Quotes by Tom Scholz - Page 2

Playing live was always definitely a lot more fun. You picture it: working alone in the studio eight or 10 hours a day with nobody else there, being frustrated and driven crazy by all of the things that you have to deal with, vs. thousands of people screaming and singing along with you playing.
Tom Scholz / Musician
Alone
Driven
Eight
Frustrated
Hours
Singing
Picture
Nobody
Deal
Definitely
Nobody Else
Studio
Screaming
Thousands
Thousands Of People
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The problem is that once I start on a song and get a rough idea of where I might go with an arrangement, I try dozens, sometimes hundreds, of different things on a song. The bass, the backing guitars, the lead guitars, the keyboards. It's a long process. It's like 100 steps forward and 99 steps back.
Tom Scholz / Musician
Different Things
Rough
Steps
Arrangement
Backing
Dozens
Guitars
Hundreds
Long Process
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I took classical piano for a couple of years, but I sort of lost interest - I couldn't read a note today if I tried. I still enjoy that stuff, and I think I naturally gravitate towards the classical licks; in fact, I know that I do. I gravitate towards the classical licks that I heard by famous old composers.
Tom Scholz / Musician
Famous
Couple
Heard
Lost
Naturally
Classical
Composers
Gravitate
Towards
In Fact
Note
Took
Tried
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I don't like the idea of having to reproduce a recorded song live that I sing. I have enough to do on stage. I'm really busy up there, and I'm really busy with everything I have to do for every show. Add having to worry about my voice and singing lead on a song or two, that's not something I necessarily want to do.
Tom Scholz / Musician
Add
Busy
Singing
Worry
Necessarily
Reproduce
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'Life, Love & Hope' is... I'm thinking 'larger picture.' I'm not trying to preach to anyone. We all get lost and caught up in our everyday problems. Your cellphone doesn't work or you got a parking ticket, you had a bad day at work. You can lose sight of the really important things in life; that's what the song is about.
Tom Scholz / Musician
Bad Day
Caught
Everyday
Important Things
Parking
Sight
Life Love Work
Picture
Preach
Ticket
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When I write a song and come up with an arrangement and a vocal part, it's always a challenge trying to find a singer who can interpret it sort of the way that I hear it, and it's a very difficult thing to do. I mean, singing is like playing an instrument - everybody does it a little bit different - singing maybe even more so.
Tom Scholz / Musician
Singing
Vocal
Arrangement
Always Difficult Way
Difficult Thing
Instrument
Interpret
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All Boston songs are fairly difficult to translate to the stage. None of them are especially easy to play or sing. A lot of them, of course, have very involved arrangements with lots of different sounds and sections that are difficult to play and sing. The prospect of doing any Boston song live is always an endeavor in itself.
Tom Scholz / Musician
Arrangements
Boston
Easy
Endeavor
Involved
Sections
Song
Stage
Translate
Fairly
Lots
Course
Different Sounds
None
Prospect
Sing
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I'm certainly aware of the fans. I'm always hoping that what I'm doing is something they'll like, because I do appreciate them. But, no, when I get into the studio, it's all about what I like. It's the same thing that led me to the possibility of making that first Boston album, which was to divorce myself from all other influences.
Tom Scholz / Musician
Appreciate
Boston
Divorce
Fans
Possibility
Myself Always Me
Album
Aware
Certainly
Hoping
Myself Me Fans
Influences
Led
Studio
Same Thing
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I can sit down at a piano or with a guitar and just chug away for hours and be perfectly content with whatever comes out. But when it comes to something that somebody else is going to listen to, then I do feel a great deal of pressure to do something that's exceptional, at least in what I consider to be at the limits of what I can do.
Tom Scholz / Musician
Exceptional
Hours
Limits
Pressure
Consider
Deal
Great Deal
Least
Perfectly
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Tom Scholz Quotes - Page 2

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