Quotes by Walter Benjamin - Page 3

In the end, we get older, we kill everyone who loves us through the worries we give them, through the troubled tenderness we inspire in them, and the fears we ceaselessly cause.
Walter Benjamin / Literary Critic
Giving
Inspire
Worry
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Any translation which intends to perform a transmitting function cannot transmit anything but information-hence, something inessential. This is the hallmark of bad translations.
Walter Benjamin / Literary Critic
Hallmark
Information
Language
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For only that which we knew and practiced at age 15 will one day constitute our attraction. And one thing, therefore, can never be made good: having neglected to run away from home.
Walter Benjamin / Literary Critic
Running
Age
Home
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The book borrower...proves himself to be an inveterate collector of books not so much by the fervor with which he guards his borrowed treasures...as by his failure to read these books.
Walter Benjamin / Literary Critic
Book
Prove
Treasure
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It is precisely the purpose of the public opinion generated by the press to make the public incapable of judging, to insinuate into it the attitude of someone irresponsible, uninformed.
Walter Benjamin / Literary Critic
Attitude
Incapable
Irresponsible
Judging
Media
Opinion
Public Opinion
Purpose
Uninformed
Public
Precisely
Press
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Work on a good piece of writing proceeds on three levels: a musical one, where it is composed, an architectural one, where it is constructed, and finally a textile one, where it is woven.
Walter Benjamin / Literary Critic
Musical
Woven
Writing
Copy Quote
It is in a small village in the Pyrenees where no one knows me 7that my life will come to a close.... There is not enough time remaining for me to write all the letters I would like to write.
Walter Benjamin / Literary Critic
Enough Time
Small Villages
Writing
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What we must demand from the photographer is the ability to put such a caption beneath his picture as will rescue it from the ravages of modishness and confer upon it a revolutionary use value.
Walter Benjamin / Literary Critic
Demand
Photographer
Use
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The present, which, as a model of Messianic time, comprises the entire history of mankind in an enormous abridgment, coincides with the stature which the history of mankind has in the universe.
Walter Benjamin / Literary Critic
Enormous
Mankind
Models
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It is the task of the translator to release in his own language that pure language that is under the spell of another, to liberate the language imprisoned in a work in his re-creation of that work.
Walter Benjamin / Literary Critic
Creation
Language
Tasks
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Marx says that revolutions are the locomotives of world history. But the situation may be quite different. Perhaps revolutions are not the train ride, but the human race grabbing for the emergency brake.
Walter Benjamin / Literary Critic
Different
Race
World
Copy Quote
True translation is transparent: it does not obscure the original, does not stand in its light, but rather allows pure language, as if strengthened by its own medium, to shine even more fully on the original.
Walter Benjamin / Literary Critic
Doe
Light
Shining
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Language has unmistakably made plain that memory is not an instrument for exploring the past but its theater. It is the medium of past experience, just as the earth is the medium in which dead cities lie buried.
Walter Benjamin / Literary Critic
Lying
Memories
Past
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Opinions are to the vast apparatus of social existence what oil is to machines: one does not go up to a turbine and pour machine oil over it; one applies a little to hidden spindles and joints that one has to know.
Walter Benjamin / Literary Critic
Doe
Existence
Joints
Machines
Oil
Over It
Apparatus
Vast
Hidden
Opinions
Pour
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We do not always proclaim loudly the most important thing we have to say. Nor do we always privately share it with those closest to us, our intimate friends, those who have been most devotedly ready to receive our confession.
Walter Benjamin / Literary Critic
Confession
Important
Intimate
Copy Quote
All religions have honored the beggar. For he proves that in a matter at the same time as prosaic and holy, banal and regenerative as the giving of alms, intellect and morality, consistency and principles are miserably inadequate.
Walter Benjamin / Literary Critic
Time
Consistency
Giving
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The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.
Walter Benjamin / Literary Critic
Art
Aversion
Conventional
Criticism
Decrease
Distinction
Enjoyed
Form
Greater
Significance
Social
Art Form
Public
Sharper
Truly
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We have long forgotten the ritual by which the house of our life was erected. But when it is under assault and enemy bombs are already taking their toll, what enervated, perverse antiquities do they not lay bare in the foundations.
Walter Benjamin / Literary Critic
Life
House
Long
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A blind determination to save the prestige of personal existence, rather than, through an impartial disdain for its impotence and entanglement, at least to detach it from the background of universal delusion, is triumphing almost everywhere.
Walter Benjamin / Literary Critic
Blind
Determination
Growth
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What has been forgotten is never something purely individual. Everything forgotten mingles with what has been forgotten of the prehistoric world, forms countless, uncertain, changing compounds, yielding a constant flow of new, strange products.
Walter Benjamin / Literary Critic
Forgotten
Has Beens
Individual
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Each morning the day lies like a fresh shirt on our bed; this incomparably fine, incomparably tightly woven tissue of pure prediction fits us perfectly. The happiness of the next twenty-four hours depends on our ability, on waking, to pick it up.
Walter Benjamin / Literary Critic
Life
Morning
Lying
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For me, it was like this: pronounced antipathy to conversing about matters of practical life, the future, dates, politics. You are fixated on the intellectual sphere as a man possessed may be fixated on the sexual: under its spell, sucked into it.
Walter Benjamin / Literary Critic
Men
Intellectual
May
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Nothing is poorer than a truth expressed as it was thought. Committed to writing in such cases, it is not even a bad photograph. Truth wants to be startled abruptly, at one stroke, from her self-immersion, whether by uproar, music or cries for help.
Walter Benjamin / Literary Critic
Truth
Self
Writing
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Bourgeois existence is the regime of private affairs . . . and the family is the rotten, dismal edifice in whose closets and crannies the most ignominious instincts are deposited. Mundane life proclaims the total subjugation of eroticism to privacy.
Walter Benjamin / Literary Critic
Mundane Life
Privacy
Rotten
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Of all the ways of acquiring books, writing them oneself is regarded as the most praiseworthy method. Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.
Walter Benjamin / Literary Critic
Dissatisfied
Method
Oneself
Praiseworthy
Acquiring
People Poor Who
Writers
Regarded
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In other words, the unique value of the "authentic" work of art has its basis in ritual, the location of its original use value. This ritualistic basis, however remote, is still recognizable as secularized ritual even in the most profane forms of the cult of beauty.
Walter Benjamin / Literary Critic
Art
Location
Unique
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During long periods of history, the mode of human sense perception changes with humanity’s entire mode of existence. The manner in which human sense perception is organized, the medium in which it is accomplished, is determined not only by nature but by historical circumstances as well
Walter Benjamin / Literary Critic
Historical
Humanity
Long
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He who seeks to approach his own buried past must conduct himself like a man digging... This confers the tone and bearing of genuine reminiscences. He must not be afraid to return again and again to the same matter; to scatter it as one scatters earth, to turn it over as one turns over soil.
Walter Benjamin / Literary Critic
Men
Past
Real
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The Messiah comes not only as the redeemer, he comes as the subduer of Antichrist. Only that historian will have the gift of fanning the spark of hope in the past who is firmly convinced that even the dead will not be safe from the enemy if he wins. And this enemy has not ceased to be victorious.
Walter Benjamin / Literary Critic
Enemy
Past
Winning
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[Photography] has become more and more subtle, more and more modern, and the result is that it is now incapable of photographing a tenement or a rubbish heap without transfiguring it. Not to mention a river dam or electric cable factory: in front of these, photography can now only say, How beautiful!
Walter Benjamin / Literary Critic
Beautiful
Photography
Rivers
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Taking food alone tends to make one hard and coarse. Those accustomed to it must lead a Spartan life if they are not to go downhill. Hermits have observed, if for only this reason, a frugal diet. For it is only in company that eating is done justice; food must be divided and distributed if it is to be well received.
Walter Benjamin / Literary Critic
Food
Done
Justice
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If mythic violence is lawmaking, divine violence is law-destroying; if the former sets boundaries, the latter boundlessly destroys them; if mythic violence brings at once guilt and retribution, divine power only expiates; if the former threatens, the latter strikes; if the former is bloody, the latter is lethal without spilling blood
Walter Benjamin / Literary Critic
Blood
Guilt
Law
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Reminiscences, even extensive ones, do not always amount to an autobiography. For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have at the moment of commemoration.
Walter Benjamin / Literary Critic
Space
Here I Am
Years
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Only he who can view his own past as an abortion sprung from compulsion and need can use it to full advantage in the present. For what one has lived is at best comparable to a beautiful statue which has had all its limbs knocked off in transit, and now yields nothing but the precious block out of which the image of one's future must be hewn.
Walter Benjamin / Literary Critic
Experience
Beautiful
Block
Past
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By close-ups of the things around us, by focusing on hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities which rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action.
Walter Benjamin / Literary Critic
Cameras
Fields
Hands
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The destructive character knows only one watchword: make room. And only one activity: clearing away. The destructive character is young and cheerful. For destroying rejuvenates, because it clears away the traces of our own age; it cheers, because everything cleared away means to the destroyer a complete reduction, indeed a rooting out, of his own condition.
Walter Benjamin / Literary Critic
Age
Character
Cheerful
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Not to find one's way in a city may well be uninteresting and banal. It requires ignorance - nothing more. But to lose oneself in a city - as one loses oneself in a forest - that calls for a quite different schooling. Then, signboard and street names, passers-by, roofs, kiosks, or bars must speak to the wanderer like a cracking twig under his feet in the forest.
Walter Benjamin / Literary Critic
Cities
Feet
Ignorance
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He who asks fortune-tellers the future unwittingly forfeits an inner intimation of coming events that is a thousand times more exact than anything they may say. He is impelled by inertia, rather than curiosity, and nothing is more unlike the submissive apathy with which he hears his fate revealed than the alert dexterity with which the man of courage lays hands on the future.
Walter Benjamin / Literary Critic
Men
Fate
Hands
Copy Quote
Having a clear faith, based on the creed of the church is often labeled today as fundamentalism. Whereas relativism, which is letting oneself be tossed and Of all the ways of acquiring books, writing them oneself is regarded as the most praiseworthy method. Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.
Walter Benjamin / Literary Critic
Book
People
Writing
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... [L]ess than at any time does a simple reproduction of reality tell us anything about reality. A photograph of the Krupp works or GEC yields almost nothing about those institutions. Reality proper has slipped into the functional. The reification of human relationships, the factory, let's say, no longer reveals these relationships. Therefore something has to be constructed, something artificial, something set up.
Walter Benjamin / Literary Critic
Reality
Simple
Yield
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Less and less frequently do we encounter people with the ability to tell a tale properly. More and more often there is embarrassment all around when the wish to hear a story is expressed. It is as if something that seemed inalienable to us, the securest among our possessions, were taken from us: the ability to exchange our experiences...Experience has fallen in value. And it looks as if it is continuing to fall into bottomlessness.
Walter Benjamin / Literary Critic
Fall
People
Taken
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Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.
Walter Benjamin / Literary Critic
Attitude
Giving
Mean
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Uncleanness is so much the attribute of officials that one could almost regard them as enormous parasites...In the same way the fathers in Kafka's strange families batten on their sons, lying on top of them like giant parasites. They not only prey upon their strength, but gnaw away at the sons' right to exist. The fathers punish, but they are at the same time the accusers. The sin of which they accuse their sons seems to be a kind of original sin.
Walter Benjamin / Literary Critic
Father
Integrity
Lying
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Man is the namer; by this we recognize that through him pure language speaks. All nature, insofar as it communicates itself, communicates itself in language, and so finally in man. Hence, he is the lord of nature and can give names to things. Only through the linguistic being of things can he get beyond himself and attain knowledge of them-in the name. God's creation is completed when things receive their names from man, from whom in name language alone speaks.
Walter Benjamin / Literary Critic
Men
Giving
Names
Copy Quote
The power of a text when it is read is different from the power it has when it is copied out. Only the copied text thus commands the soul of him who is occupied with it, whereas the mere reader never discovers the new aspects of his inner self that are opened by the text, that road cut through the interior jungle forever closing behind it: because the reader follows the movement of his mind in the free flight of day-dreaming, whereas the copier submits it to command.
Walter Benjamin / Literary Critic
Dream
Book
Reading
Copy Quote
Not to find one's way around a city does not mean much. But to lose one's way in a city, as one loses one's way in a forest, requires some schooling. Street names must speak to the urban wanderer like the snapping of dry twigs, and little streets in the heart of the city must reflect the times of day, for him, as clearly as a mountain valley. This art I acquired rather late in life; it fulfilled a dream, of which the first traces were labyrinths on the blotting papers in my school notebooks.
Walter Benjamin / Literary Critic
Art
Dream
Notebook
Mean
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There was the pedestrian who wedged himself into the crowd, but there was also the flneur who demanded elbow room and was unwilling to forego the life of the gentleman of leisure. His leisurely appearance as a personality is his protest against the division of labour which makes people into specialists. it was also his protest against their industriousness. Around 1840 it was briefly fashionable to take turtles for a walk in the arcades. the flneurs liked to have the turtles set the pace for them.
Walter Benjamin / Literary Critic
People
Personality
Turtles
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The fairy tale, which to this day is the first tutor of children because it was once the first tutor of mankind, secretly lives on in the story. The first true storyteller is, and will continue to be, the teller of fairy tales. Whenever good counsel was at a premium, the fairy tale had it, and where the need was greatest, its aid was nearest. This need was created by myth. The fairy tale tells us of the earliest arrangements that mankind made to shake off the nightmare which myth had placed upon its chest.
Walter Benjamin / Literary Critic
Children
Needs
Stories
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This is how one pictures the angel of history. His face is turned toward the past. Where we perceived a chain of events, he sees one single catastrophe which keeps piling wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistably propels him into the future to which his back is turned, while the pile of debris before him grows skyward. The storm is what we call progress.
Walter Benjamin / Literary Critic
Angel
Past
Wings
Copy Quote

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Walter Benjamin Quotes - Page 3

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