pride Agenda. I've also done a lot of work for Broadway Care/Equity Fights AIDS. I think it's important because, when we can be of service to others, it only enhances our lives. I've been helped a lot in my life.
In his first year in office, President Obama pulled us back from the brink of the greatest economic crisis since the Great Depression and worked to lay a new foundation for economic growth. The president identified three key strategies to build that lasting prosperity: innovation, investment, and education.
When I was growing up, if there was a Young Adult section of my town's library, I missed it. I wandered right from 'The Babysitter's Club' over to Stephen King. His books were big and fat and they seemed important. I eventually worked my way through most of the shelf, but 'It' is the one that stuck with me.
The beauty of a finely worked object points to the beauty of the craftsmanship. The beauty of the craftsmanship points to the beauty of the name which was the source of the craftsmanship. The beauty of the name of the craftsman's art points to the beauty of the craftsman's attributes manifested in that art.
There was a guy by the name of Charles Schwab: actually, Charles M. Schwab. I read a lot about him, and I always hoped I was related, but I wasn't. He was a steel magnate. He worked for J.P. Morgan; then he started Bethlehem Steel. But he had no children, unfortunately, and it turned out I wasn't a relative.
It is hard to put aside partisanship. It is hard to give up the easy wisecracking jeer that divides and destroys. It is hard - very hard - to have worked sincerely and wholeheartedly for a cause and to have lost. Most of all, it is hard to put aside personal prejudices. And yet we must put these things aside.
I was a mother who worked ridiculously hard to keep catastrophe at bay. I didn't allow my kids to eat hamburgers for fear of E. coli. I didn't allow them to play with rope, string, balloons - anything that might strangle them. They had to bite grapes in half, avoid lollipops, eat only when I could watch them.
Idris Elba saved my butt in a point in my career that he can do whatever he wants, and I will back his decision no matter what. He got me one of my first pretty big studio gigs, and we had never worked together... It was a time in my life where I really needed it. So whatever Idris wants to do, I'm down with.
There are some people who are naturally talented, who just have it coming out of their ears; they just sparkle with talent. Some people - and I put myself in this category - don't fit a mould. I always looked a lot older. I was as tall as a giraffe, even at ten, but I found my place, and I really worked at it.
The main thing is confidence. I'm gaining more and more confidence to do whatever I want to do on the basketball court, whether it is shooting threes or sprinting to the rim and finishing or ball handling. I'm confident enough because I have worked on it that I am going to do the exact same things in the game.
I worked with Jack Nitzsche for 'One Flew Over the Cuckoo's Nest,' and we'd booked a symphony orchestra. He dismissed them and came with a little man who poured water into glasses of different sizes to make a glass harmonica. And most of the music for the film was that - with some Indian flutes and some drums.
Later on, when I signed with Sony, we wanted to re-release 'Fade' as 'Faded' with a brand new mix and with vocals by Iselin Solheim. I think Iselin was the first person who sung demo vocals for 'Faded.' And it worked out great! The way I got in touch with Iselin was through a guy that I work with in the studio.
My first job out of law school was on the Court of Appeals for the Tenth Circuit, where Gorsuch is a judge. I observed in the year that I worked at the court what many litigants and commentators have since noted: that Gorsuch possesses an incisive legal mind, writes with skill and wit, and is scrupulously fair.
I worked in a chicken factory, in a steel foundry, I worked on the bins for a year or so. It started as a summer job, but I stayed on because I liked it very much. I liked it that it made you very fit, doing all the lifting and that, so I could wear short-sleeved t-shirts, which I'd never been able to do before!
You could summarize everything I did at Apple was making tools to empower creative people. 'QuickDraw' empowered all these other programmers to now be able to sling stuff on the screen. The 'Window Manager,' 'Event Manager,' and 'Menu Manager.' Those are things that I worked on that were empowering other people.
From 1961 to 1964, I was fortunate enough to work at a think tank in the Kenwood neighborhood of Chicago. As a writer and editor, I reported in a publication about the thinkers. Our offices were in a former mansion; I worked in what had been the ballroom. As I sat typing my copy, I imagined the dancers waltzing.
Our work on light bulbs wasn't an arbitrary mandate. We didn't just pick a standard out of the air, or look for a catchy sounding standard like 25 by 2025 not based in science or feasibility. Instead, we worked with both industry and environmental groups to come up with a standard that made sense and was doable.
We have 11 great potato flavors, and customers have been clamoring for tortilla. For over a year, we worked to develop the four flavors of tortilla popchips: chili limon, nacho cheese, ranch and salsa. They're made with traditional stoneground masa, are gluten-free, and have less than half the fat of other chips.
It's worth pointing out that conflicts between racially oppressed people often result from the fact that colonialism worked on divide and rule. Certain ethnic, religious, racial or indigenous groups were deliberately privileged over others in order to create a sense of investment in upholding the power structure.
Donald intends to represent all the people, not just some of the people. That includes Christians and Jews and Muslims; it includes Hispanics and African Americans and Asians, and the poor and the middle-class. Throughout his career, Donald has successfully worked with people of many faiths and with many nations.
I'm not into animal rights. I'm only into animal welfare and health. I've been with the Morris Animal Foundation since the '70s. We're a health organization. We fund campaign health studies for dogs, cats, lizards and wildlife. I've worked with the L.A. Zoo for about the same length of time. I get my animal fixes!
I was born in St. Louis; I lived there for three weeks and then my father graduated from St. Louis University, so we all got in the car and split. I don't really remember much. I grew up in Connecticut most of my life and then four years in Germany. My father worked for a helicopter company, so we went over there.
I felt like the luckiest kid in the world. And I was. I was growing up middle-class in a time when growing up middle-class in America meant there would be jobs for my parents, good schools for me to prepare myself for a career, and, if I worked hard and played by the rules, a chance for me to do anything I wanted.
I see film roles as lovely presents that come along now and again. I feel really lucky and say thank you very much. And if they fly me to L.A., I think, 'God, I must really be doing well.' I've worked with De Niro and Brando and Pacino, and that's made me feel very lucky. But the films have never meant a lot to me.
Harry Potter to me is a bore. His talent arrives as a gift; he's chosen. Who can identify with that? But Hermione - she's working harder than anyone, she's half outsider, right? Half Muggle. She shouldn't be there at all. It's so unfair that Harry's the star of the books, given how hard she worked to get her powers.
When I first got into the major label system, they were like, 'Hey, you're great - now write with a million people so we can get songs.' That was something I hadn't done before, and the songwriters I was working with had worked on some massive numbers - like 'True Colours.' One of the guys wrote 'Livin On A Prayer.'
To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills - you learn to listen, you learn to take notes - everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels.
'Perfection' to me is, I walk away from a situation and say, 'I did everything I could do right there. There was nothing more that I could do.' I was a hundred percent, like the meter was at the top. There was nothing else I could have done. You know? Like, I worked as hard as I possibly could have. That's perfection.
I have worked with artists who are super-young and new and experiencing success, and I feel bad because I can see it in their eyes that they truly think that is it for the rest of their life. And I am like, 'It may be, but you have to work at it, and even if you do, it may not be, so enjoy what is going on right now.'
At nineteen I was pretty sure I was going to be a professional soccer player. At that time I played for one of the Norwegian premier leagues. But I tore ligaments in both knees, so I started studying business administration and economics and became a financial analyst, and I worked at a brokerage firm as a stockbroker.
I worked hard to be accepted by the fashion community in ways beyond my physical appearance. In no time, though, I found myself surrendering to the industry's approval process. I felt like I needed validation from everyone. As a result, I lost sight of myself and what it meant to be happy, what it meant to be successful.
The bodies we have are not made for extended use. We must cope with accumulated DNA damage, cell damage, muscle atrophy, bone loss, decreased muscle mass, and joints worn out from overuse during a lifetime of bipedal locomotion. It might have worked great for prehistoric humans, but it wreaks havoc on our knees and hips.
In a global race, can we really justify the huge number of expensive peripheral European institutions? Can we justify a commission that gets ever larger? Can we carry on with an organisation that has a multibillion pound budget but not enough focus on controlling spending and shutting down programmes that haven't worked?