Quotes of All Topics . Occasions . Authors
I think the world is much more transparent now, and I think that's probably a good thing. On the other hand, I think it makes it really tough for people who are natural born leaders who could be guiding us and leading our countries.
Vanity Fair' caught me at a very exciting time in my life filled with night clubs, international fashion shows, celebrities and lots of cash to go around. Sometimes things just fall into place. 'Vanity Fair' was one of those things.
I've certainly been someone who has loved to mine the trials and tribulations of growing up in general, and the people who are in our lives, and I don't mind pulling from them and writing things down on my phone that my family says.
It kind of sounds pretentious, but a film I find deeply romantic is 'Buffalo '66,' which is a film by Vincent Gallo. It's about how you break down all those barriers and expose yourself and open yourself up to ultimately being hurt.
You just try and do as much variation and as much difference and as much as possible, so you put yourself out there to try anything, really. As long as you feel you're going to get something out of the experience, it's all worth it.
We don't know why we are here and . . . our role in the universe, and the thought of an infinite universe. It's something the human mind can't really grasp. [And] it's statistically impossible that there's not life on other planets.
In philosophy, they talk a lot about humans being actual organic machines, and the idea of free will is something that we've made up. We actually don't have free will. We're acting according to our programming as organic mechanisms.
I'm not a method actor per se, but if I'm playing a character that, at its core of its persona, has experiences I don't have, I try to search out and get firsthand experiences of similar sorts so I have something to fantasize about.
I like making art that's useful to people who have a harder road. Art is a tool to get through it; it's a tool to prepare for the worst. By envisioning it in an artistic context, you can make sense of it before and after it happens.
Be true to what you want to say, or whatever style it is that you've chosen or genre you've chosen. Do it well! My criteria always has been that the piece must stand the chance of succeeding on the level it's intended to succeed on.
People look at me and go, 'You must have it made. You have girls. You have a great life.' It's not true. I mean you pull the curtain away, and you see I'm just as insecure and neurotic and scared and vulnerable as anybody, you know.
I love Scientology. I've been involved for 38 years, and I don't think I'd be here without it because I've had a lot of losses and different negative things that have happened over the years and it really got me through brilliantly.
I learned early on to stay away from gossip magazines and reviews. That stuff just makes you unhappy, and I know actors that read everything that's written about them and they're miserable. You can choose what to let into your life.
Out on the street, you never know what you're getting, and suddenly two days later you're beating yourself in the head with a tennis racket, wearing a towel, quoting Poe. You don't want that for your kid. You really don't want that.
I've got eighteen-year-old twins that need to go to college, so there's still a financial issue, but I could retire tomorrow and just count ducks by the side of the lake, and that would be just fine by me. I'm not a high-energy guy.
For years, I've thought about a project or a way where I could do acting and music together, and I never really thought that would happen. Then 'Nashville' came along, and it was like a dream come true to marry both of those worlds.
To establish yourself as a leading man, you're shooting for the smallest point on the target, and you get a lot of judgment thrown at you. It takes a lot for them to get past everything and just watch your art and what you're doing.
I think the reason I went into theater, ultimately, was because that was one of multicultural groups. Because you identify with other people that share similar passions to you, so it didn't matter how much melanin was in their skin.
I still remember going to a smart restaurant in Los Angeles, and the maitre d' knew my name and showed me straight to a table even though we hadn't booked. I get stopped for autographs by people from Sweden on the tops of mountains.
I try to travel as light as possible to avoid baggage issues. Los Angeles airport is notorious for baggage delays, so I'll often FedEx a suitcase ahead or back so I don't need to stand around; it also minimises problems at check-in.
I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.
I love my son. He's a great soul. He's a sweet person, but events that have happened to him in his life, some of his own making - as a parent ,you really can't take full responsibility for the destruction that can happen to a child.
There's sort of a very symbiotic thing that happens on good TV shows with great writers, which is that they start to sort of embrace who the actors are and try to make the roles more specific to what they bring and what they can do.
One funny thing is, though, I wear my watch on my right hand and I'm actually right-handed. People always wonder why - I don't know myself, I've just always done it that way and I like it the way a good watch fits on my right wrist.
I never did drama at school. I did it for one term, when it was compulsory, and I hated it. Tennis was the main thing in my life, and I was not open to anything else. When I removed tennis from the equation, I didn't know who I was.
Somebody once said that the Irish derived the greatest benefit from the English language. They court it like a beautiful woman. They make it bray with donkey laughter, they fling it at the sky like paint pots full of rainbow colors.
I love the fact that, one time, my face was on the back of a cereal box - probably 3-CPO's - and it was a mask where you cut out the eye holes and put a string through the side. It makes me feel like I'm 11 years old all over again.
I think that androgyny is so amazing. Men's shows I can look at and say, 'I would wear that.' But there's things I see at Nina Ricci, and I'm like, 'They need to make that in men's,' or 'I want those pants.' Everything is inspiring.
My personal belief is that you carry your own water in a relationship. If you see a girl and you think she's hot, that's a very human reaction, but you don't go and tell your spouse that, you know? So in one way it's how you behave.
I think that was very important to Bacon... personally. I think he went to great efforts to get a house for the Stratford man, to make it so difficult for us to prove that it was Francis Bacon, because it is very difficult to prove.
I approach everything the same. I try to make it as real as possible, whether you gotta make people laugh or make people cry, it's always the same approach for me. But if I start doing pratfalls, somebody please pull the plug on me.
Nobody loves me. No, everybody wanted me to do this one by myself, and I wanted to do it by myself. So, this is sorta like my first solo album. I didn't pull any tricks out of my hat, and just went with the natural flow of the film.
So, I was sitting there and I watched 'Paranormal Activity' and I was like, 'Boy, white people do dumb stuff in movies.' So I was like, 'Why don't they just leave the house... What if paranormal activity happened to a black couple?'
Boxing kept me out of the streets, by giving me something to do. And it gave me a father figure in the coach that was there for me. I just reiterated what my mother was trying to teach me about focusing and getting my life together.
If I was making a tea advert, I would want to communicate about tea is that it can console you, it can start your day, there is the warmth and the ritual, and you can share it; you make someone a cup of tea and you offer it to them.
I thank every bully I ever had because that's the only reason I'm here. I learned how to not be affected by it and triumph over it, and that made me - again, if I had any success whatsoever, it's because these people made fun of me.
I used to be a real prince charming if I went on a date with a girl. But then I'd get to where I was likely to have a stroke from the stress of keeping up my act. I've since learned the key to a good date is to pay attention on her.
I've got one of Darwin's books at home and some of that stuff is pretty damn funny. Some of his stuff is true, like that the giraffe has a long neck so it can reach the leaves. But I just don't think you can swallow the whole piece.
Sometimes you go into a waiting room, and the audition room is right there, and the walls are extremely thin. And you can hear every breath that they're saying. And you're used to that. So you go in, and you're like, 'Oh, whatever.'
ESPN Zone was probably the coolest thing I could do [making "Hardball"]. But Navy Pier was the other thing. I'd take my bicycle and ride down to Navy Pier and just hang out. Try to get a phone number or something. That was my thing.
You can see all sorts of things in film acting if you know where to look and what to look for. One thing I often notice is that the actor is looking for his mark, the place where he has to stand to be in the right place in the shot.
It's the worst thing if you're sitting there in the theater, going, "Oh, that's the guy who dates this person and likes to do this in the morning and that in the afternoon." Then you're just watching a brand, as opposed to an actor.
They sent me the script and I thought that there was something very appealing and funny about it. Also, I was familiar with Mike Myers' work in Saturday Night Live, but I did not know the extent to which he would make this creation.
Being God is not all it's cracked up to be, and it's not as easy as one would think it would be. You'd think the deck would be really stacked in your favor as God, but of course, I've run into some pretty big obstacles and problems.
What draws me to roles, I think, are moments - moments that define character, where so much more of the story is told in just a moment - a look, a line, a short scene, but something that speaks a volume, something that speaks to me.
When I'm in England, I know I'm a visitor, but being a white man in England with ancestry that's German and Italian, I have a history with the Romans and the Saxons. I feel some connection and ancestry here, as weird as that sounds.
It's kind of a unique concept, but it's totally real, isn't it? ... I mean, these paramedics put themselves in incredibly stressful situations, are killing themselves to save our lives and they're not really regarded or appreciated.
You often feel like you are on a high wire with no net productions because you have to rely on spontaneity and come up with ideas on the spur of the moment - and then what happens is that there is electricity to it that gets caught.
As a poet, I would always hear emcees come up to me and say, 'Yo, you should rap,' and I was like, 'No.' You know, the label was tough for me. I'm a poet. I was proud of that distinction between the two, not wanting to be the other.
My dad always played a lot of music, so I heard him playing all the time, and then I decided that I wanted to learn to play guitar, so I got an acoustic and started taking lessons. I wanted to be able to shred like Yngwie Malmsteen.