Quotes of All Topics . Occasions . Authors
The great thing about getting married young like I did and having a child so young is that he gets to know all the relatives. He knew his great-grandmother, and we sat down together and tied down the stories of our uncles and aunts.
This business can be very frustrating but there is success story after success story of people who take the bull by the horns. Actors who are frustrated ... [should] do your own project. Find a writer, shoot a movie. It can be done.
You make certain assumptions as a parent. And you kind of think, at a certain point, you've figured things out. And then all of a sudden, that person that you raised and nurtured and thought that you knew is someone else completely.
Macaroni and cheese was my mother's special dish. She'd also make jambalaya and dirty rice and bake a ham that would be incredible. And greens. But if you were looking for vegetables and healthy things, there weren't a lot of those.
I haven't read a book in a very, very long time because, when I'm writing, I don't like to see other people's work. I don't want to see something great and not be able to use it, and I don't want to have any subconscious influences.
Sometimes I get a script that says, 'Only you can play it.' But I like roles in films with little moments - a hand movement in 'Melancholia.' I don't like the big speeches - the 'Oscar speech.' I like to do unusual things on screen.
'The Road' is about that fear that all parents can have. What's going to happen to your child if you're not around? It takes those concerns to an extreme. In the film, without me the boy has no food, no shelter, no resources at all.
I've found that it's actually more of a disability to be tall than short. I have no problem fitting into plane toilets etc, and the adaptations made for wheelchair users - such as the lowering of bank machines - work for me as well.
One of the traps of auditioning is walking into that room feeling as though you're a guest in someone's house, and being really careful not to spill wine on the carpet. What you have to do is walk in there as though you're the host.
Sometimes we know in our bones what we really need to do, but we're afraid to do it. Taking a chance and stepping beyond the safety of the world we've always known is the only way to grow, though and without risk there is no reward.
And then we've got Blades of Glory, and we've got Brothers Solomon, and I've got a script in development with this guy Chuck Martin who used to write on Arrested, and, you know, we have a few things in various stages of development.
I would never make a good economist. You know, an economist is a man that can tell you anything about — well, he will tell you what can happen under any given condition — and his guess is liable to be as good as anybody else's, too.
Marriage is a reflection of your life in general: how you treat people, how you argue, how secure you are in your own thoughts. How vehemently do you argue your point of view? With what disdain do you view the other's point of view?
Everything I do, I try to think, Okay, what are the ramifications? Like, with the clothes I wear, I prefer if it's grown organically, because cotton - which is what's used in most clothing - takes up 50 percent of all pesticide use.
Everything is poisoned, and it's all poisoned from greed. I think our inability to communicate with each other and everything that's happening in the world is all a symptom of our greater inability to deal with nature appropriately.
People, when they come up to me, are like, "Did we go to high school together? Or did I make out with you at sleepaway camp?" And oftentimes, yes, that is the answer, because I went to a giant high school and made out with everybody.
People, when they come up to me, are like, 'Did we go to high school together? Or did I make out with you at sleepaway camp?' And oftentimes, yes, that is the answer, because I went to a giant high school and made out with everybody.
Because when you go out, and you have fun, basically you're performing for these tabloid outlets and the paparazzi. And when you perform and create this story, they're chuffed - they get excited, they capture it, and they put it out.
I love oatmeal. To me, it's not boring. I agree that ordinary oatmeal is very boring, but not the steel-cut Irish kind - the kind that pops in your mouth when you bite into it in little glorious bursts like a sort of gummy champagne.
I think that one of Tim's great qualities and abilities is in what seems like a thumbnail sketch to get something quite telling, very simply, when you're doing it or being in that thumbnail sketch, you don't feel that it's important.
This movie 'On the Road' with Kristen Stewart - they were trying to make that movie for 30 years. She says she wants to do it, and they can finally make it. You have so much at your disposal if you're in a successful commercial film.
A lot of people want to not wear a tie when they go to a restaurant. They feel they don't have to wear a tie. I think it's kind of a statement they're making. I don't know what that statement is. I haven't quite figured that out yet.
My grandfather was from outside of Moscow, and my grandmother, although some of her family were French, was from Odessa. They met as immigrants in New York in the early '20s. My mother's family came over from Ireland generations ago.
I do really like doing animated movies. I like watching animated movies, and I always have. That's something I didn't let go of, from when I was a kid. It's always exciting for me to get to do that. Animated movies are so rarely bad.
Good evening and welcome to Have I Got News for You, the show that's done for Friday and Saturday nights what ten pints of lager does for Sunday mornings, although I wouldn't know, being more partial to cocaine personally. Allegedly.
My father was a really good athlete, so his pop-ups really were sky high. Eventually I learned how to judge them properly and catch them well. It was great training for when I started to play on teams, which I did all through school.
When you're hanging there twenty feet off the ground, surrounded by green screen, and all you've got is the other actor and the wonderful Gavin Hood shouting instructions at you as to what's going on; it's a really unique experience.
It's hard to appreciate success in modeling, because it's not something you feel like you've earned, so there is a little bit of bread of shame that comes with that. It's like somebody giving you a puzzle that's already put together.
Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.
I had three intentions when I became a wrestler. One was to keep my integrity. Two was to give pro wrestling a more respectable image. And three was to be a role model to Jewish kids, who may not have thought they could do what I do.
I move out here, and next thing I know I'm 25, and the only thing I've heard is, 'Can you get a coffee, can you hurry up with the thing, blah blah blah.' It was nice doing something and hearing someone go, 'Hey, you're good at this.'
I did 'Malice,' 'Sommersby,' and 'Sleepless in Seattle,' and they're as disparate characters as I've ever played. But somehow, there was that thing - they were all second male leads, so they all didn't get the girl in some weird way.
If Michelle Pfeiffer gave Mel Gibson a vial of blood to wear around his neck in a movie you'd think it was terribly romantic, everyone would cry and they'd win awards. But in real life if someone does that they'd be considered weird.
I love the fact that in the cancer universe you have a lot of money going towards research, but this is about cancer support. It allows people to receive information to facilitate their healing. It's a revelation and just phenomenal.
When I was on KNX I did a lot of television and motion pictures and as you know I did the 'Donna Reed Show' for two years while I was still a DJ on KNX. In fact when I started 'Hogan's Heroes,' I was still doing my daily show on KNX.
I look and there's our boy from Vietnam and our daughter from Ethiopia, and our girl was born in Namibia, and our son is from Cambodia, and they're brothers and sisters, man. They're brothers and sisters and it's a sight for elation.
Look at the Coen brothers. All their minor characters are as interesting as their protagonists. If the smaller characters are well-written, the whole world of the film becomes enriched. It's not the size of the thing, but the detail.
That's what kids were like then. So I really like the movie [Dude, Where's My Car? ], I think it's genuinely funny, and I wish I hadn't been so arrogant about it. And, of course, I didn't know it was going to be my best work, either.
I lied about serving in Vietnam, and I'm sorry. I did not mean to take away from the actions and the sacrifices of the ones who did really serve there... I did steal valor. That was very wrong of me. There is no real excuse for that.
I'm doing a pilot for Comedy Central with the band Steel Panther. They're faux heavy metal. They started as kind of a tribute band out here, or a cover band, and they're funny guys, and they just sort of morphed into their own thing.
I'm always being accused of being a Hollywood Republican, but I'm not! I have just as many Democratic ideas as Republican ones. If they could build three fewer bombs every month and give the money to foster care, that would be great.
There are always those Gossip Girl walk-and-talk scenes where you're walking and just talking about life and death. You're having a serious conversation, looking someone in the eye, but everywhere around you, it's literally a circus.
Comedy doesn't come easy for me. I've only done 2 movies that are really comedy-style films and I have to work at them. And they're just as scary in a way. I hate labeling all these things; comedy, love stories, dark drama, whatever.
I think I just want to leave my mark in some way. I hope I leave the world a better place than it was when I came, and I think the best way I can do that is through acting and writing, and hopefully it will make a difference someday.
My earliest memories were on the cattle stations up in the Outback. And then we moved back to Melbourne and then back out there and then back again. Probably my most vivid memories were up there in Bulman with crocodiles and buffalo.
I don't try to be completely calculating in everything I say and do, but there's no way I'm going to talk. There's no reason to. And that's why I'm such a boring interview, because I don't go for the shock value, or smartass answers.
I have a romantic vision of the beautiful delineation between TV and film that existed for so many years. I romanticize the studio system and movie stars as a whole, but obviously that's just anachronistic and probably a non-reality.
Research can be interesting, but it can be pointless as well. The realities of making a movie often are not conducive with that. I'm not knocking it. I love doing research myself, but I admit it doesn't always add to the performance.
Praise is nothing that accumulates. Praise is a sequence, especially if you've toiled for a long time. Praise does not pile up. So in a way, you can't get too much. I don't consider it to be a quantity that you can measure by volume.
I stopped appearing as Dracula in 1972 because in my opinion the presentation of the character had deteriorated to such an extent, particularly bringing him into the contemporary day and age, that it really no longer had any meaning.