When I decided to make my version of Poe's stories, I wanted to respect the original material or to at least get closer to what his stories are really about. Most other adaptations I've seen sort of follow the story but they never satisfy me as an audience member or as a reader.

What you hear mostly people gripe about adaptations is, 'They took out this scene,' or, 'They had to condense these characters.' I understand why they have to do that. But if you had a favorite character, and now they've been melded together with another one, it's disappointing.

The best adaptations are the ones that really excavate the material. The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing and put it into a story.

The right question to ask from a Darwinian prospective is what was it about bipedalism that was so advantageous? Why did it lead to a - why did that adaptation ultimately lead to a species Homo sapiens that has come to dominate the planet today with six and a half billion people?

In Madrid I lived quietly and then Lisbon cost me more. Language was a subject and adaptation was slow, but getting to Wolverhampton was radical. It gave me peace of mind. There I can go as if nothing to make my life. People approach, with respect, to tell me that they are happy with me.

So many Hollywood adaptations of really popular manga series just don't get it right, and for me what was really important was that if I was gonna do 'Naruto,' I wanted to actually work with Kishimoto and get a script to a stage where he would look at it and be excited about realizing it.

While not my personal favorite of the Disney princess films, 'The Little Mermaid' wins hands-down in my book for best Disney adaptation. Little girls waited for more than 150 years for Hans Christian Andersen's 'The Little Mermaid' to have a happy ending. Walt Disney finally gave it to her.

Education must be based on the certainty that faults cannot be atoned for or blotted out, but must always have their consequences. At the same time, there is the other certainty that, through progressive evolution, by slow adaptation to the conditions of environment, they may be transformed.

'Noah' doesn't merely get the story wrong; like all Biblical adaptations, it's bound to do that (although some aspects of the film are out and out ridiculous). It gets the morality of the story wrong, and in the process turns God into Gaia and morality into radical deep green environmentalism.

Species co-evolve with the other species they eat, and very often, a relationship of interdependence develops: I'll feed you if you spread around my genes. A gradual process of mutual adaptation transforms something like an apple or a squash into a nutritious and tasty food for a hungry animal.

You couldn't escape the literary atmosphere in our home. I grew up as a Britisher. I played a protagonist of every nationality in stage adaptations of Shakespeare and Brecht. I graduated from Yale. When I moved to the U.S., I realized with some amount of surprise that I was seen as an ethnic actor.

At the time, The Hotel New Hampshire was John Irving's favorite adaptation of his work, which meant a lot to all of us who worked on that movie.It's amazing to me that that was a studio movie. That was a summer studio release! If that doesn't tell you how much the business has changed, nothing will.

Here's how adaptation works - almost everything in the movie is in the book in some form. But it's as though the deck has been completely reshuffled and some of the cards have been assigned different values, some of the fours have been made into jacks, and some of the jacks have been made into twos.

I'm a creature of adaptation. I take advantage of the second and the moment. My comedy breathes; it's not really that predictable. I do have a linear style, but other than that, there's a lot of abstract. I just go off on what I'm thinking. I'm not that topical. I like to talk about me and my experiences.

'To Kill a Mockingbird' appeared to highly favorable reviews and quickly climbed to the top of bestseller lists, where it remained for more than eighty weeks. In 1961, the novel was awarded the Pulitzer Prize. A film adaptation was released in 1962, starring Gregory Peck, and received three Academy Awards.

The Constitution remains brilliant in its overall design and sound with respect to the Bill of Rights and the separation of powers. But there are numerous archaic provisions that inhibit constructive change and adaptation. These constitutional bits affect the daily life of the republic and every citizen in it.

Before sequels became the most reliable way to make a buck, Bond set the standard for lavish serial adventures. Before Hollywood found gold in multimillion-dollar adaptations of comic-book characters - in the Superman, Batman and Spider-Man blockbusters - Bond was the movies' first big-budget franchise superhero.

Once we accept violence as an adaptation, it makes sense that its expression is calibrated to the environment. The same individual will behave differently if he comes of age in Detroit, Mich., versus Windsor, Ontario; in New York in the 1980s versus New York now; in a culture of honor versus a culture of dignity.

'Troublemaker' is not an adaptation of 'Metro Girl' or 'Motor Mouth.' It is an original story. The hardest part was probably trying to keep the sound true to the novels. I always write in first person, and it was important to us that the readers of 'Metro' and 'Motor' be comfortable with the change over to a graphic novel.

I know I'm a grumpy old man, but I'm always more delighted by readers talking about the actual comics than people talking about how eager they are to have their favorite comics be "elevated" into another medium. Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.

I had this thing where I only wanted to work on original material, no adaptations, and obviously, that changed. I really wanted to have the resources and have the space and the time to tell stories that I've really cared about. I've kind of changed my approach, but I've gotten to do that, to tell stories that I really care about.

Anyone who reads the comics knows Maxima comes to Earth in search of a mate among the superhero population - specifically Superman. She's denied by him and she becomes very angry and bitter. We'll see how that history plays out in the show - every adaptation is a little bit different, but 'Supergirl' does a great job with the source material.

The Pavlovian view of women voters - 'plug the words in, and they will respond' - sends a chill down my spine because it sounds like an adaptation of something I have written about communication between the sexes: When a woman tells a man about a problem, she doesn't want him to fix it; she just wants him to listen and let her know he understands.

Scientists had said, "If you keep burning coal and gas and oil, you will melt the Arctic." And then the Arctic melted just as they had predicted. Did Shell Oil look at the melt and say, "Huh, maybe we should go into the solar-panel business instead?" No, Shell Oil looked at that and said, "Oh, well, now that it's melted it will be easier to drill for more oil up there." That's enough to make you doubt about the big brain being a good adaptation.

You are what you love. Not what loves you.

The fuel for evolution is diversity, with natural selection leading to continuous adaptations and improvements in Nature's handiwork.

Whilst the developed world may say it wants to see much greater commitment to reduce greenhouse gas emissions, this may only be politically feasible if there is strong support for adaptation measures in those countries at greatest immediate risk.

My adaptations are just as complicated as an original.

In any adaptation, the challenge is to take the essence of the original source of the material, be faithful to it to a point, but to also recognize that you're telling a story in a very different medium. It has to exist on its own, and it has to offer something unique to that experience.

Adaptation can efficiently reduce the costs of climate change while atmospheric concentrations of greenhouse gases are being stabilised

...we must be wary of granting too much power to natural selection by viewing all basic capacities of our brain as direct adaptations.

For the source of any characteristic so widespread and uniform as this adaptation to environment we must go back to the very beginning of the human race.

If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think.

An adaptation I was working on of Trollope's 'The Pallisers' has been axed by the BBC... I was also going to do Dickens' 'Dombey and Son' but they've asked me to do 'David Copperfield' instead.

I think there's really only been one successful video game adaptation, and that was probably 'Tomb Raider.' Whether or not you thought it was a good movie, it was successful financially.

I love reading novels, and I love going to movies, but I kind of hate going to an adaptation of a novel, and it starts off with a voiceover.

This is one of the most effective adaptations of racism over time - that we can think of racism as only something that individuals either are or are not 'doing.'

Writing an adaptation is not so much a collaboration as it is a series of steps. You're basically creating a blueprint for something else.

A lot of recent comic book adaptations have gone two ways: either they're striving for some kind of realism, like 'Iron Man' or 'The Dark Knight,' or they're very stylised and gritty, like 'Sin City' and '300.'

I increasingly fear that nothing good can come of almost any adaptation, and obviously that's sweeping. There are a couple of adaptations that are perhaps as good or better than the original work. But the vast majority of them are pointless.

At the Global Crop Diversity Trust, we work to conserve the diversity that will allow the adaptation and evolution of our agricultural crops in the context of climate change and other challenges.

After 'Place Beyond the Pines,' honestly, I was sick of myself. Sick of my own ideas. I wanted to do an adaptation, but everything I'd been reading, I just didn't understand it.

One of the funniest things about Mr. Kaufman is that all of his filmed scripts - 'Being John Malkovich,' 'Human Nature,' 'Adaptation' and now 'Sunshine' - sound like titles from REM's 'Reckoning.'

My agent had warned that, while a fine film would do my profile a world of good, a bad one wouldn't help me at all, and I suspected she was soft-pedalling the latter possibility. The effect of a truly execrable adaptation is worse than neutral. The stink rubs off.

I found, through the process of doing 'The Perks of Being a Wallflower,' that I really love directing movies and I love writing books and so this will become the centerpiece of my career for the next ten or twenty years. Doing these adaptations.

Working on an adaptation is not as satisfying, because it's not your original work: you're interpreting. With 'L.A. Confidential,' I loved the book. In that case, I felt I was guardian of the work, staying as true to the novel as I could. I've since met the novelist, and he loves the movie and the script.

We should be concerned about the impact of climate change on vulnerable populations, without question. There is nothing automatic about adaptation. But it's clear that there is simply no science that supports claims that rising sea levels threaten civilization much less the apocalypse.

You and I share the same DNA. Is there anything more lonely than that?

I guess I've never really done a straight adaptation. It's been more like 'in the spirit of,' you know?

At a minimum, in explaining evolutionary pathways through time, the constraints imposed by history rise to equal prominence with the immediate advantages of adaptation.

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