Quotes of All Topics . Occasions . Authors
If it weren't for how esoteric the art world likes to be, I would love actually to play the music in the shows, painting the music that influences me most.
The art world is never going to be popular like the NFL, but more people are buying art and I think that's cushioning, to a great extent, our art-market cycles.
I think the art world... is a very small pond, and it's a very inbred pond. They rely on information from an elect elite sect of galleries, primarily in New York.
Many people misunderstand me - I'm quite happy to be called a photographer. All of a sudden, the art world has caught up with photography, and they are trying to hijack us.
I began to exercise a lot of cinematic muscle with the precepts I had learned in the New York art world. Film was intriguing. I began to think of art as elitist; film was not.
Anyway I feel myself a bit on the edge on the art world, but I don't mind, I'm just pursuing my work in a very excited way. And there isn't really a mainstream anymore, is there?
My parents worked in the art world. They were really supportive of my music in that they allowed me to drop out of school and move out of our home, which not many parents would do.
The art world has become so insular. The rules have become so autodidactic that, in a sense, they lose track of what people have any interest in thinking about, talking about, or even looking at.
For me, there has always been a disconnect with the sort of elitist structure of the high-art world - and my distaste for that is at odds with my feeling that art should aspire to do great things.
I believe in advertisement and media completely. My art and my personal life are based in it. I think that the art world would probably be a tremendous reservoir for everybody involved in advertising.
I can't see the film industry coming to a grinding halt any time soon. I think we may be more open to negotiations and things like that, but I think the art world tends to thrive in times of recession.
Of course, museums and galleries and art spaces will continue to ground the art world. But certainly the public - as well as artists - also benefit when art is encountered in other everyday situations.
It makes me happy to think that this world of art-as-investment is a minuscule fraction of the art world overall. Most people who create, trade and own art do it for a much simpler reason. They just like it.
I haven't been to Berlin Fashion Week before, but it's really on the up. Being an artist as well as a model, I know that the art world is booming here, so it makes sense that fashion would feel that effect, too.
I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture.
The real problem with the art world is not the money men scavenging in its wake - they've always been there - but the pirates who've taken over the ship. I am thinking, of course, of that awful art world species: the curator.
If art means as much to you as it does to me, or even if you're just exploring the art world for the first time, I invite you to turn off the boob tube, pry the Wii controllers from your kids' hands, and drag them to a museum.
I wasn't an academic looking in books for ideas. But I educated myself about historical work that was similar to mine, to provide a frame of reference that wasn't the usual frame of reference of the New York art world and Europe.
Life doesn't just happen; it's constructed through the history of power. And that's something I am interested in and so is the art world: a world that's trying to engage socially, with a leftist slant, to work out how we got here.
The art world can be very intimidating because it's just so vast. You talk to people who are really clued in to all the young artists and coming into it you're never going to be able to catch up immediately, even though there's pressure to.
The concept of commercialism in the fashion and art world is looked down upon. You know, just to think, 'What amount of creativity does it take to make something that masses of people like?' And, 'How does creativity apply across the board?'
When I was making my debut as an artist, I felt that it was very important that I try to combine the background of my own culture, my people, and the country into the contemporary art world. So that's how I came up with the term 'superflat.'
There are times when the art world seems like a religious empire. There are great cathedral galleries and pilgrimage sites where treasured art pieces are displayed like holy relics, and this can certainly be a great pleasure on a rainy Sunday afternoon.
But you know in the contemporary art world, you pose a very interesting conundrum. All sorts of people collect very contemporary art, yet when it comes to the music which is analogous to that sort of art, they are not interested, or perhaps even hostile.
Unfortunately, I haven't thought sufficiently about art. What I never realized - and it's really stupid - is the art world is the art world because all these thousands of famous and not-famous artists do things, over centuries. This hadn't occurred to me.
It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.
I don't necessarily make much art myself, but after I wrote 'Warped Passages,' I was fortunate to get involved a little in the art world. I got invited to write a libretto for what we called a projective opera, and I also got invited to curate an art exhibit.
An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been interested in it.
The Chinese art world does not exist. In a society that restricts individual freedoms and violates human rights, anything that calls itself creative or independent is a pretence. It is impossible for a totalitarian society to create anything with passion and imagination.
I think the art world is one of the last bastions of this kind of sexism where there is a mythology about a woman not being able to be both and artist and a mother: that some very important creative crystal inside a woman would be shattered by the idea of having a child.
I don't have so many things in the fashion world that interest me. It's probably because I am so deeply into it. Often when you go very deep into something, you also discover what it's about, and you understand it better. With the art world, I still have a lot of curiosity.
I don't know why we, in the art world, cannot unpack things and sort of make hybrid notions of a practice. We're very rigid. It's funny, though; in music, we have no problem sampling, mixing and remixing. But in the art world, why can't we take little parts of history and mix it together?
I'm going to put a museum on my ranch and people keep saying, 'That's a huge idea.' Yeah, it's big, but not bigger than the average big movie. A hundred million dollars in the art world is a substantial amount of cash to do anything. That's maybe a big gallery's total sales for a given year.
I'm not really well educated - other than an art survey course at the High School of Art and Design in New York when I was, like, 15. I don't know the history of art, but I got over intimidation from the art world when I realized that I was allowed to feel whatever I want and like whatever I want.
When we can't determine what is art - when you get to that point where we're not sure, that's the greatest likelihood that we're actually experiencing something great. But I think that's what the art world is most afraid of, because you lose that security. Then we don't know how to assign evaluation, whether it's cultural or otherwise.
For me, boxing was a way of me exercising my frustration, anger, sense of injustice, but also a way of owning my space and taking up space. Which I think as a woman in the art world is essential for surviving. You have to become comfortable going like, 'OK, I'm going to take this wall, this wall is mine, I'm going to put my work on this wall.'
I'm enamored with the art world. Anytime you look at anything that's considered artistic, there's a commercial world around it: the ballet, opera, any kind of music. It can't exist without it.
When the art world is done wrong, a reader's faith is lost and possibly not recuperable.
Contrary to popular opinion, things don't go stale particularly fast in the art world.
The fashion world is 10,000 times more superficial than the art world. Fashion people are so much crazier than art-world people. They are constantly trying to leech from the art world, but they will never be able to do what we do.
I've been slagged off completely by the art world and I don't know whether fancy being slagged off by the literary world as well. It's just too much.
I think when you're collecting, the best advice is just 'see see see see.' The more you get used to the nuances of the art world and what people are doing and whose opinion matters, the more you can tune your own collection and know that these are works that do count; these are artists that will be of relevance tomorrow.
Sometimes the art world can be a scary place, and you feel like you should know more than you do, but it's okay to not know everything!
I don't know very many people in the art world, only socialise with the few I like, and have little time to gnaw my nails with anxiety about any criticism I hear about.
When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways.
Part of my desire to play music was because I wanted to escape the art world and the politics of it; the petty gossip-y art world. But you know, I feel like they're both equal forms of expression.
People see owning a gallery as a way to get rich. I never thought that I could get rich in the art world. I wanted a life in art. I wanted to live with artists. I wanted to make beautiful shows.
One of the biggest things happening in the art world is this idea of expansion. No one embodies this aspect of what art is becoming better than James Franco.
I don't want to do things because it will please other people. I'm not doing this to get fame or any attention. I try to be selective about who I get advice from. I would like to contribute to the art world, but, you know, you can't plan these things.
I celebrated success in the art world, which was quite sudden, and I suddenly had $1,000 a month, when formerly I had nothing, basically. So what we did with this money: we had a baby, we bought a car, and we celebrated by going to Rome, because it would be warmer and better looking.