Quotes of All Topics . Occasions . Authors
When I left my parents' home when I was 19, I went to the University of Florida, and within 24 hours was in the mental health department. And within 20 minutes, I was being told by the director there that they didn't have what I needed there.
I'm finally going to be able to finally criticize [Hillary Clinton] without being accused of being a sexist - that idea. I'm not a fan, I don't like her, but you can't say anything without being accused of being a sexist pig, which is unfair.
On the one hand, people think they own kids; they feel that they have the right to tell the kids what to do. On the other hand, people envy kids. We'd like to be kids our whole lives. Kids get to do what they do. They live on their instincts.
When you're playing a real person there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
I never go into a scene - ever, ever, ever - thinking, I have to make myself more empathetic toward the audience. Once you start doing that, you get into really dangerous territory. I think you start to become kind of untrue to the character.
When I was in my mid-20s, I traveled a lot around the world, and the question I had for everyone I talked to was, 'What is your conception of God?' I found that everybody basically felt the same: God is within and without. He's in everything.
One thing that's interesting is that whenever something starts, like the school year when you were a kid, it feels like such a significantly huge time in your life and how much life has changed. What's surprising is how quickly it's going by.
You have a little bit of talent, a certain amount of good fortune and a lot of hard work in pursuit of whatever truth you can find in it, and if you are really lucky, a terrific partner and I have that and those four things worked out for me.
I want to be challenged, I want to keep challenging myself - whether or not it's changing yourself physically or just pushing yourself to a certain extreme. I get bored quite easily so I like to keep my mind entertained by challenging myself.
I mean, I don't think I'm alone when I look at the homeless person or the bum or the psychotic or the drunk or the drug addict or the criminal and see their baby pictures in my mind's eye. You don't think they were cute like every other baby?
Acting didn't solve much! If it did, I would have ended up much less crazy than I am today, but I'm not. At least for me, acting is a relief - a relief to be able to admit certain things about myself and disguise in my work, in my characters.
When I say I'm going to take care of a woman, I don't just mean physically or sexually or romantically. I'm going to take care of her emotionally and spiritually. I'm going to take care of her in all ways. I take a lot of pride in that today.
As an actor there's a lot of scrutiny and, even when you've had success, it becomes about sustaining that success. A friend of mine described it as a peakless mountain. Even for Robert De Niro there's Al Pacino and for Pacino there's De Niro.
It was fantastic to be on the set again with Denzel (Washington) and Antoine (Fuqua) and then to have the situation be so different. We weren't making a sequel to Training Day. We were in the middle of the desert riding around on some horses.
I was asked if I would play President Obama in 'My Name is Khan.' I didn't feel comfortable with doing it. Partly because he was still in office, but mainly because I felt that there were other people who were better suited to doing the role.
I had to try to understand how much of a taboo it was. My mum worked in ballet and theatre when she was younger, and I had been brought up around lots of gay people, so I had never had any issue and couldn't imagine how hard it was to be out.
Cat's are unpredictable. It is a fine line between the cure, inquisitive and innocent creature resting on our lap and the hissing, spitting and deranged banshee it might become at any moment. This is why we're trying always to win their love.
As an actor, you're completely at the mercy of other people. You basically go begging for the opportunity to work. As a writer, at least nobody can tell me what to do. I can write what I want. I might not sell it, but at least I'm in control.
I do heavy weights in the morning for about an hour, and then I do 45 minutes of higher-volume lifting in the afternoon. My least favorite is the legs... I do quite a few chin-ups and rows. I do mostly old-school lifting with a lot of squats.
If you've been in a film that's seen by millions and millions and millions of people, you're more likely to be recognized for that than for your theater performances, which were seen by considerably less people. Why would I get upset by that?
I'm sure back in the Greek days or the Roman Empire days, when guys fought in arenas and were fighting lions, people were talking smack. Every era in history has someone talking smack. No way you can have talent and not proclaim your victory.
If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable. [You must] reach the emotional and intellectual level of ability where you can go out stark naked, emotionally, in front of an audience.
I wasn't a babe in the woods. I'd watched a lot of stars, from James Dean to Brando, and I'd seen everybody alive work at MGM. I had a certain old-timer's quality, even though I was young and new, and drew on what I believed before I made it.
I quite like to sing, actually - just belting out numbers with my guitar. I find that it's a form of tranquility. After all this mental lifestyle of the past seven or eight years, it's good to find some outlets that are not bad for my health.
If I'm ever at a mall or some kind of place where there's a lot of younger girls, some people will recognize me from 'Degrassi.' But then it won't happen for a long time. It's funny - it happens more here in the States than it does in Canada.
You want to work with good people. When you're working with good people, it frees you up. There's nothing worse, as an actor, to show up and then feel like you have to protect yourself somehow because you don't feel like you're in good hands.
Listen, we all have to agree that there is too much litigation going on in this world. But every year it seems to multiply tenfold. Why can't we stop it? Well, it's because the lawmakers in Congress and the Senate are almost all lawyers, too!
I have nothing against these big CGI movies, but there are not enough of the other ones - the ones with stories about character that have a beginning, a middle and an end. I said that to a couple of studio heads and they said, 'That's novel.'
A knowledge of general literature is one of the evidences of an enlightened mind; and to give an apt quotation at a fitting time, proves that the mind is stored with sentential lore that can always be used to great advantage by its possessor.
And sometimes it's fun to be the guy who just really enjoys it, like the guy I'm playing now on The Cape. He's more that. He's much more flashy and debonaire and devil may care-ish. He just loves doing bad in the world. That's real fun to do.
I'm a Texas guy, and the good and bad of that is that I'm always, first and foremost, loyal. If it weren't for 'Supernatural,' I wouldn't have a lot of the blessings that I have today, so I'm going to play it out. I'm going to give it my all.
But I remember the moment when my father died. I wasn't a very committed Catholic beforehand, but when that happened it suddenly all felt so obvious: I now believe religion is our attempt to find an explanation, for us to feel more protected.
I did [Michael Cimino] first movie, "Thunderbolt and Lightfoot," and I remember I was still in my twenties and very nervous, we're shooting up in Montana, and I'm thinking, "What the hell am I doing here? I don't feel anything like this part.
I just didn't want to get bored playing a character, and that's kind of the benefit of doing films; you've lived with a character for four or five months and that's it, and you walk away from that character and you feel like you told a story.
However, I wasn't very good at the sciences, or didn't have a lot of help in the sciences or something but certainly didn't set science for my A level. And when I came to take my A levels I didn't get a good enough result to go to University.
My biggest pet peeve are just girls who go to sports bars who have no intention on caring what teams are playing, like they're looking for just a night out. That drives me more crazy than anything else. Like, don't pretend to be a sports fan.
Go back to what's good, what's certain, what's always there. You woke up today. Just start walking. Whatever it is, it'll pass. Time doesn't go backward. That's the one real blessing. It happened; it does you no good to worry. Keep it movin'.
I was trained classically in violin and voice, which led to musical theater. Then I left the music scene to chase acting, which is when 'Neighbours' came along. It was a fantastic playground for actors, and the cast around me taught me a lot.
Most of the time I live with my pain. I have pain but I won't show it around. I think that's the nobility of the character. There's something noble in not spewing on people all the time about your problems. I'm the light guy, so I identified.
I quit because that thing inside of me that was driving me to drink that way was causing me so much pain that I was starting to get afraid for my own life, and my own health. It wasn't necessarily one instance. It was a lot that had piled up.
In Australia, there aren't a lot of people committed to art, so these communities form that are dedicated to music, theater, cinema, but they're very small. So, they tend to move ahead on the power of collaboration, enthusiasm and creativity.
It's thought of as an eccentric thing for an actor to really try to maintain quality control through the whole career. Most people think, 'You just work. You just keep working.' And in some ways I wish I could be a guy who's just a workhorse.
The most difficult thing in the world is to reveal yourself, to express what you have to. As an artist, I feel that we must try many things - but above all we must dare to fail. You must be willing to risk everything to really express it all.
In Hollywood if you're good looking, tall, have okay teeth and nice skin, the odds of being successful are great. If you're short and fat, it's a different story. But as long as you look like a leading man type, half your job is done already.
Bryan Cranston is generous, he's funny. When we did a wedding scene [in The Infiltrator ], at the end of the movie with a big set piece, he put the veil off the bride, he put it on, he pretended like we were getting married, he's just a goof.
It's important to remember that life is a joke, and that outlook grants a lot of perspective, but I don't think comedy should change and become political due to other things. It should just laugh at that cosmic joke that life is all the time.
Playing a bad guy is always a freeing experience, because you don't have the same envelope of restrictions as you have playing a good guy. Good guys restrain themselves; they kind of have their moral fiber cut out for them in varying degrees.
You never think you're on the verge of disaster while you're looking over the edge yourself. It's your friends and family who are trying to get you to stop destroying yourself and after a while it kind of sank in and I just cleaned up my act.
My body is a journal in a way. It's like what sailors used to do, where every tattoo meant something, a specific time in your life when you make a mark on yourself, whether you do it yourself with a knife or with a professional tattoo artist.
I really approached the film as if it was a white big piece of paper and I was going to draw a picture on it. And whether that picture was good or bad, whatever people thought of it, what they could never take away was that it was my picture.