I've been trying to keep the private life private. Not being savvy or trained on how to do good interviews like a politician, I thought it was wiser to follow my mother's advice: If you have nothing good to say, don't say anything at all.

I think that all of us, as Americans, are due due process and have a right to a fair trial, and have a right to be considered innocent until proven guilty. I think that is the American way and it's the foundation upon which this country was built.

There's a lot of great stuff on television and that's very appealing to actors who want to work, who do good quality and high quality work. But you're always concerned that the time demands on television will interrupt or interfere with your film work.

I've reduced a lot of the stress in my life. I've gotten rid of a lot of things. The light was turned on and a lot of the cockroaches started spinning. I swept them out the door. And sometimes you just have to throw things out because they carry a certain energy.

People wanted to move to America because of Michael Jackson. Industry changed, the music industry changed, because of Michael Jackson. That's a gift to us, and, you know, I am concerned that the Good Lord may not send another one because we did not take good care of him.

In film you have the script months ahead of time often, for a good film, but in television it seems like you might not get the script until a week or two weeks before you've got to film it. It's a little weird, but also quite challenging. It reminds me of repertory theatre.

I had acne late, in college. My skin used to be really flawless. Went to college, became a vegetarian, ate a lot of cheese - big mistake. Here I am trying to be healthy and I'm eating grilled cheese sandwiches and French fries every day, having mad eruptions all over my face.

I like science fiction and physics, things like that. Planets being sucked into black holes, and the various vortexes that create possibility, and what happens on the other side of the black hole. To me it's the microcosmic study of the macrocosmic universe in man, and that's why I'm attracted to it.

I think the key that differentiates the good actors from the mediocre ones that are still trying to come up, is that the good ones know how to listen. It's like being in a jazz band. They know how to listen to what the other musicians are playing. And where to come in and where to sit out. That's my approach to being in an ensemble cast and working with any kind of actors in a scene.

I watch a lot of different films. A lot of different performances and I find a lot of little things from the films or things that actors do or people in real life who have behaviors or idiosyncrasies that I like or find interesting and I try to remember that. And then I'll do a prayer. I'll do a prayer to ask the character or the spirit of the character to come and visit me. And let's work together.

I'm not guilty. You're the one that's guilty. The lawmakers, the politicians, the Colombian drug lords, all you who lobby against making drugs legal. Just like you did with alcohol during Prohibition. You're the one who's guilty. I mean, c'mon, let's kick the ballistics here: ain't no Uzi's made in Harlem. Not one of us in here owns a poppy field. This thing is bigger than Nino Brown. This is big business. This is the American way.

I actually take images of things and put them up around the wall and in a room. I set a room aside. It might be colors, it might be animals, or energy and words. And I'll just leave it there, so it begins to work on my subconscious when I think about the character. Which gives me some latitude to be really flexible and spontaneous but within the context of the character and the world of the character without having to think about it. Or I'll look at something or read something and let it work on my subconscious mind.

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