Quotes of All Topics . Occasions . Authors
I think there's a dark and twisted idea of democracy that everybody is as interesting as everybody else. So we mustn't make anybody too interesting. There's an ironing out of edges and eccentricities, idiosyncrasies in people and situations.
I don't think I've ever been face to face with pure evil, so I don't think I've ever seen it with my own eyes. But I do understand human frailty and I do understand the capacity of people to be intermittently noble and virtuous and fallible.
Football was a wonderful experience for me. It was a means of, oh, I don't know, sustaining for much of my youth. In times of trouble, I've always had football. I always knew I was a football player. And that was a comfort on many occasions.
If you ever go to Temple Square in Salt Lake City, if you stay there long enough, you'll see a homeless person standing in the middle of their nice, beautiful square, holding out a cup for change. And the Mormons don't ever ask him to leave.
In order to have the success with 'Empire,' you have to have Fox; you have to have huge P&A. You have to have huge budgets for the show. I'm pretty confident that the budget of 'Empire' is six times what I'm spending on 'Have And Have Nots.'
People talk about method actors, meaning someone that's prepared very, very well, or whatever they mean when they talk about it. But the right method is whatever works for you. And what works for me on any given day is going to be different.
How do you cut off the human side and just maintain being professional? So what I've done is I've incorporated that with Kojak - there's times when he allows the human condition, the human experience, to integrate into him as a professional.
I argue with wife over what little pieces of real estate investments we should try to pay on and hold, and which to let go back. We always said, "Put it in land, and you can always walk on it." We did, but no buyers would walk on it with us.
Will somebody please tell me what they do with all the Vice-Presidents a bank has? Why the United States is the biggest business institution in the world, and they got only one Vice-President and nobody has ever found anything for him to do.
'Heartbeats' is a film on people magnifying and subliming reality when they're in love. Hence the overstylized look, the aesthetics, the robes, the dresses, the vintage, hipster-ish look: All of this is voluntary. I'm not a hipster. I'm not!
I stand stark naked in front of the mirror and gaze directly into my own eyes. I utter 'Good morning, handsome' and my lips quiver as I stare at myown body. I don't break eye contact until I blow my load. Not once do I actually touch myself.
If we're going to solve the problems in North Korea, the first thing we're going to have to do is start helping them get basic amenities like electricity, televisions, and DVD players over there. Otherwise, how can they watch 'Garden State'?
I would say auditioning was my real training ground. The technical aspects - like hitting marks and pacing yourself and preparing and dealing with the downtime - the first recurring role I had on 24 was probably the way I learned that stuff.
Anytime I audition for something, it's always a question of whether or not the people I'm auditioning for understand I'm an improviser and I like to do that, and if they like that or if they just want someone who's going to do what's written.
Cole Archer's Chillout Mix. That's my son's mix. He's ten weeks old, and this is what he listens to: 'Valerie' by Amy Winehouse, 'Everyday People' by Arrested Development, The Beatles' 'Rocky Raccoon,' and Bruce Springsteen's 'Atlantic City.'
Doing Saturday Night Live definitely affects my relationship with my girlfriend and with my family, because you feel so much pressure to do well that night. But I think everyone's grown to accept that and so they give me my space at the show.
It's what we live for, to be able to make great illusions. The thing about 'Entourage' is everything we do is realistic. We go to the real places, we shoot on location. We get the real people. It's a perfect marriage between fact and fiction.
Everyone of us wakes up in the morning, goes to the bathroom, looks in the mirror and asks: "Who am I? Who am I today? Do I feel good enough? Do I feel big enough? Do I feel sexy enough?" Some days, the answer is 'yes' but sometimes it's not.
We get the worrywart, the hypochondriac, the money-grubbing miser, the intractable negotiator... Some would say certain of these refer to the stereotypical, or 'stage' Jew. But objectively speaking, the only crime in humor is an unfunny joke.
My approach is always the same. I try to be as honest as possible. Find the real honesty and humanity in the character because even a fictional character is supposed to feel real. And my job is to find that reality and bring it to the screen.
That's an important lesson for me, to not qualify my experience against somebody else's. My experience is the experience that I wanted to have, and have created for myself, but it doesn't make me any more deserving than anybody else; or less.
Every job is different. I don't think that I've ever had that wonderful feeling when you've finished a job or where you feel like you've mastered it or sort of nailed it... You can never be satisfied. If you're satisfied, it's time to retire.
When I graduated from college, I moved to New York and started doing improv because I read all about the early 'Saturday Night Live' guys having come through Second City and learning how to improvise, so I wanted to get immediately into that.
When I was a kid, I used to pretend to be Bond; I used to make up scenarios and irritate my sister and annoy my mother and father pretending to be someone else, so I kind of was already acting when I was a child. I just didn't really know it.
One bit of advice someone gave me - which I haven't yet tried - is that if you go to an area where you might pick up a tummy bug, you should seek out the local probiotic yogurt. Eating it will introduce you to the local gut flora, apparently.
I've already exceeded my expectations for myself. I'm one of the most influential people! I mean come on! I wanted to be... I never thought the things I've experienced in my life, I didn't think that was the life that I was gonna get to live.
When I seemed to be irritable or sad, my father would quote the learned Dr. Knight, and then say, 'Just go to sleep.' Like all smart aleck kids, I thought the advice was silly. But as I've grown older, I've realized just how smart Knight was.
What the White House is trying to do is racialize all politics and they're especially trying to tell the African-American voter that the GOP is against letting them have a chance at a good life in this economy, and that's just a complete lie.
I always wanted to become a good role model for kids as a professional football player. Unfortunately, I didn't attain that through football, but I was smart enough to realize that professional wrestling provided another opportunity for that.
I was a good baseball player. I still play a couple of times a week as part of my daily workout. Just throwing the ball, running around, fielding ground balls, you know. It's better to me than being on a treadmill or some sort of Zumba class.
Generally, I am just myself, a crazy John Belushi type. But I'm not comparing myself to him. I think I am against stereotype. Generally Asian guys are more quiet - they study and have a good work ethic. Generally, I have none of those things.
We tend to take a great deal for granted, because you feel like you're going to live forever. It's only if you lose a friend, or maybe have a near-death experience, [that] many events and people in your life suddenly attain real significance.
The household I grew up in... was rather like an Ovaltine advert. There was a huge fire, a kettle on the fire, the oven with the bread being baked every day, and there was the radio; it was very magical to hear all these wonderful programmes.
I watch 2001: A Space Odyssey every time it’s on. I made the kids watch it every time, too, and now they just love watching it. Stanley Kubrick’s great. And Blade Runner is one of my top three science fiction films. A lot of it has come true.
On an independent film you're lucky if you get one, but ostensibly the job is the same. There's very little difference, apart from the knowledge that there's a captive audience at the end of it - which you can't always guarantee with a movie.
We take it for granted sometimes that certain parts of our history are told, and we take it for granted that we know all that stuff, and we move forward along on that basis, but there are also massive gaps, and we have to try to address them.
I was in a movie called 'Before & After' with Meryl Streep. I was edited out of the movie, but no one told me. I think I was 18 or 19 years old. I sat across from her and asked her every question about acting. I completely embarrassed myself.
I had horrible acne when I was a kid. I felt like a complete and utter ne'er do well and someone who didn't fit in and wasn't handsome. So, I understand implicitly, and with a great amount of empathy, a man or human being that feels that way.
I love the stories that have come before, that we know of. I think for me it's always more interesting to start from square one and you take the fundamental pillars of the character and, around that, try to create something new and different.
Read the script as a fan and try to create this community in your head. That's the thing that a lot of people tend to forget - it's not just about your character. Even if you're a lead, you're still supporting the supporting the entire story.
So many directors these days direct by design and shoehorn you into things - direction or blocking - that they had in mind previously. They're short on time and they want to get that over with so they can get onto the finer details of a play.
TV's hard work. I don't know how the hell Angela Lansbury survived doing 'Murder, She Wrote' all those years. And sure, everyone wants to be Bruce Willis or George Clooney - they want to be in film for the range of characters you get to play.
I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, 'I wish more people saw that' - because you're good. And it just works out that the movie gets lost. But that's show business.
I don't like to see a president who is just out campaigning all year long or for the last four years. I'd like to see somebody who's going in the office. In fact, I'd like to not see them because that way you'd be sure that they'd be working.
I love Calgary. It's a great city. I enjoyed my time there, quite a bit. Shooting and filming in that cold could be very difficult, at times. When you're shooting nights, and it's 3 in the morning and minus 35 degrees, that's hard to work in.
My mother on her death bed told me, 'Where the hell did that kangaroo come from!?' - it just popped out of nowhere and punched her in the head and caused a cerebral hemorrhage, so I thought I'd move to a country where there were no kangaroos!
You see people you identify with, and you take pieces of people you like and shape who you are. Like, I sound just like my dad. But that's literally my vocal chords. I can't sound like anything else... I sound like him, but I act like myself.
I just felt that you can't have a character fall in love so madly as they did in the last movie and not finish it off, understand it, get some closure. That's why the movie is called 'Quantum of Solace' - that's exactly what he's looking for.
You know, I think the film business is its own worst enemy, because it sells movies on 'behind the scenes' footage. It's seeing the secrets of how the movies are made, and now it's a real struggle trying to keep storylines and plots a secret.
When you're in the position I'm in, you have two options: you can either shut yourself off from everybody, from the world, and not live a full life. Or you welcome everybody into your life and occasionally somebody will try to take advantage.